The Social

(Credit: The Beatles)

No, the digitally remastered Beatles catalog hasn't come to Apple's iTunes. But it has come to an apple-shaped USB device.

Retailing for $279.99, the collection will be released December 8 in North America, three months after the September 9 release of the remastered set of the band's albums (as well as The Beatles: Rock Band video game). The apple shape is in reference to Apple Corps, the Beatles music publisher--which in the past, you may recall, sued tech giant Apple in a trademark dispute.

(Credit: The Official Beatles Shop)

When the release of the remastered Beatles catalog and Rock Band game were announced for September 9, 2009 (the band has a song called "Revolution 9"), speculation arose that a concurrently scheduled Apple Inc. announcement might bring the catalog, still unavailable for digital download on the Web, to iTunes. That didn't happen. But with the release of the USB collection, the albums are available in non-CD digital form for the first time.

In addition to MP3 and FLAC versions of 14 stereo titles, according to a release, the 16GB device contains "all of the remastered CDs' visual elements, including 13 mini-documentary films about the studio albums, replicated original UK album art, rare photos and expanded liner notes."

Correction 10:45 a.m. PST: This story initially misstated the release date. It is December 8 in North America. Also, the type of lawsuit Apple Corps filed against Apple Inc. has been corrected. It was a trademark dispute.

I have a love song to write. I don't know yet whether it will be a tragic ballad or an exuberant ode to the triumph of happiness. But it's a love song for sure: I have fallen for Spotify, the latest buzzworthy "free music" service. After months of trying to find a great way to find and listen to music online, I believe I have met my match.

No, Spotify technically isn't available in the U.S. just yet, though the U.K.-based company hopes to bring the software stateside by the end of the year. My acceptance of an invite code sent by a generous friend therefore may or may not have been in gross violation of some international laws or statutes or regulations. But that's OK. Spotify, we can have an illicit romance for now.

You see, I needed this in my life. I had been thinking about "music discovery" of late. Last week, at the tail end of a trip in which I had been covering Google's splashy Los Angeles debut of its music search service in partnership with MySpace and Lala, I was sitting in the lobby of the Standard Hotel in West Hollywood, a shameless hipster magnet designed in the manner of tacky Southwest-desert motels and which features a constant soundtrack of semi-edgy music picks from '90s-era Britpop to lo-fi and LCD Soundsystem remixes. As a parade of attractive, Sunset Strip rocker types drifted to the check-in desk, I was sitting next to a cactus, intermittently holding up my iPhone to a speaker, using audio-recognition app Shazam to find out exactly what was playing.

Considering the cooler-than-thou crowd, I probably looked awfully silly. But Shazam has been my preferred method of music discovery because I just haven't found anything else I really like. Queuing up a Pandora station makes for great party music, but I've never been enthralled by its recommendations for me. Music blog aggregator Hype Machine has very well-done charts to track the songs that are getting blogged and tweeted about the most, but they can be a little bit predictable once you've already listened to the latest mashup of Kanye West and MGMT. I use Last.fm, owned by CNET News parent company CBS, to tabulate listening-history charts, but have never found myself hooked by its recommendations or radio stations. (Sorry, bosses.)

Social music and discovery services are a mess, frankly. Some of them have terrible user interfaces, and others are slowly becoming the victim of poorly conceived business models (many of which relied too heavily on advertising strategies that have yet to bear fruit) and ill-fated licensing agreements with the major labels. Still others, in striving to get a leg up on competitors, veered into editorial curation--exclusive album-listening debuts, promotions and tie-ins, and the like. That can make for a whole lot of clutter.

Then along came my Spotify invite, and everything changed. The service makes no attempts on the surface to be an "influencer" in and of itself, instead just offering access to full-length streams of just about any song. That's daunting at first. When you first load up Spotify, you're greeted with basic top-music charts that are notably uninspiring (Black Eyed Peas? Kings of Leon?) and searches don't bring you anything other than, well, what you searched for. Social-networking features like Facebook and Twitter sharing are sparse and well-hidden. If you don't know where to look, it can be a little bit dull.

