January 25, 2005 12:13 PM PST
File swapping vs. Hollywood
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infringement on their networks, the companies should be held legally liable for that activity.
Two 9th Circuit lower courts have disagreed. Like photocopiers or VCRs, the companies' peer-to-peer software can be, and is, used for legal purposes such as selling music or video games, the courts said. They've interpreted the Sony precedent to mean that file-swapping companies such as Grokster and StreamCast can distribute their peer-to-peer products without legal liability for the widespread copyright infringement of people using the software.
In their brief to the nation's top court, the entertainment companies said those lower courts had misunderstood the balance required by the original Sony decision to protect copyrights as well as technological innovation, however. They charge that at least 90 percent of the activity on Grokster and StreamCast's networks is illegal and that the companies are well aware of that, even if they don't control individual trades.
The groups asked the court to ratify a new legal test, looking at whether a company's business is predominantly devoted to or supported by their customers' copyright infringement, to decide whether or not it should be held legally liable.
"When your business is predominantly devoted to copyright infringement, you're on the hook," said Donald Verrilli, an attorney working with the entertainment companies. "When you protect copyright, you innovate legitimately. It is the illegitimate abuse of technology that we are opposed to."
A handful of diverse organizations joined the entertainment companies in their appeal to the Supreme Court on Monday, occasionally making for some strange bedfellows.
In a lengthy brief, the Office of the Solicitor General agreed with the entertainment companies.
"While P2P technology unquestionably can be employed for a variety of legitimate purposes without giving rise to rampant copyright infringement, the record...suggests that (the file-swapping software companies) have built their particular P2P networks around the 'draw' of massive copyright infringement," the solicitor general's brief read. They "cannot evade liability...merely by pointing to other, legitimate uses of the technology."
In addition to the solicitor general's office, a group of conservative, family and Christian organizations that are often deeply critical of Hollywood and record label releases joined the anti-P2P chorus.
Those groups, which included the Christian Coalition, the Concerned Women for America, Morality in Media and others, wrote that the lower-court decisions relieving file-swapping companies of legal liability could lead to a "proliferation of anonymous, decentralized, unfiltered and untraceable peer-to-peer networks that facilitate crimes against children and that frustrate law enforcement efforts to detect and investigate these crimes."
The Business Software Alliance, the Progress and Freedom Foundation, a large group of state attorneys general, artists including the Eagles and Reba McEntire, and a group of law professors also supported the RIAA and MPAA in their arguments.
A separate group of "neutral" parties also filed arguments on various issues surrounding the case.
U.S. Sens. Patrick Leahy, D-Vt., and Orrin Hatch, R-Utah, took issue with the characterization the file-swapping companies' attorneys made of Congress' role in the recent copyright debates.
A larger group of Internet companies (including CNET Networks, publisher of News.com) wrote that it did not approve of copyright infringement on the file-swapping networks but asked the court to retain the Sony decision because it had led to considerable technological innovation over the years.
15 comments
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If they get what they wanted, the radio, the tape, the CD, mp3s, digital music, the VCR, and even TIVO would not exist because at one point ALL of these devices were seen as illegitimate.
The question of new releases:
Well, this isn't about new releases. It's about control and about keeping the "status quoe". Otherwise, Hollywood would not allow new releases on the net (and they do) and 30 year old tv seies shows on dvd would not still be $25 a disk (and some are).
Alot of companies make recording devices and the internet is the ultimate communications tool. Alot of money is being made and spent on "convergeance" bringing the television, the radio, the internet, and the telephone together into ONE device. This cannot be done without some kind of content. Whatever that content may be.
These judges, the RIAA, and the MPAA must excersise extreme caution here. This has the power to lay ALL our most treasured technologies to complete waste.....WORLD WIDE. If America is to remain in the status as a "super power", it MUST maintain technological superiority. This fight has the ability to completely destroy the superiority.
As I see it....
This is about greed, power, and control. All by groups of people that refuse to "use" this technology (perhaps due to fear) for the benifit of all man kind.
Also, the way things are now more people are hearing artist's they never heard before, which could help instead of hender the sell of music.
No matter what the courts say, the fact is that anything that can be done digitally can be undone. Hence, all efforts on the part of the RIAA, the MPAA, and any related organizations will all prove fruitless because the Pandora's box (the Internet) has been open far too long and there's no eradicating the technology that exists that allows people to download.
If there is ANY tech person out there that is reading this that can state that there will someday be a technology to prevent downloading, by all means please tell me. But every single tech person I've interviewed for the last five years has told me that no matter what will be created to stop these practices, all efforts will be temporal and undone by other tech people who know how to get around whatever "speedbumps" are placed out here in cyberspace.
Even if it were possible to shutdown every website around the world that offered film and music content, that would onlty create a host of Intranets and User groups that would continue to download anyway.
Whether it's Grokster, or any of the dozens (hundreds?) of other file-sharing websites out there that have music and film content on them, the issue should now be for the film and music industries to create new online revenue models ASAP because whether they like it or not the Internet is not going away, and neither is file-sharing/downloading. It's going to continue...and instead of wasting precious time on lawsuits and trying to find a "magic bullet" to solve the problem, the film and music industries need to realize they will have to co-exist in this new world.
If the industry thinks that thought unthinkable...then I suggest they look at iTunes and the revenue and sales Mr. Jobs and company expect to gross this year.
Online digital music sales are way up. According to the IFPI (International Federation of the Phonographic Industry), the number of legitimate online music sites rose to 230 last year, compared to 50 the year before. The catalog of music available online also doubled, to 1 million songs. The international trade organization also says that individuals in the U.S. and Europe legally downloaded over 200 million tracks last year, up from approximately 20 million in 2003. That amounts to online sales of about $330 million, or about six times 2003's take. (<a class="jive-link-external" href="http://www.ifpi.org/site-content/library/digital-music-report-2005.pdf" target="_newWindow">http://www.ifpi.org/site-content/library/digital-music-report-2005.pdf</a>)
It's time for the film industry to realize they can reap the same rewards if they stop wasting time. Who knows...maybe Steve Jobs already has iFilms in the works.
Steve Meyer
President - Smart Marketing
Publisher - DISC&DAT - A New Media Newsletter
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E-mail: stephennmeyer@earthlink.net