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EMI, Apple partner on DRM-free premium music
April 2, 2007 -
Apple's Jobs calls for DRM-free music
February 6, 2007
DRM (digital rights management) software prevents owners from copying or freely using a digital file across multiple devices.
As expected, all the songs from music label EMI that are sold on iTunes are now available in DRM-free versions. Shoppers have the option to purchase either a 256kbps AAC-encoded DRM-free song for $1.29 via iTunes Plus, or the usual 128kbps AAC-encoded DRM-version for 99 cents.
"We expect more than half of the songs on iTunes will be offered in iTunes Plus versions by the end of this year," Apple CEO Steve Jobs said in a statement. No one at Apple was available for live comment on Wednesday morning.
Previously purchased EMI songs can be upgraded to the DRM-free version for 30 cents per song, or $3 per album.
EMI artists in the deal include Coldplay, The Rolling Stones and Frank Sinatra. The deal excludes Beatles songs.
In February, Jobs released an open letter asking that record companies consider going DRM-free. Apple and EMI announced in April that a DRM-free deal was in the works and that it would exclude Beatles songs.
In order to use iTunes Plus, people must download iTunes 7.2, the latest version of the software.
eMusic already offers DRM-free songs, but its catalog has been limited to mostly independent labels.
See more CNET content tagged:
EMI Group Plc.,
Apple iTunes,
song,
digital-rights management,
Apple Computer




Apple, Thank you for solving the DRM issue, but you have created another yourselves. No don't go Sony on us and insist on the square peg ACC fit into a round hole, we are in an MP3 world.
I will now have to wait for Amazon to sell MP3's, my wallet was sooo close to opening up...*Sigh*
anywhere... what seems to be your problem...
Of course, if you're one of those audiophiles that has to have audio-perfection, which never ever happens anyway, you won't want to do that.
Then again, if you're an audiophile, you're probably not downloading music off of the internet to begin with.
to mp3. Then, select all the files you want to convert and
choose the "Convert Selection to MP3" option from the Advanced
Menu. Let the computer do its thing.
The good thing is that you are starting with much higher-quality
files than the traditional iTunes files, so there's more "room" to
transcode with decent quality.
As you may know, there are lawsuits surrounding use of mp3.
AAC is an open format. Soon it will be a standard option on
most players and stereos because desire for compatibility with
iTunes songs will drive things that way.
You can do it... you have the technology...
of lesser quality. I take AAC any day. Most newer players support
AAC now anyways.
Although I must admit, I would be opening my wallet quit a bit more if the tracks were DRM-Free AND Lossless. *Sigh*
"Do You Want to Set Your iTunes Plus Preference?
By selecting iTunes Plus below, you will always see the iTunes Plus version of an album or music video whenvever one is available. You can change this preference by going to your iTunes Store Account page at any time."
Ok, so I tell it no... And nothing happens. It doesn't let me look at the album or track I selected. Ok, so I think "just say yes then go back and reset the preference back to show normal tracks whenever one is available", since I'd rather surf through the DRM free stuff on a page all it's own, but when you do that, the next time you go to iTunes Plus and click on an album or song, again iTunes demands you set your preference to iTunes plus! I gotta say, I'd rather not have this setting set like this because I don't ever want to get something I didn't want. What if I purchase music thinking I'm getting DRM free tracks when it's actually the old crappy-AaScSc tracks? No, it's better to have the DRM free stuff be it's own store or section to prevent confusion. But stupid iTunes can't get it's head out of it's ass!
What were they thinking?!!
That's were I bought mine at least.
Hope this helps!
How many mp3 players will play AAC?
When you find a subscription based, DRM-free music service, let me know. That would be a consumer friendly business model, but I doubt I will ever see it. It would allow me to download as much music as I want for the same rate.
A more realistic, model would be $0.59 a DRM-free track. That would be a $7.08 dozen track album, and a good value. It would still be a $0.70 profit cut for the labels, but would be supplemented by increased sales volume.
It's just the way it should be.
the sum of the individual tracks, and that DRM-free albums are
the same price as the non-DRM versions (so the discount is
bigger, in other words).
For example, the 18-song album of Tina Turner's greatest hits is
$12.99, not $23.22 as you would expect.
By the way, keeping original CDs in your car is not a great idea if
you want your CDs to last a long time. Better burn copies, but
then you've got the same problem with labels.