Instead, the "discovery" process is left up to third parties. Create a playlist on Spotify, and you can assign it an HTML address so that when people click on it (assuming they have Spotify accounts) the playlist will open right up. A popular U.K. music blog called Drowned in Sound has a feature called "Spotifridays," where a selection of popular music from that week is packaged into a Spotify playlist, eliminating the need to click around through various Web browsers and streaming-music embeds. A friend sent me a link to Drowned in Sound's playlist of top songs of the first half of 2009. I was set for the next 7.6 hours.

Then, this happened: My Amazon MP3 bill started escalating as my "shopping cart" filled up with songs from bands I'd never heard of before, like the Veils, Let's Wrestle, and the Big Pink. The no-brainer Spotify platform, and how easy it is for anyone to use it to create playlists and share them in a way that doesn't involve a single wacky embeddable widget, was making me buy music.

But Spotify's long-term prospects are still hazy. Its dual business models, monthly subscriptions (for ad-free accounts and access to its iPhone app) and advertising for free accounts, have historically failed to hold up in the face of the micropayments-based iTunes. CEO Daniel Ek has even acknowledged that profits aren't flooding in yet and accused the labels of inflating licensing fees. The specter of SpiralFrog, another hyped free-music service that went down in flames earlier this year, is still in recent memory.

It's also unclear as to how the Spotify service, currently available in Sweden, Norway, the U.K., Finland, France, and Spain, will fare in the U.S. when it arrives here. Google's new music search feature, which is right now restricted to the States, may give a big advantage to competitors MySpace Music and Lala as search traffic is directed there. There's also the potential money drain: Government regulations over licensing fees last year. Digital music, you could say, is an industry with a lot of emotional baggage.

Generally, when there are glaring roadblocks in a new relationship, it's a red flag that you shouldn't get too attached. But this is one where I'm willing to fight to keep it alive. I hear there's a chance I'll be shut out of Spotify entirely in a few weeks unless I tweak my IP address somehow to fool the service into thinking I'm in one of its approved countries. Or unless I cough up the money for a premium subscription.

And I'd consider that. Money can't buy me love, but it could buy me Spotify. And right now they're sort of one and the same.

LOS ANGELES--Already the far-and-away leader in search, Google wants to be a big player in music discovery, too.

The pop-up MySpace player that will appear when clicking the 'play' button in a Google search.

(Credit: MySpace)

The search giant teamed up with News Corp.'s MySpace and streaming service Lala for the Wednesday debut of the new Google music search feature at the historic Capitol Records building in Hollywood. With the new music search, which had been internally code-named "OneBox" when news of the project broke earlier this month, search queries pertaining to something like a song, artist, lyrics, or album will bring up links to streaming songs from iLike and MySpace, as well as links to artist information on Pandora, Imeem, and Rhapsody. The lyrics search is provided through a partnership with Gracenote.

"It is directly embedded and integrated into Google search. There's no special button to push," R.J. Pittman, director of product management for search properties, said in a phone interview with CNET News. Currently, due to licensing and availability issues, the music search is U.S.-only.

There also won't be direct download links in Google: those will be handled through Lala and MySpace. "We push all the music engagement and commerce down through the partners," Pittman said.

Additionally, if a relevant music video is available, the MySpace window that pops up when someone clicks on the "play" button in search results will display a link to that video through MySpace's new music video portal. That's interesting, considering music videos are some of the most popular content on Google's own YouTube--but YouTube video results will continue to show up independently of the new music results in Google searches.

Financial terms of the partnerships aren't yet clear. "Everyone's keeping their own revenues and we're not messing with anything," Lala founder and Chairman Bill Nguyen told CNET News. But MySpace Music President Courtney Holt was a bit more tight-lipped, saying "we're not discussing the financial details."

The MySpace deal is a little more complicated to begin with, though. Google had been in talks with music start-up iLike about integration into music search, but then iLike was acquired by MySpace in a deal that closed earlier this month. Indeed, a statement from Holt says that "this relationship was secured and implemented by the iLike team." But iLike founder Ali Partovi (who's currently on board MySpace's music team) explained that the partnership now has "MySpace branding, (and) MySpace content licensing." Through the integration of iLike's technology, it'll also have concert notifications if someone searches on Google for a band that's currently on tour.

