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May 27, 2009 8:54 AM PDT

Why e-books aren't cheaper

by Gordon Haff
  • 12 comments

We've all heard the rant. With e-books, there's no paper, printing, transportation, and so forth. So why should an e-book still cost $9.99 (typical for Kindle) or even more?

The idea of e-books being cheaper makes a lot of intuitive sense. If everything you physically hold in your hand and everything it took to deliver that physical good to your hand can be converted to a few megabytes worth of electrons, surely the cost of the book must be dramatically lower than a typical hardcover--and the price should reflect that fact.

The problem is that the costs aren't nearly as much lower as you might believe. Here's one breakdown from Money magazine for a hardcover bestseller by way of Scott Laming of BookFinder.com Journal:

Based on a list price of $27.95

$3.55 - Pre-production - This amount covers editors, graphic designers, and the like
$2.83 - Printing - Ink, glue, paper, etc
$2.00 - Marketing - Book tour, NYT Book Review ad, printing and shipping galleys to journalists
$2.80 - Wholesaler - The take of the middlemen who handle distribution for publishers
$4.19 - Author Royalties - A bestseller like (John) Grisham will net about 15% in royalties, lesser known authors get less. Also the author will be paying a slice of this pie piece to his agent, publicist, etc.

This leaves $12.58, Money magazine calls this the profit margin for the retailer, however, when was the last time you saw a bestselling novel sold at its cover price.

One way to look at this is to look at the percentage of the list price that printing represents. That's 10 percent--plus at least a chunk of the wholesaler line item. So let's call it 20 percent in all.

But, as noted, given that books generally sell at a discount off list, I find it more intuitive to look at this the other way. Start at zero and add cost and profit line items. In the example, the typical volume retailer is often making far less than the $12.58 figure would suggest. A 40 percent discount brings it down to only $1.11; hardcover bestsellers are a sort of loss-leader for retailers.

Pre-production. Other things being the same, there's no reason this goes down with an e-book. Arguably it's a bit lower if something is sold solely as an e-book--perhaps a bit less design work and proofing related specifically to the physical nature of a book--but it's actually likely a bit higher if we're talking about having both physical and digital versions--as would be the typical case today.

Now some, such as blogger Aaronchua, argue that this just shows that traditional publishers "have not changed their operating structure to leverage on the new economics brought on by the Web."

However, as noted in discussion of the prior piece, these functions are not just costly overhead. "After the book's in the publishing house, it is usually reviewed by like up to 5 editors who give their opinion before it's handed over to one editor who they believe is the best for it. You then get an editor, who through multiple revisions helps the author get the book to a better standard and quite often to more closely resemble the author's original idea."

Now, perhaps the whole process is too heavyweight. But how many of us have read a book and thought to ourselves that "it really needed an editor." Most of us, I'd say. You can skimp here but the results often show it.

Marketing. Again, there's no inherent reason why the dollar amount changes. Many aspects of the marketing process probably change if we posit an all-digital world. But social media and other forms of viral promotion are not a panacea that magically replaces book tours, professional publicity work, and so forth. Sure, you don't need to do any of this but you don't need to sell many books either.

Profits. Let's be generous and cap the costs there. In practice, there are going to be some costs related to digital delivery that someone is going to have to shoulder along the line, but ignore that.

If we're going to sell the book for $9.99 net of any discounts, that leaves us with $4.44 to split between the retailer and the author. Compare that to $4.19 for the author in the printed book example and something between about $1 and $10 for the retailer. So a $9.99 e-book in this example leaves less money after costs than the hardcover does.

This may be made up by higher volumes to some degree. However, as Tim O'Reilly noted in a 2007 post:

I think that the idea that there's sufficient unmet demand to justify radical price cuts is totally wrongheaded. Unlike music, which is quickly consumed (a song takes 3 to 4 minutes to listen to, and price elasticity does have an impact on whether you try a new song or listen to an old one again), many types of books require a substantial time commitment, and having more books available more cheaply doesn't mean any more books read. Regular readers already often have huge piles of unread books, as we end up buying more than we have time for. Time, not price, is the limiting factor.

