The economy took its toll on digital audio in 2009, with CD sales continuing to decline (even as vinyl makes a resurgence), digital start-ups going bankrupt or disappearing after takeovers, and labels expressing dissatisfaction with would-be digital saviors like MySpace Music. Even so, there was actually quite a lot to cheer this year. The following five products aren't necessarily the best, but to me, they did the most to move the state of digital audio forward in 2009.
Outside the tech press, the Zune HD didn't get the love it deserved in 2009.
(Credit: Microsoft)Windows 7. Microsoft appears to have recovered from Vista with a new OS that runs efficiently, looks good, and satisfies users. Released on October 22, the latest version of Windows also includes some important new features for digital audio lovers. I was pleasantly surprised by Microsoft's decision to support for Advanced Audio Coding (AAC), which is the default format used by Apple's iTunes. With this simple move (along with native H.264 video support), Microsoft has finally acknowledged that Windows Media isn't taking over the world any time soon, and will hopefully move to the much more sensible strategy of making Windows a sort of "Swiss Army knife" of digital media. In addition, the new Remote Media Streaming feature lets you access the media library on your hard drive from any PC over the Internet, reducing the need for third-party solutions like JukeFly or online music lockers like Lala. Plus, for professional audio recording, Windows 7 is much more stable than Vista was at launch. Love it or hate it, Windows is still the OS used on more than 95 percent of computers worldwide, and Windows 7 is probably going to be around for a long time--like XP was--so these advances, however overdue, are major news.
Spotify and Rhapsody on iPhone. Music fans have been waiting for the celestial jukebox--the ability to listen to millions of songs on demand from anywhere--for years. In 2009, the music industry finally started coming around to the idea that on-demand access to millions of songs could be the digital business model that saves it. Nowhere was this clearer than in Apple's decision to approve iPhone apps from Spotify in August and Rhapsody in September. These two subscription services--Rhapsody in the U.S., Spotify in Europe--give iPhone users access to millions of songs, on demand, for a few bucks a month. Single-song downloads have been great for Apple, helping iTunes become the top music retailer in the U.S. starting in 2008, but the company may be coming around to the idea that subscriptions--or at least on-demand streaming--represents the future, as evidenced by its acquisition of Lala earlier this month. When Apple finally takes the plunge, Rhapsody and Spotify subscribers can be smug, knowing that they've been able to stream songs to their iPhones since 2009.
Sonos S5. I've been singing the praises of Sonos's multiroom home-audio system for a couple years now. There's no other equivalent system that offers such easy set-up, solid sound, reliable streaming (thanks to its dedicated wireless network), and slick user interface--including an iPhone controller. The only drawback has been its relatively high price of entry, especially compared with cheaper competitors like Logitech. The release of the Sonos S5 this November (read the CNET review) is a major step forward in affordability, giving you single $399 device--receiver, amplifier, and speaker, all in one--that lets you get started down the Sonos path. You'll still need a $99 bridge if you have a wireless home network and want your S5 to be in a different room than your router, but the S5 is Sonos's most affordable product to date, and a move in the right direction for multiroom digital audio.
iConcertCal for iPhone. For live music fans, nothing's more frustrating than missing a show because you happened to miss the listing in your weekly paper. This year saw the release of several iPhone and iPod Touch apps for finding and tracking local gigs, but my favorite remains iConcertCal, released in July for $2.99. (It was briefly removed from the iTunes Store earlier this month to fix a bug, but it's back now and working fine.) Unlike other gig-finding apps, iConcertCal doesn't require you to enter a list of artists you want to track--instead, it grabs all the artists whose music you have on your iPhone. If you want an even bigger selection, you can download the free iConcertCal desktop add-in for iTunes (useful in its own right), link it to your iPhone with a user name and password combination, and the iPhone app will then track every single artist you list in iTunes. You can also use it to see all local shows happening in the next couple of days.