"I think MySpace, along with (Apple's) iPod, is one of the most trusted brands in music, one of the most resonant to consumers," Partovi said. MySpace is also reported to be in talks with Microsoft to power a music feature on MSN.

Music search is something that Google could really dominate. According to traffic firm Experian Hitwise, 6 percent of Google's top 1,000 search-related terms deal with music, and already 30 percent of traffic to sites that Hitwise classifies under the "music" umbrella comes from Google.

Considering Google's reach, it's a big win for both MySpace, currently struggling to redefine itself as a pop culture powerhouse rather than a social network through its MySpace Music service, a joint venture with major and independent record labels, and Lala, which also has a new song-gifting deal with Facebook. "We think (Google's music search) going to have a thousand percent increase in our sales, an order of magnitude more," Lala's Nguyen told CNET News.

This also means that music-related search results are getting a sheen of legitimacy on Google. With official partnerships, Google's most prominent music search results will be from sites that have licensing deals in place with the major labels, rather than potentially pirated content. Google's history with the music industry is spotty at best: it's had to strike its own deals with the major record labels, and relations haven't always been positive. Music search puts it all into order, partners in the deal say.

"Instead of ending up with a pirate site and a page with a bunch of ads or random lyrics sites, you wind up with a play button," Nguyen said.

Updated 4:30 p.m. Just after Google and Lala made the announcement official (in what was probably not a coincidence) Yahoo released a blog post designed to point out that they've been offering this kind of music search for a while. "We've made it easier to find music videos, artist information, and play full length songs from within the search results page. This is just one of the many ways Yahoo! is enhancing the search experience for music lovers," said Larry Cornett, vice president of consumer products for Yahoo Search.

Video might've killed the radio star, but the Web sure hasn't killed music videos. Less than a week after News Corp.-owned social site MySpace announced its MySpace Music Videos portal, video search engine Blinkx announced the debut Tuesday of "Blinkx Music," a search tool specifically designed to trawl through music videos across the Web.

"There are hundreds of thousands of music videos available on the Web today which makes it nearly impossible to navigate and find what you are looking for," Blinkx founder and CEO Suranga Chandratillake explained in a release. "Based on the success of blinkx Remote, our online TV guide, we recognized there was a need to help organize music videos and make them easily searchable on the Web. By leveraging our award-winning video search index, we built Blinkx Music to help our users find their favorite music videos quickly, easily and in one place."

Blinkx says that its search engine has thus far indexed more than 33,000 hours of music videos from about 10,000 artists. While it says that Blinkx Music will let users "post comments and interact with other fans, and also offers background information about bands and their work," the release doesn't say whether it will provide links to streaming or download partners, from which it could potentially rake in revenues shares.

But this is a tight space, and MySpace's music video portal won't be Blinkx Music's only competitor. Universal Music Group is still putting together Vevo, a Hulu-like portal for music videos that aims to bring artists and labels the revenues they might not be getting from YouTube (though the Google-owned video platform is providing Vevo's technology).

Also looming in the background is Google's forthcoming music offering, which the company plans to formally unveil in a press event on Wednesday in Los Angeles. This could instantly run away with a huge market share in music video (and music download) search.

Some background on Blinkx: it's a publicly traded company based in the U.K. It merged with a search engine called Autonomy and then was spun off from it when it went public in May 2007. When rumors started to swirl last year that Google and News Corp. (which, coincidentally, owns MySpace) were interested in acquiring it, shares of Blinkx stock soared.

A correction was made at 11:31 a.m. PT on November 2: Blinkx has been de-merged from Autonomy.

SAN FRANCISCO--With both MySpace CEO Owen Van Natta and News Corp. chief digital officer Jonathan Miller taking the stage at the Web 2.0 Summit this week, there was naturally plenty of talk about the social site's attempt to reverse its ill fortune of late. Once the biggest name in social networking, it's long since lost that title to Facebook and is trying to reinvent itself as a destination for music and entertainment.

