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May 5, 2009 5:59 AM PDT

Jimmy Fallon, Trent Reznor earn top Webby Awards

by Caroline McCarthy
  • 4 comments

There are literally dozens of categories in the annual Webby Awards--too many, if you ask some--covering pretty much every niche of digital media. This year's winners, announced Tuesday, are quite a lot to scroll through.

The list of top honors, however, is short.

This year, the Webby Awards' Person of the Year is former "Saturday Night Life" cast member Jimmy Fallon, whose new "Late Night with Jimmy Fallon" has brought Twittering and gadget fandom to the network-TV crowd.

The film-specific Person of the Year award goes to "Family Guy" creator Seth MacFarlane, who has partnered with Google on an animated Web series and whose creations consistently rank at the top of Hulu's most-watched clips.

The Artist of the Year accolade is for Nine Inch Nails frontman Trent Reznor. A vocal critic of the mainstream music industry, Reznor has been skeptical of "innovative" digital distribution efforts and most recently lashed out at Apple on his blog for turning down a Nine Inch Nails iPhone app.

A new category, Breakout of the Year, joins the Webbys this year. It's been awarded to--surprise, surprise--Twitter.

The fact that the Webbys' top awards go to known entities isn't new. Its highest honors tend to go to mainstream celebrities who have built their fame offline and have then turned to the Web as a sort of experimental platform. Last year's Person of the Year awards, for example, went to comedian Stephen Colbert, director Michel Gondry, and Black Eyed Peas frontman Will.i.am for his YouTube sensation "Yes We Can" in support of Barack Obama's presidential campaign.

The Webbys ceremony is set for June 8 as part of Internet Week New York.

January 29, 2009 6:30 PM PST

Facebook Connect syncs up with iPhoto

by Caroline McCarthy
  • 10 comments

Now, this is kind of neat: Facebook Connect, the sprawling social network's universal-login project, has started to come to desktop software. Namely, it's been hooked up to the Apple photo-management software iPhoto, per a post on the company developer blog.

"We are excited that sharing your photos with the people you care about has become even easier with iLife '09, Apple's new suite of applications that includes iPhoto '09," the post by Facebook platform manager Dave Morin said. "Users of iPhoto '09 can easily share and tag photos from iPhoto directly to Facebook. With help from Facebook Connect, photo tags from iPhoto '09 can be added to Facebook and generate Facebook notifications. Additionally, Mac users can update Facebook News Feed and alert friends anytime they update their websites using Apple's iWeb '09 application."

Basically, this means that if you're a Mac user running the latest edition of its iLife package, which started shipping earlier this week, you can hook up your Facebook account for easy uploading right from iPhoto. If you use the iWeb site creation tool, you can set it up to post a message to your Facebook profile (and your friends' news feeds) if you make some kind of edit. That's pretty similar to what a number of Web-based blogging services have already set up using Facebook's platform.

I haven't actually checked it out yet, so I can't provide a thumbs up or down, but the concept itself is pretty cool. Facebook rolled out its Facebook Connect product, which lets third-party sites (and now desktop apps, apparently) use Facebook usernames and passwords for user accounts, over the second half of last year. The reception, so far, has been generally positive.

What'll be really interesting is to see the further implications of Web-based login standards like Facebook Connect as they're synced up to more desktop applications. Not that you'd really want to share all your Microsoft Word edits in your news feed or anything.

January 23, 2009 4:00 AM PST

Remembering the '1984' Super Bowl Mac ad

by Caroline McCarthy
  • 36 comments

The fact that the Los Angeles Raiders humiliated the Washington Redskins in a 38-to-9 victory is a mere afterthought. Super Bowl XVIII's lasting legacy has been a single advertisement sandwiched somewhere in the third quarter: Apple Computer's iconic "1984" commercial.

It began, in a clear nod to George Orwell's novel of the same name, with tense strains of music, the image of figures marching through a tube across a dank industrial complex, and the start of a bizarre monologue: "Today we celebrate the first glorious anniversary of the Information Purification Directives."

Directed by Ridley Scott not long after Blade Runner, "1984" aired on January 22, 1984, and its narrative is now geek canon. Scores of blank-faced people are fixated on a broadcast of a Big Brother figure on a giant television screen, until a woman in bright athletic apparel sprints down a center aisle, wielding a hammer. She hurls it at the screen, which explodes into a bright white light. The expressions on the faces in the crowd morph into fascination.

