Surveillance State

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May 14, 2008 10:20 AM PDT

Legal liability for YouTube viewers

by Chris Soghoian
  • 11 comments

Updated on 5/19/08 with comment from RealPlayer (see below)

Users of YouTube and other video-sharing sites could face $750 per clip penalties if they have watched a video that was uploaded without the copyright holder's permission.

Copyright infringement in the United States strict liability offense. What this means, is that users are liable when they illegally copy works, even if they're not aware that this is wrong, or that the work is protected by copyright.

As an example, let us consider the popular video sharing website YouTube.

Every week, 6 days after the show airs, HBO uploads the most recent episode of "Real Time with Bill Maher." However, within a few hours of the show's TV broadcast, a number of other users upload copies that they have recorded with their computers.

When a user visits YouTube, and searches for "Bill Maher", he will see a large number of results - some of which will be for official content uploaded by HBO, and the vast majority of which is for copyrighted content illegally uploaded by other users.

According to a strict reading of the copyright laws, and discussions with legal scholars, users could unknowingly be liable if they click on the wrong YouTube link. The fact that they're not aware that a video was illegally uploaded is irrelevant. All that matters is that they clicked on a link, and watched the video.

For BitTorrent websites like The Pirate Bay, where the vast majority of the files are illegal, it is at least semi-reasonable to expect most users to know that they are engaged in an illegal act. However, for sites like YouTube, where both legal and illegal content are available on the same platform, it is significantly trickier. How exactly, are the less-tech savvy amongst us supposed to determine if a file is legal to watch?

Copytraps

The issue of unintentional home user liability is the subject of a recent paper by Ned Snow, a law professor at the University of Arkansas. In "Copytraps", Professor Snow argues that copyright law unfairly exposes end users to significant liability, for actions which they have no reason to believe are illegal.

Professor Snow puts forth the following example: A user visits Google, and searches for the name of a band they like. One of the first results takes them to a website, named "legal-music-downloads.com". Once there, the user hands over her credit card, and pays $.99 per song to this unknown website. Now, imagine that "legal-music-downloads.com" is in fact a fraudulent website run by a couple guys in Eastern Europe. They download files from BitTorrent, and then illegally re-sell them to American consumers.

As Prof. Snow describes, the fact that the end user thought she was participating in a legal purchase is irrelevant. All that matters is that she has copied (downloaded) a copyrighted work, which was not sold through legitimate means. This user could be liable for up to $750 per song.

This may sound crazy, but it's completely possible under the existing system. Yes, the RIAA and MPAA have for now, gone after people who were sharing files. However, there is nothing in the law forcing them to stick to just those users. They are legally permitted to go after downloaders too.

Experts respond

To make sense of this, I turned to a few other experts in copyright law. First, I spoke with Corynne McSherry, a staff attorney at the Electronic Frontier Foundation. McSherry told me that the scenarios I outlined were not beyond imagination, and quite possible under existing copyright law.

As an example of copyright holders going after downloaders, she pointed to a 2006 attempt by the Embroidery Software Protection Coalition to get the identities of all the participants of an online embroidery discussion forum. In support of their claims, the Coalition compared the stitchers' online screeds to "terrorist activities" and accused them of posting slanderous statements "that marched across the Internet bulletin boards and chat groups similar to Hitler's march across Europe."

The Embroidery Coalition, following tactics similar to the RIAA and MPAA, threatened grandmothers with lawsuits for downloading copyrighted embroidery patterns from the Internet. These little old ladies were given the choice of either paying a few hundred dollars, or facing a lawsuit.

Luckily, the lawyers at the EFF were able to get the Coalition to back down, but this does at least prove that left unchecked, copyright law can be used to go after the end users.

The EFF's McSherry told me that the penalties in copyright law were "not like many other areas of the law where you have to show harm." Thus, illegally copying a song that is sold for $.99 at the iTunes store can still lead to a $750 per song fine. McSherry labeled this as "completely disproportionate" and said that because of this, "for regular people, who don't have thousands of dollars, the inclination is to settle (the cases), rather than to fight."