The economics of selling back-catalogs may also be different. Pre-production costs are, almost by definition, fixed. They're incurred before the first book can go out the door. Marketing is also primarily a fixed advance cost. (Although the size of budgets will be tuned to expected sales--unknown authors with no track record shouldn't expect massive advertising and publicity campaigns.)

So once those costs have been incurred--and hopefully recouped--in more or less the usual way through the first couple of years of a book's life, it may make sense to offer a discounted digital edition given that it doesn't incur the cost overhead associated with lower volume "long tail" sales.

(In principle, you could argue that the same logic applies to the pricing of digital editions at any time in a book's lifecycle. However, in practice, a $5 e-book of a new release would cannibalize the more profitable print edition.)

I know this post went into a lot of detail, but when you're talking about business models and pricing, it is important to actually run the numbers. One can dispute fundamental assumptions behind those numbers of course, but at least they give a starting point.

In this case, they show that--if you want the same level of professional preparation and promotion associated with a typical printed book--the $9.99 e-book price that a lot of people grumble about is probably pretty near the floor.

June 3, 2008 5:00 AM PDT

Will we steal the e-book? (Probably)

by Gordon Haff
  • 2 comments

An article by Edward Wyatt in the New York Times discussed how the Amazon Kindle e-book reader was stirring unease at the BookExpo America trade show.

But excitement about the Kindle, which was introduced in November, also worries some publishing executives, who fear Amazon's still-growing power as a bookseller. Those executives note that Amazon currently sells most of its Kindle books to customers for a price well below what it pays publishers, and they anticipate that it will not be long before Amazon begins using the Kindle's popularity as a lever to demand that publishers cut prices.

I'm a bit skeptical about this particular concern. From my perspective as a consumer, one of the problems that I have with e-books today is that I have to buy a $400 device and then still have to pay almost as much for the bits as for the dead tree version even though many of the costs associated with printing, distributing, and inventorying physical books are eliminated.

That's not to say that costs go to zero--nowhere close. And there's a legitimate concern that buyers may naively assume that they do. An earlier post on this topic: Digital distribution isn't free. But costs are lower--and the prices should reflect that.

What would seem a more germane concern is whether pervasive e-books lead to pervasive trading and copying. DRM, my other beef with a lot of today's e-books, inconveniences legitimate users as much as it retards piracy. So I think we can take that off the table a solution that's either desirable or especially effective. Today, the economics of photocopying and the restraints that time and space put on physically giving a read book to the next reader sharply limit the amount of duplication and trading that can take place.

In my view, you shouldn't discount limits imposed by the physical world too much. While movies consume plenty of bandwidth on the Torrents, their quality and the effort it takes to download them--paired with the ready availability of modestly-priced, full quality movie rentals--means that they aren't that attractive for a lot of people. Certainly music lends itself far better to downloads--legal and otherwise. And the apparent impact on the recording labels has been proportionately greater as well.

A lot of the dynamics associated with creating, producing, distributing, and purchasing books are considerably different than those of music than those of movies. Electronic distribution creates possibilities. Impulse purchases from the living room and ready availability of the longest, "long tail" work are just two.

But, at the same time, the cost of putting toner powder on a page of paper and the time associated with putting all those pages on a copier glass will no longer be a defense in a world where "If it can be copied, it will be copied" often seems to rule.

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About The Pervasive Data Center

This blog takes a deep (and often skeptical) look at trends big and small in the world of enterprise servers, data centers, and "Yotta-scale" computing. This means also taking into account the myriad of software, networks, and devices that are driving change in (or being driven by) these back-end systems. Stories posted to this blog may also appear on Illuminata's site.

Gordon Haff is a principal IT adviser for Illuminata of Nashua, N.H. Before becoming an IT industry analyst, Gordon held a variety of product-marketing positions at Data General, spanning more than a decade. He's programmed for DOS, Windows, and Linux; builds his own PCs; and holds engineering degrees from MIT and Dartmouth, with an MBA from Cornell. He is a member of the CNET Blog Network and is not an employee of CNET. Disclosure.

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