Personally, I'd much rather have my music stored on hard drives
than sitting around in a bunch of CDs that take up space and
add clutter.
I assume that by "subscription service" you mean "music rental
service." Such a thing will never be DRM-free. Otherwise,
people would just download everything and then stop paying.
So, yeah, it would be REALLY consumer-friendly. If only . . .
Agree with you that prices ought to be cheaper, but the labels
have been asking for more than current prices. Maybe they will
see the light down the road.
I doubt any subscription service will be DRM-free, because it's just a digital version of a rental service like Blockbuster. If you're talking about some kind of music club where you own the songs, such as pay a certain amount a month for x number of songs, it's different, but of course offering a DRM free music rental service won't happen anytime soon. I don't care so much about this, however what is wrong is DRM and similar measures and products you buy and own. If you pay for a CD or DVD, with the exception of piracy and actual crimes, you should be able to do what you want with it within fair use provisions, and not be treated like a criminal.
I use K3B which is a fantastic front end for LAME and record 320 kbps MP3 and the quality is phenomenal. On AAC I would have to go 1028 kbps to even come close to the quality of MP3.
WMA is a joke, no reason to use that crap format. Ogg Vorbis isn't that much better then MP3 where I would want to switch.
an iPod. That was true before, and true now. Wait, change your
name to babyuser.
It's pretty easy for anyone to get online and verify that the vast
majority of portable players sold are AAC capable.
Then again, you're prolly lamenting the demise of the 8-Track too,
so I'll just wish you well with your 1980's technology
:-)
I feel that it's simply that, as so many others have stated, there are only a few devices which support AAC format; especially when comparing portable music devices. By continuing to only offer AAC as their digital format, they are continuing to force more iPod sales. The iPod has a clear, crisp interface and, in my opinion, is superior to any other portable device on the market! This is just one of the reasons iPods held a 72.7% market share of all digital music players as of January 2007!
The biggest reason that I, personally, use AAC format is because the files are smaller than MP3 and the audio quality is superior. I'm not saying I buy all my music from Apple, but when I get a new CD, I rip it into my PC in MP4 (AAC) format. So to me, it's a win-win because I can store a lot more tracks that sound better than MP3! Nuff said?
If apple was going to release music in the mp3 format they would have to pay a percentage of the money they earned to the MP3 rights holders.
With the AAC format they do not have to pay based on song. AAC is cheaper for a company to use.
----
http://www.vialicensing.com/Licensing/MPEG4_FAQ.cfm?faq=6#6
No licenses or payments are required to be able to stream or distribute content in AAC format. [3] This reason alone makes AAC a much more attractive format for distributing content, particularly streaming content (such as Internet radio).
----
Yes, you probably can get away with distributing MP3s without a license, but Apple could not. They are a big target, they either have to pay the fees to license the patent or use another format like AAC
EMI Artists
slagged today. But it's totally worth it, the audio quality is much
improved. I can't believe anyone is whining about AAC format, you
can easily burn an audio CD or convert these tracks to MP3. On the
downside, they went live without upgrading all the EMI tracks,
some of my previous purchases were on the upgrade list and some
weren't.
now, and I liked all of the music that was on the Upgrade page, so I
went ahead, and I was pleasantly surprised that not only can I do
whatever I want with it now, but it sounds significantly better.
Norah Jones sings even better than I thought :P
http://arstechnica.com/news.ars/post/20070530-apple-hides-account-info-in-drm-free-music-too.html
basically all these files open every customer to privacy invasions by having their music purchasing habits open for the world to see.
1. DRM does not prevent files from being copied. The subtitle of this article is mis-leading. Anybody can copy a song that is protected with DRM. Whether or not they can access the song is a different physical issue.
2. DRM does not prevent ?owners from copying or freely using a digital file across multiple devices.?
One of the common misperceptions is that someone ?owns? a piece of music when they buy it online or physically. They are buying a license to listen to or use the music. They don?t ?own? it per se.
DRM allows content to be copied to multiple devices provided the device supports the technology being used very similar to the way cell phone networks and cable networks and satellite TV networks all operate.
their various players, please get a clue. Yes, converting a
compressed digital track into another digital format causes
some data loss, but converting to Audio CD format (essentially
AIFF files) at least is not converting to another compressed
technology so any data loss would be at an absolute minimum. I
can guarantee your human ears could not tell the difference
between a 256KB AAC-encoded file and the same file converted
to an Audio CD format, especially on your car stereo.