YouTube users at risk

While Professor Snow focuses on the example of lying websites, I am personally far more interested in liability for users of major sites like YouTube.

Sherwin Siy, an attorney with Public Knowledge, told me that my YouTube fears might be overblown. Siy points to a difference between downloading a video, and streaming it. He told me that "arguing that a buffer copy (for a streaming view) is a duplication, that's even more of an uphill (battle), and the potential awards might not be worth the attorneys fees." He added that "merely watching a video on your screen, authorized or not, isn't going to be an infringement if you're not publicly performing or copying it."

Siy also noted that copyright law does allow for a reduced $200 per work penalty for infringement, if the pirate can prove that they had no reason to believe that they were infringing.

Updated:

Siy clarified his point in a followup email: "For instance, if my local network TV affiliate were to broadcast an infringing copy of a TV show, and I were to watch it at home, I would definitely not be liable. The copytraps idea might come into play had I (however innocently) taped or DVR'd the broadcast."

While Siy makes some good points, I will have to disagree with him on the issue of viewing vs. downloading. There are many off the shelf tools that allow users to download YouTube videos. The most widely deployed of these is RealPlayer, which automatically makes allows the user to make a local copy of every YouTube video that a user watches. YouTube has no way of knowing if someone is streaming or downloading a video - as it's simply a case of transferring bits over a wire. If the RIAA or MPAA ever subpoenaed YouTube's logs, they wouldn't be able to differentiate these users either.

YouTube's Position

A few years ago, a number of major firms started threatening Linux end-users with patent lawsuits. In response, one or two Linux companies to shield their customers from such lawsuits. That is, buy Linux from us, and we'll cover any potential legal bills.

Thinking along these lines, I reached out to YouTube to get their perspective. I wanted to know if they would offer to foot the bills of users who were sued after watching a video on their site. I also wanted to find out if YouTube has ever disclosed a list of infringing viewer IP addresses to a copyright holder.

YouTube's spokesperson ignored my actual questions, and instead told me that:

We prohibit users from uploading infringing material, and we cooperate with all copyright holders to identify and promptly remove infringing content as soon as we are officially notified.

As a company that respects the rights of copyright holders, we expect to continue to take the lead in providing state of the art DMCA tools and processes for all copyright holders.

While the liability for end users remains unclear, there is certainly the potential for some nasty lawsuits, should the copyright owners decide to go down that path. In a conversation with me, Prof. Snow described a scary future with Copyright Trolls who delay sending takedown letters to websites, so that the number of infringing users (who the company can later go after) will increase.

A scary future indeed.

Update: Jeff Chasen, a VP at RealPlayer contacted to let me know that I had erred in my original blog post. He told me that:

RealPlayer does not automatically download or make local copies of videos from YouTube. RealPlayer 11 gives users the option of downloading the video they are watching, but it requires that the user click a button to initiate the download. No copies or downloads occur until a user explicitly takes an action.

I do stand by my original point though, which is that YouTube (and any copyright holder who gets a list of the views/downloads via a subpoena) has no way to tell when a user is watching a video, and when a user is downloading them via a single-click RealPlayer tool.

January 22, 2008 12:52 PM PST

Did Slate violate copyright law?

by Chris Soghoian
  • 2 comments

Slate, a popular news site, seems to be openly violating the Digital Millennium Copyright Act.

That law, much hated in cyberrights and computer security circles, is a thorn in the side to many researchers. The interesting question that we must ask is: Will Hollywood let Slate's probable violation slide, or will they lawyer up and go after the site owned by The Washington Post Co.?

A few days ago, Slate released a video mashup of footage of Hillary Clinton and a few scenes from the movie Election, starring Reese Witherspoon. The video is mildly amusing, and did at least remind me that Election is a funny film that I should probably watch again soon.