The science fiction-like display of iconoclasm versus conformity is then explained in a message that appears onscreen: "On January 24, Apple Computer will introduce Macintosh. And you'll see why 1984 won't be like 1984."

In the entertainment industry, it was the dawn of the cinematic Super Bowl ad. For historians, it was a notable moment in Soviet-tinged pop culture. But in the tech world, this was the birth of Apple as we know it--25 years ago this week.

"That was certainly Apple's big debut," said Douglas Raybeck, a professor emeritus in Hamilton College's anthropology department who has written about the Cold War's role in pop culture and admits to being a decades-long Apple fan. "They were around before that. People knew of them. They had had some very clever little ads, but they must have bet the house on that one."

Indeed, they did; and in fact, it's become common knowledge that Apple's board of directors came close to canceling the TV spot altogether. Produced by agency Chiat/Day (which, in its current incarnation as part of TBWA, still creates Apple's ads) with a budget of $900,000, it was also one of the most expensive advertisements in television's history.

Special coverage
Click image for our special
anniversary coverage.

At the time, Apple was a long shot in the nascent PC market share wars and was far eclipsed by IBM in its "Big Blue" heyday: the company was taking a staggering gamble with a highbrow, allegory-infused ad that didn't even display the product onscreen.

"(Apple was) very oblique in the presentation of (its) product," Raybeck commented. "There was no computer shown. None of the marvelous graphics the Mac was capable of were in evidence, and what (was) displayed was very dark. The lighting was dark. The images were dark. And, of course, that was part of what they wanted to get across--that this dark, conforming, restricting environment can be broken through."

"It was a major statement at the time, and it's rare that you make a major statement like that and actually deliver on it in a way that we're still talking about 25 years later," said Ian Schafer, CEO of interactive-ad firm Deep Focus, who says he recalls seeing the Super Bowl airing of the ad as a 9-year-old. "You make a bold statement about a revolution that you are going to start, and it's one that has resulted in the market share that they now have."

Apple didn't keep pushing the "1984" message. Although it went on to win an impressive handful of advertising awards, the commercial was never broadcast again. Nor did it usher in a true explosion of all things Mac. In 1985, founder Steve Jobs left the company after a power struggle with then-CEO John Sculley, kicking off a decade-long absence.

But "1984" was not forgotten: Its production served as the opening scene of The Pirates of Silicon Valley, the 1999 TV movie about Jobs' early years at Apple and his rivalry with Microsoft founder Bill Gates. And in 2007, the 24-year-old commercial was spoofed in a Web-based attack ad against Sen. Hillary Clinton, then vying for the Democratic presidential nomination.

"It's been 25 years, and I still remember the images," Raybeck said. "So it was, in that sense, very compelling, and I remember them not because I thought at the time, 'Oh, what a brilliant ad.' I later came to believe, 'Oh, what a brilliant ad,' because it sticks with you."

Not to mention the fact that Apple's underlying marketing message has remained arrow-straight over the past two and a half decades.

"In a few years, we may be talking about the 25th anniversary of the Think Different campaign," Ian Schafer said of the Apple ad slogan that first debuted in 1997, shortly after Jobs' return to the company, which placed Apple's logo in photographs of the likes of Alfred Hitchcock and John Lennon.

"That was another way of Apple talking about change, about intellect. You could make an argument that using Gandhi or John Lennon in an advertisement is almost blasphemous because these guys were bigger than whatever advertising claim you were about to make. These guys meant more to the world than your brand could ever be. But again, they were able to pull it off."

The legacy of "1984" remains present, too, in the current string of Mac ads, the witty Get a Mac series, which pit actor Justin Long as a cool-guy "Mac" in jeans and a hoodie against the incarnation of a "PC."

Played by comedian John Hodgman in hideously outdated business-formal attire, the doltishly unflappable thought process of the "PC" evokes a more twee strain of the conformity highlighted in "1984." It's Apple's same message, adapted for an age in which political commentary takes the form of The Colbert Report rather than Brazil.

"It's probably the most explicit statement of, basically, a cultural revolution," Douglas Raybeck said. "This is what they're saying--that this is new and really different and revolutionary."