"I think that what you see in the space more than anything else is if you don't keep innovating and moving forward you get in trouble," Miller said in his talk on Thursday morning. "You can't stop, you have to keep going, and (MySpace) didn't keep going, it kind of stopped."

And in that time, he added, "we had two fantastic competitors emerge in Facebook and Twitter."

The previous day, Van Natta made his first big appearance on the conference circuit since he joined MySpace and was tasked with a major turnaround. Van Natta unveiled a new music video hub as well as an enhanced set of marketing tools for music artists--some of which were built in with technology from iLike, which MySpace acquired this summer.

And on Wednesday night, the "new" MySpace was out in full form: a line snaked down three city blocks when music fans caught wind of the fact that the company had booked rock band Weezer for one of its "secret shows" concerts.

"MySpace started with an essence around certain things, and one of them was music, and meeting new people," Miller, a former AOL exec who also joined News Corp. this spring, said on Thursday. "We're going back to basics in that sense, but you've got to make it relevant to today and going forward."

It's obviously too early to tell whether the "reinvention" will work. Some critics say that it's too big of a task, especially given the state of the advertising market. But Miller spent a big portion of his talk at the Web 2.0 Summit hyping up the Fox Audience Network, or FAN, the digital advertising division that News Corp. first announced last spring.

"We kind of broke it out of MySpace and gave it a life of its own," Miller said. "We're just at the beginning of a coming-out party for FAN."

FAN just inked a deal with agency giant Omnicom, and more are on the way, he added. Miller also said FAN is the fifth-largest ad network on the Web, after the usual suspects--Google, Microsoft, Yahoo, and AOL--and that it's hoping to get into fourth place soon.

SAN FRANCISCO--He's not kidding about making changes.

MySpace CEO Owen Van Natta took the stage at the Web 2.0 Summit event on Wednesday and paraded out a whole slew of announcements related to turning the flagging social network into a music and media powerhouse. He showed off a massive catalog of music videos--coming from all the partners in the MySpace Music joint venture--and an enhanced set of tools for bands using the site as a marketing and promotional hub. Plus, the MySpace Music service now syncs up with Apple's iTunes, not just Amazon MP3.

It was former Facebook exec Van Natta's first big public appearance since becoming CEO of the News Corp.-owned MySpace in April.

The "artist dashboard" for MySpace Music is a free product that offers a suite of analytics for bands and artists that operate MySpace profiles so that they can get details on who's listening and interacting with them within the MySpace community. It's also baked in features from iLike, the music service that MySpace acquired this summer. iLike operates social apps on a variety of platforms, including Facebook, and artists using MySpace can now access that data too.

"We're giving people things like geographic breakdowns, where exactly their friends are not just in the U.S. but in the world," Van Natta explained. "This is literally getting pushed live as I'm sitting here talking to you."

For the fans, there's the music video portal, which started rolling out on Wednesday, offering the entire catalog of music videos from all the labels that offer their music on the MySpace Music streaming service. It'll compete with Vevo, the Universal Music Group-founded music video hub that features YouTube-created technology and investment backing from Abu Dhabi oil money. But it sounds like Universal's music videos will be on MySpace, too.

CNET News reported earlier this month that MySpace was working with video hub Hulu--in which News Corp. is a stakeholder--to launch a new video service. It's unclear whether there is any connection to the new music video hub.

MySpace launched the MySpace Music operation last year and hired former MTV executive Courtney Holt to head it up. But things haven't been altogether sunny. Earlier this year, word got out that the major labels who've put a stake in MySpace Music were dissatisfied with its performance.

Plus, earlier on Wednesday, it came to light that rival Facebook was making its first big move in the music space. The massive social network announced a partnership with music service Lala as part of its revamped virtual gifts marketplace, allowing members to buy songs for one another.

Van Natta shrugged off concerns that MySpace, with a significant portion of its traffic eaten away by Facebook's rocketing growth, is having trouble pulling in advertising revenues.