Zune HD. At last! The latest version of Microsoft's portable music player, released in October, has everything its predecessors lacked. Classy industrial design. Touch screen. Gorgeous on-screen interface that makes it easy to find favorite songs or music you've recently added and scrolls through images of artists as you play their songs. Well-designed PC client software that does everything you've come to expect from iTunes and looks way better doing it. It's not perfect--the browser and lack of app store are kind of weak, and I'm still bothered by what sounds like a bass roll-off and lack of oomph in the midrange--but the Zune HD has so many features that iPods still lack, like wireless sync, a built-in subscription music service (with 10 permanent monthly downloads to boot), and the ability to add songs to a currently playing playlist, that it makes my iPods seem a bit out of date. Unfortunately for Microsoft, the Zune brand is still tarnished by its initial weak launch, and outside the tech press, the Zune HD didn't get the love it deserved. Perhaps when (if?) Microsoft moves these features into the next version of Windows Mobile, we'll finally see Microsoft considered as a viable competitor to Apple's mobile music juggernaut.
Tomorrow, I'll follow up with the five least welcome digital music products in 2009.
Updated, 4:59 PM PDT: After much experimenting, I was able to access my music library remotely using JukeFly. The problem was, my songs didn't show up in search results, so I assumed JukeFly wasn't working. This assumption was bolstered by the fact that when I tested my connection with JukeFly's settings tester, it said that I needed to check my router. As it turns out, all the songs in my personal library are available under a different link, Library. They are not integrated into search results, and the debugger simply didn't work right.
One of the most interesting digital-media features in Windows 7 allows you to stream music (and other content) from your Windows 7 PC to any other computer over the Internet--essentially, it turns your home PC into a streaming-media server, sort of like Slingbox does for your TV source.
But what if you're not planning on upgrading to Windows 7 anytime soon? JukeFly, which first launched in 2008 and was updated to version 2.0 Wednesday, promises a free alternative for streaming music from your Windows PC (sorry, not Macs) to any other computer over the Internet.
First, you have to download and install a piece of software called the JukeFly Personal Music Server--a process that took about 30 seconds on my Windows XP PC. Then, you log on to the JukeFly Web site and select the folder on your PC that you want to index--it was able to complete indexing more than 3,000 songs in a couple minutes. So far so good. Once complete, you should be able to log into JukeFly from any other computer with an Internet connection and stream every song on your hard drive to that device. (I say "should" because the service might not work with certain firewalls or routers, and might require manual tweaking--a problem that most users won't want to get into.)
Playing the Velvet Underground on JukeFly.
Version 2.0 adds a robust Internet-based player: if you can't get your personal media server to work, or don't want to install the software, or don't have any music on your home computer, the site will compile music from publicly available sources, such as YouTube. This also lets the service work even when your home PC, the music server, is turned off or disconnected from the Internet. So, for instance, if I search for Mr. Bungle, it returns 20 songs from YouTube and other sources, complete with lyrics and biographical information.
JukeFly would be amazing if it combined these public results with my personal collection, but unfortunately it sequesters my library under a separate "Library" link, and I can't search both sources simultaneously. Nonetheless, this is a slick application and Web site, and a great way to get access to tons of music from any PC with an Internet connection. Check it out.
Most of the audio engineers I've met--both home and professional--are Mac people, and Avid's ProTools running on a Mac is often cited as the industry standard. But there are Windows loyalists out there.
In late 2007 I took an introductory audio production class taught by David Huber (who wrote one of the bibles on the subject, "Modern Recording Techniques") and Scott Colburn (who has produced albums by The Arcade Fire, Animal Collective, and Sun City Girls, among many others). Both of them used Nuendo from Steinberg (which is basically the upmarket version of Cubase) as their primary digital audio workstation (DAW), and they ran it on a Windows PC.
Windows 7 should offer better performance for digital audio than Vista.
A Windows XP PC, that is. Both were very diplomatic when discussing software and other gear, but they expressed pretty serious reservations about Vista. Microsoft made a ton of changes in Vista that were supposed to improve performance, including moving certain audio capabilities out of the kernel, but these experts--whose livelihood depends on having a high-performing DAW--thought it was too untested and unknown.
Although they didn't say so, I imagine that the driver incompatibilities reported with other hardware could have been an absolute nightmare with all the gear in a professional recording rig. There were also reports of unstable MIDI timing, drop-outs, latency, and other problems (many of which were addressed by Service Pack 1). They weren't alone: the general advice for audio engineers on Windows was stick with XP. (If anybody had a success story using Vista to build a DAW, I'd love to hear about it in comments.)