But as "1984" turns 25, its images of conformity and totalitarianism have grown increasingly sprinkled with irony. It's the irony of the launches of both the iPhone and its iPhone 3G successor, reflected in the faces of the Apple "fanboys" willing to wait in line on the sidewalk for the better part of a week in the midst of a stifling New York summer and then--wait for it--descend into the underground Fifth Avenue store in formation as uniformed Apple retail employees guided them through a gauntlet. As critics of the "Apple cult" have pointed out, they seem to be willing to believe their fearless leader's every word.

The irony of "1984" is there, too, in the conflicting reports over Steve Jobs' health that put the spotlight on Apple's tight-lipped corporate culture and shadowy PR-speak, making Cupertino seem much less like the lone runner and more like the image of Big Brother onscreen. And it was there when journalist Dan Lyons anonymously satirized Apple in his "Fake Steve Jobs" blog, as though the CEO were a corrupt monarch worthy of a Jonathan Swift-like tongue-lashing.

Over the years, Apple's market share has indeed grown, and it has come to be a force in the music and entertainment industries with iTunes and the iPod, not to mention the telecommunications business with the iPhone. Like a populist revolution that becomes a little too successful, its trademark gutsiness and cult following start to look less like a scrappy innovator and more like, well, a sprawling conglomerate bent on global domination.

But even that might not matter. Marketing, even marketing of "1984"-caliber brilliance, has to be bolstered by a worthy product, Ian Schafer said.

"I think that people are willing to look past that," he said of the occasional Apple-Big Brother parallels. "At the end of the day, keep making a great product, keep delivering on your promise, and I will continue to be a loyal consumer. That's the value exchange that happens between a brand and a consumer...(They've) built up enough equity in the consumer's emotional bank account, which Apple can afford to make withdrawals from every so often."

See the rest of our Mac anniversary coverage here.

January 16, 2008 9:00 AM PST

Plaxo inches further onto your desktop with new Mac application

by Caroline McCarthy
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It's no shock that contact management site Plaxo has been a fierce advocate of data portability. As a result, it's not particularly surprising that the service continues to expand browser-to-desktop application functions: on Wednesday, the company announced that the latest version of its downloadable Mac client will sync the Plaxo Pulse social network to Apple's Address Book software. This comes in the wake of an announcement that data from Pulse--which aggregates feeds from social media sites like Flickr and Twitter into a common profile--would also sync with Microsoft Outlook.

A Mac address book entry with a Pulse widget

(Credit: Plaxo)

The new version of Plaxo's Mac client, available now, pulls a Pulse widget into entries in the Mac address book, displaying content from the feeds that the Plaxo member in question has hooked up to his or her Pulse profile. Additionally, as with older versions of the Plaxo for Mac application, the downloadable software will synchronize data from Apple's address book and calendar software with Plaxo's online contact management system.

Meanwhile, Valley gossips seem to be split down the middle on whether Plaxo, which has reportedly put itself up for sale, will be acquired by Facebook. The two share some intimate ties, as Plaxo co-founder Sean Parker went on to a brief stint as president of Facebook, but they have had very different strategies for data management--Plaxo aims to make data as open and portable as possible for convenience and flexibility, whereas Facebook keeps it behind closed doors for privacy.

October 26, 2007 4:19 PM PDT

Rain, wind don't deter NYC's Leopard hunters

by Caroline McCarthy
  • 10 comments

Here, kitty kitty kitty! Rain-soaked Apple nerds wait for Leopard.

(Credit: Caroline McCarthy/CNET Networks)

NEW YORK--On Friday afternoon at the hour that Apple launched its latest operating system, Mac OS 10.5 Leopard, it was pouring rain in Manhattan. It was also windy and chilly. That didn't stop several hundred people from lining up outside the Apple Store on Fifth Avenue to get their hands on the new software, huddled underneath Gore-Tex jackets and umbrellas.

"It's the cult," commented another reporter who had also been covering the water-saturated event.

The line for Leopard appeared to be divided fairly evenly between rabid Apple fans and shoppers who'd figured they could stop by and pick it up quickly--and indeed, come launch time, the line moved fast as customers were ushered into a gauntlet of Apple Store employees (much like the iPhone launch in June) and directed straight to the cash registers when the doors opened at 6 p.m.