"We're really good at monetization," he assured the audience. "There's a lot of different avenues that we can take."

This post was expanded at 4:54 p.m. PT.

Sony Music Entertainment's catalog is coming to indie music retail site Amie Street, in the New York-based start-up's first major label deal.

But here's the catch: Sony's catalog will not be participating in the "dynamic pricing" model that's been Amie Street's trademark--unpopular songs are the cheapest, and the price rises as a song is downloaded more. Instead, Sony songs will be available for a flat 69 cents, 99 cents, or $1.29 based on popularity.

"It wasn't a hard decision for us," Amie Street co-founder Josh Boltuch told CNET News. "This isn't affecting all the other dynamically priced music on the site." He noted that RED, the indie music distribution company owned by Sony, already offers its songs on Amie Street through the dynamic-pricing model. "Sony Music obviously has the option to experiment with dynamic pricing at their discretion," Boltuch added. "Clearly we would love to do that with them."

This isn't the first time that an indie music retailer has had to compromise to ink a major-label deal. Sony was also the first major label to bring its catalog--well, its "classic" back catalog--to subscription site eMusic. But the deal resulted in eMusic raising some of its prices in tandem.

Amie Street, which pitches itself as a way to discover as well as purchase new music, made major headlines last year when it was the only place on the Web to buy songs recorded by Ashley Alexandra Dupre, the call-girl-slash-aspiring-pop-star at the center of the Eliot Spitzer scandal.

At the risk of sounding like a complete tool, the best way to describe Twones, which launched Thursday, is "FriendFeed for music." The Amsterdam-based start-up aggregates a variety of social and not-so-social music services--currently a total of 28, including Imeem, iLike, Blip.fm, iTunes, Grooveshark, and Last.fm (owned by CBS Interactive, which publishes CNET News)--through a Firefox browser plugin.

Once you've set up your account, Twones (which I'm guessing is pronounced "tunes," rather than rhymes with "phones") will compile your playlists and listening history but will also, much like iLike, provide artist information, upcoming concert dates, and photos and videos sourced from Flickr and YouTube. You can also bookmark favorite songs and find out what your friends are listening to.

Twones doesn't actually host licensed music and the company doesn't seem to want to, which is good to hear: streaming music start-ups are one of digital media's most troubled niches, plagued by both legal issues and difficulty making money.

The moneymaking prospects for Twones, which has already taken investment dollars from the Holland arm of concert and promotion giant Live Nation, aren't yet clear. The company will serve ads, but hopes to also make money by offering premium accounts down the line for users as well as business accounts for artists and marketers who want more detailed information about who's listening to their music and who could be untapped marketing targets (among other things). But these are all obviously dependent on an active user base, and relying on an installed browser plugin may deter some users--especially since it's currently Firefox-only.

Twones is in private beta but we have 500 invites available for CNET readers. Use the promo code CNET09 when you register.

(Credit: Screenshot by Rafe Needleman/CNET)

One of Apple's smaller announcements at Wednesday's music-focused event was that you'll be able to share your deepest iTunes hopes and dreams through Facebook and Twitter.

Well, more specifically, you'll have "Share on Facebook" and "Share on Twitter" options in a drop-down menu on album purchase pages in the iTunes Store to broadcast which music in which you're interested.

Basically, this means that you can show off your music taste or attempt to convince friends to buy albums for you. The links in Twitter tweets and Facebook posts will likely go straight to the option to purchase the album, potentially driving up sales.

An example of what you can get when you 'Share on Twitter.'

(Credit: Screenshot by Rafe Needleman/CNET)

This is a pretty standard practice likely accomplished through implementation of the social sites' APIs rather than a formal partnership--the latter of which was probably required when Apple brought Facebook Connect to the iPhoto desktop software.

The more interesting part? It looks like this officially proves that an extremely dubious set of screenshots that hit the Web last month--showing buttons for Facebook, Twitter, and social-music site Last.fm integrated directly into the iTunes app--are indeed fake.

Disclosure: Last.fm is owned by CBS Interactive, which publishes CNET News.