Cynthia Brumfield over at IP Democracy discusses the video mashup and briefly explores the issue of fair use:

"It quite literally fits [NBC Universal lawyer Rick Cotton's] idea of what wouldn't be considered fair use under a redefinition. [Columbia Law Professor Tim Wu's ] definition, however, would permit this video under fair use because nothing about it is a substitute for the original 'Election' film. It also, I would argue, enhances the film's value for those who have not seen it."

While I think she brings up an interesting point, I'm fairly certain the issue of fair use, at least in this case, is going to be cut and dry: Slate is in the wrong, and is being pretty blatant in its open infringement of copyright.

The few clips of Election in the Slate video are very high quality. The video is crisp, the sound is clear. As a result, I'd be willing to bet a few bottles of La Fin Du Monde that Slate got the video clips from a DVD. It's almost certainly not from a video cassette tape, and I highly doubt that the Slate team made a digital copy from cable TV.

DVD ripping software is widely available. Personally, I'm a big fan of Handbrake, but there are many other free software solutions out there. These software packages allow people to make a local video copy of a DVD movie. This is not as simple as it sounds, given that all Hollywood DVD discs are encrypted with a once-secret algorithm. The MPAA and others have vigorously gone after anyone who reverse engineered (or even published information on) the inner workings of the CSS algorithm used to encrypt DVDs.

Which brings me to my "favorite" law: the Digital Millennium Copyright Act (DMCA). This law, among its many horrible features, makes DVD copying a crime. DVD-ripping software is classed as a circumvention device, the use of which is a big no-no. Section 1201(a)(1)(A) of the U.S. code makes this pretty clear:

No person shall circumvent a technological measure that effectively controls access to a work protected under this title.

Ok, so we've now established that if Slate used DVD footage in its video mashup, then it is almost certainly violating the DMCA. What does that have to do with any possible fair-use defense to a copyright infringement claim? It turns out that to make a successful fair-use claim, you need to have a legitimate, licensed copy of the original work. As the courts wrote:

To invoke the fair use exception, an individual must possess an authorized copy of a literary work (Atari v. Nintendo 975 F.2d 832).

If Slate used DVD-ripping software, its unencrypted, DRM-free copy of the work (which they would have needed to cut and paste bits into their mashup) is in no way authorized. This means, unfortunately for Slate, that it would have no fair-use defense, and could thus face a copyright infringement lawsuit.

While I've spent the majority of this blog post describing potential illegal acts by Slate, the real criminal here is the U.S. Congress for passing the DMCA, and in one single act, putting hundreds of computer security and cyberrights activists at risk. As a Ph.D. student, the DMCA is a complete pain in my ass and makes my research extremely difficult. As a result, I routinely have to submit my projects to Indiana University's general counsel for a sign-off.

So why am I making this blog post? Most people have no idea that DVD ripping is illegal. Most artists, mashup creators, and video-bloggers are in the dark about the potential crimes they may be committing. Furthermore, the RIAA and MPAA have a long history in going after the little guy.

Slate (owned by The Washington Post Co.) has deep pockets. If the MPAA tries to make an issue out of this, it would create huge amounts of publicity, and perhaps lead to calls for an overhaul of the DMCA. (I can dream, right?) At the least, it would force the MPAA to burn through a few bucks.

Disclaimer: I am not a lawyer. This is neither legal advice nor real legal analysis. Don't make decisions based on my blog ramblings. However, this issue is essentially straight from the final exam in my copyright-law class from last year, so I'm fairly confident that I'm right.

Also, a tip o' the hat goes to Public Knowledge's Alex Curtis, whose offer of a T-shirt inspired this blog post.

Slate could not immediately be reached for comment.

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About Surveillance State

Christopher Soghoian delves into the areas of security, privacy, technology policy and cyber-law. He is a student fellow at Harvard University's Berkman Center for Internet and Society, and is a PhD candidate at Indiana University's School of Informatics. His academic work and contact information can be found by visiting www.dubfire.net/chris/. He is a member of the CNET Blog Network and is not an employee of CNET. Disclosure.

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