"It's a happening," said first-in-liner Bob Greenlees, a twenty-something student at the nearby Cardozo School of Law, when I asked him why he'd bothered to wait amidst inclement weather for an operating system that could easily have been pre-ordered online and delivered to his front door. "It's one of those things. It's Apple, it's Fifth Avenue, it's a flagship store. And it's an opportunity to be in line for something without waiting for three days."

Greenlees, after posing for a photo with his new purchase, said that he was going to go straight home and install it. He'd been in line since about 2:30 p.m.

The line went to the corner and around the block to the intersection of 58th Street and Madison Avenue.

(Credit: Caroline McCarthy/CNET Networks)

"I came for the free t-shirt," said Steven Miranda, a Manhattan College student who was ninth in line. The Apple Store was offering t-shirts to the first 500 people who showed up, and for hardcore Apple fans, those shirts were a coveted prize. I asked Miranda and his friends whether they agreed with Wall Street Journal tech columnist Walt Mossberg's assertion that Leopard was "evolutionary, not revolutionary."

"Compared to Vista, it's revolutionary!" chimed in one Apple fan who was just ahead of Miranda in line. Indeed, the Microsoft-taunting was hardly under the radar. One person in line was wearing a t-shirt that bore the Windows logo along with the caption "Hasta la Vista."

For the two hours prior to the Leopard launch, the normally 24/7 Fifth Avenue store had been closed in preparation--my personal theory is Apple closed the store for a longer span of time than it needed to, to assure that an adequate queue would form in anticipation, but I'm sure Apple's not about to confirm that to me.

In addition to Leopard t-shirts, buyers were also treated to free umbrellas as they were ushered into the store. Nice move, Apple. "Keep the Leopard dry!" an Apple Store employee shouted. "Cats don't like water!"

But that raises a very serious question. Now that Apple has let Leopard out of its cage, following in the tracks of Cheetah, Puma, Jaguar, Panther, and Tiger, the big question is--which cat's next?

My money's on Ocelot.

Originally posted at News Blog
October 26, 2007 10:56 AM PDT

On Fifth Avenue, no Leopard fans spotted yet

by Caroline McCarthy
  • 9 comments

NEW YORK--At about 1 p.m. EDT in midtown Manhattan, I overheard a group of suit-clad thirtysomething men talking as they waited to cross Madison Avenue.

"You know, leopards are solitary animals," one of them said. The other three or four continued musing on the characteristics of the large exotic felines, and I figured that it was actually part of a conversation about Apple's latest operating system, which launches Friday at 6 p.m. I thought, wow, if fratty midtown office types are talking about Mac OS X 10.5, there must be a huge line of fanboys at the Apple store!

Wrong. There was almost no sign of a major product launch at the 24-hour Apple store on Fifth Avenue, besides a few signs and posters announcing Leopard's advent. The store was still a mob scene, of course--in that touristy shopping district just south of Central Park, it always is. But there was no buzz factor like there had been with the crazy iPhone launch in June.

Apple Store customers try out Leopard at the Fifth Avenue store in NYC.

(Credit: Caroline McCarthy/CNET Networks)

Apple retail employees told reporters that the store would be closed from 4 p.m. to 6 p.m. for preparations, and that when the doors finally opened, there would be "demos all night long."

For an idea of what the scene might be like, they told the press to look up the Japanese launch of Leopard the previous night, which apparently had eager buyers lined up around the block. Then, clearly uncomfortable about saying too much, they said to contact company public-relations representatives instead and encouraged the press to test out the new operating system--it was already installed on all the demo computers at the store.

A few minutes later, reporters were informed that Apple retail employees had just been told not to speak to the press any more, until Leopard's launch at 6 p.m.

Meow.

Originally posted at News Blog
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About The Social

CNET News' Caroline McCarthy is a downtown Manhattanite who believes that, despite popular opinion, the Web can actually help your social life. She's happily addicted to fun social-media tools from Twitter to Yelp to Facebook, sends an inordinate number of text messages, and has a tendency to waste time at the office reading restaurant blogs. Here, she explores all facets of the Web's gregarious side, as well as the unique tech culture in her home city of New York. (Don't call it Silicon Alley.)

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