And to those wanting data in MP3 format, AAC is better quality
for the same file size as MP3, or, less file size for the same
quality as MP3. If you got your MP3 format I'm sure you'd be
griping that you can't fit as many songs on one disk as if they
were AAC format.
MP3 is old school, time to move on.
It's such a mega oxymoron to have Apple call their DRM technology FairPlay and yet Apple refuses to play fair with the rest of the world.
Microsoft on the other hand has licensed their technology to literally thousands of companies including consumer electronics manufacturers third party portable media player manufacturers, numerous third party appliance and kiosk developers and most of the cell phone manufacturers.
The Apple/EMI strategy here is a scary value proposition for artists who have seen a large spike in revenue related to digital sales.
Removing DRM only makes it easier for this content to be misused. If Apple would just license FairPlay out or support Microsoft's DRM technology, consumers could have true interoperability for the vast majority of content for sale on the Internet.
Christopher Levy
clevy@buydrm.com
www.buydrm.com
Don't use the statistic that CD sales have dropped dramatically over the last few years. When CDs came out and dominated the music industry, didn't cassette sales drop? The industry is shifting to digital downloads, and CDs will be phased out, just like records, 8-tracks, and cassettes were. "DRM free" is going to be the way to go.
On another tangent, record labels are killing the profits of artists for the exact reasons you said. They are taking revenues that the artists should be getting and using it to lobby the government to shut down internet radio. Just my two cents.
Purchase habits before DRM-Free iTunes: Only if there were enough good songs on the CD (VERY RARE maybe 2 - 3 per year)
Purchase Habits with DRM-Free iTunes: If I like the track. (MUCH MORE OFTEN, about 100 tracks per year)
So tell me, which is better for both Apple and the artist?
What you neglect to say is that DRM-free means free to use the music you purchased in whatever way you wish. Kind of like when you bought a CD and could play it in a player by any manufacturer - or even a DVD player if you so desired.
I'm guessing that if CD playback had been limited to Phillips and Sony alone, we wouldn't even be talking about that long dead format - like we don't talk about minidisc or DAT.
The closed fairplay model success was a fluke driven entirely by the desire of the people to actually have a legal way of downloading tunes. And pay for them. Which is a huge testament to the fallacy of your argument. If there had been other open venues available at the time Apple would be about as successful as Sony (didn't they try for awhile?) in operating a download store.
As Jobs said, tracks from audio CDs can be easily pirated on the internet, so it obviously makes little sense to apply special treatment to (official) online sources of music. Besides the problem of treating the customers who actually pay rather than pirate it with an inferior product, it doesn't make much business sense. Since much of this music is available on P2P networks, people buying from iTunes obviously aren't going to stop paying for music since they could have gotten it for free in the first place (it doesn't matter here whether it's because most customers are actually honest, or like you supposedly believe they anyone who likes music is a thief eager to rip off artists but only kept in line by fear of RIAA lawsuits).
It's controversial over how much piracy actually affects artists, but what is almost certain is that groups like the RIAA grossly overstate how much piracy hurts them. They then can justify DRM (it's about control of the product not just immediate sales) and complain to congress to get industry-friendly laws passed. The worst piracy is not because american teens and college students are sharing music with each other, but rather more commercial organized piracy, which is prevalent in places like China and South east asia. Even then, it's questionable how much of a loss this is, since in many cases (either a teenager or a Chinese worker making a dollar a day) they wouldn't buy the product at the normal price anyway, and when digital products are traded they sometimes result in additional exposure and thus sales. I'm not at all saying this makes it okay, or that piracy or any form of theft is justified, far from it, however I don't buy the hype that piracy is the end of music (and also, if anything is hurting the music industry, it's rather music priced much too high for the quality and bad public relations since many now see the RIAA as synonymous with evil), and that the solution is not to treat the honest, paying customers as criminals.
If things were done right for the consumer, the format would be a lossless one, and the consumer could conver to whatever lossy format they desired that month.
I never really purchased that many DRM songs from iTunes and haven't tried it, so I am curious if it works myself.
- name me stupid
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by sjkx
June 4, 2007 7:05 PM PDT
- Unfortunately we're stuck with the "MP3 player" name even though
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(58 Comments)most of the devices are quite capable of playing other formats.