In case you haven't heard, Microsoft releases a new version of Windows next week. I've been using the RTM version for a few weeks now and find it far more stable and inviting than Vista was at launch. (Although a colleague did uncover a gnarly power-management problem in Media Center related to a faulty audio driver.) Now, some of the audio experts are starting to weigh in, and it looks like the work Microsoft did to improve performance and compatibility with Windows 7 are paying off in the world of audio production.
Noel Borthwick, the chief technical officer for Cakewalk--which makes a wide variety of audio software for Windows, including the Sonar DAW line--has posted a blog entry describing how the new OS should dramatically reduce latency, particularly on x64 multicore processors. (Borthwick also went into more obsessive detail on Peter Kirn's Create Digital Music blog.) His conclusion: "I will be building a new DAW soon and Windows 7 X64 will be my OS of choice."
The long and short of it? If you're building a new recording system, Windows 7 sounds like a more reasonable choice than Vista. But if you've got a system that's already working well, don't mess with it--there still might be driver incompatibilities with older gear, and upgrades from Windows XP require a clean install, meaning your old settings will be lost and you'll have to reinstall your apps.
Correction, 2:34 PDT: This post incorrectly characterized the audio-related changes that Microsoft made in Windows Vista. Microsoft moved certain audio functions out of the kernel and into the user stack.
Microsoft is banking on multitouch support as one selling point for Windows 7, and HP--traditionally a loyal supporter of Microsoft's consumer strategy--is helping the push by releasing an update to its TouchScreen PCs.
The touch-enabled version of Rhapsody for HP's TouchSmart PCs lets you search by writing an artist's name on the screen.
HP has worked with several partners to create touch-enabled versions of various consumer entertainment apps, including Hulu, Netflix, and Pandora Internet Radio, but hard-core music fans will probably be most interested in the touch-enabled version of Rhapsody.
Among the cool features: you'll be able to write the name of an artist directly on the screen, and Rhapsody will take you to that artist's page so you can begin listening to their songs. (Check out the video demo on RealNetworks' blog.)
More generally, Rhapsody remains one of my favorite subscription-based services, with a great selection and strong editorial content. While my other favorite, Microsoft's Zune Pass, offers a slightly better deal with 10 free downloads per month in addition to unlimited streaming, Rhapsody works with Apple's iPhone and iPod Touch. The Zune Pass does not.
Unfortunately, the TouchScreen only comes with a 14-day free trial, which seems a bit paltry: earlier this month Dell announced it would ship some new consumer laptops with a one-year free subscription to Napster, which includes the right to download 60 permanent files over the course of the year.
Microsoft is making a selling point of the fact that the new Zune HD and associated software update are optimized for Windows 7, which is due out on October 22. I've got a copy of the final release code of Windows 7 on my work PC, and there is some useful synchronization between the two. For instance, the Quickplay menu in the Zune software--which lets you get immediately to music you've recently added, your Smart DJ stations, and any other favorites you want to "pin" to the list--is propagated into the Windows 7 Start menu. So even if you don't have the Zune software open, you can simply navigate to the Zune icon in the Start menu and all your Quickplay selections will show up.
The Zune software adds Quickplay selections to the Windows 7 Start menu.
Of course, Microsoft's had access to final Windows 7 code for a long time. But what about Apple? The company kindly sent me a new-model iPod Touch and Nano to test out, and I noticed that the boxes say they're compatible with Windows XP and Vista (and Mac OS X 10.4.11). Windows 7 isn't mentioned. I downloaded and installed iTunes 9 on my Windows 7 PC anyway, and I'm now happily syncing my music library. I haven't noticed any bugs or errors. (Your mileage may vary--this isn't a review, just my personal experience.) But this underscores my general impression of Windows 7 as a solid upgrade to Vista--not a fundamentally new OS, like Vista was to XP. As Microsoft has said, if your apps work with Vista, they'll almost surely work with 7.
Reverse-sync, one of my favorite features of the Zune software.
The more interesting question is how did I get my music library onto my work computer in the first place? Simple--the Zune software has, from the very beginning, had a reverse-sync feature. You simply drag all the songs from the Zune icon to the PC icon, and they go happily traversing your USB cable down into your PC. iTunes has no such reverse-sync, and in fact is pretty strict about only allowing you to sync with one library at a time, although there are plenty of third-party apps that can do it for you.
Update 4:15 p.m. PDT: Two clarifications. First, Remote Media Streaming is not limited to music--you can also stream video and pictures. I focused on music because that's the main topic of this blog. Second, you are required to associate a Windows Live ID (which used to be called Passport) with each computer whose library you want to share, and each computer you want to be able to access that library. I assume Microsoft took this step to avoid complaints or possible litigation from content owners.
Apparently, Microsoft still has a few surprises left regarding digital audio in Windows 7.In the announcement of the impending release of Windows 7 RC (basically the final beta), Microsoft on Wednesday confirmed a rumor that I first saw reported by Zack Whitaker of ZDNet last month: a new feature called Remote Media Streaming will let you access the music library on your home PC from another computer over the Web.
(Credit:
Renai LeMay/ZDNet Australia)
It's like Slingbox, only instead of accessing the cable box or DVR sitting in your home, you're accessing the music files stored on your home PC.
It could get really interesting, if combined with Windows Live ID--simply associate a Live ID with your home machine, and you could get immediate automatic access to your music library whenever you log on with that ID on another machine (though you might need the Windows Media Player 12 on that accessing machine).
This is the first exciting new digital-media feature I've seen in Windows 7, but it seems to be at cross-purposes with other Microsoft efforts. For instance, one selling point of Windows Home Server is the ability to access files remotely, and while I suppose that some families might use that feature to access their financial records or homework, it seems like digital media would be the most interesting use. Offering that feature in Windows 7 takes some of the steam out of Home Server.
Then there's the whole Zune factor--for the last two years, the Media Player has languished untouched while the Zune PC software has been updated several times. Now, just when I had finally abandoned the Media Player, it looks like I'll have a reason to re-employ it.
From Microsoft's perspective, does it really make sense to have two product teams working on different digital-media clients for the PC? I don't think so, and eventually, Microsoft may have to pick a winner. I thought that Zune had the inside track, but now I'm not so sure.
Update at 5:10 p.m. PDT: Changes were made based on a draft version of the Windows 7 Reviewers' Guide.
Microsoft took the wraps off the next version of Windows Tuesday at its Professional Developers Conference, and the Web's abuzz with first impressions and previews--most of which are positive.
It looks like Microsoft is making the right moves to counter some of the problems with Vista: application and hardware compatibility are top priorities, and most of the UI tweaks I've seen so far seem helpful rather than arbitrary, as many of the changes in Vista seemed to be. But the release of Windows 7 is still a year away, and there will no doubt be modifications between now and then.
But forget the big picture...what's in store for digital audio in the next version of Windows? Here's a quick rundown of what in known based on the very early pre-beta shown in Los Angeles:
The Media Center interface in Windows 7 will scroll through album covers in your collection when you play a song.
(Credit: Charlie Owen, Microsoft)• Media Player not dead. Windows 7 will ship with a new version of the Windows Media Player. This is somewhat surprising, given Microsoft's complete neglect of the Media Player since Vista's release and its emphasis on the Zune PC software, which has its own playback and organizational features. But apparently Microsoft has realized that native playback of digital media within Windows is too important to force people to download an application separately. This is not the case with some other applications--for instance, Windows 7 will not come with Mail/Outlook Express, Photo Gallery, or Movie Maker--instead, users will have to download Windows Live versions of these applications. (Or PC makers will have to pre-bundle them.)
• Non-Microsoft formats supported. Microsoft is at long last capitulating to the inevitable and natively supporting AAC audio (as well as H.264 video--both are parts of the MPEG-4 standard), which has become a dominant format thanks to Apple's AAC support in iTunes. For years, Microsoft used the Player to promote its own Windows Media format--for instance, it didn't support full-bitrate ripping of CDs to MP3 until Windows Media Player 10, released in 2004--but apparently the Media Player team is following Zune's lead here.
• Networked music. Microsoft promises major ease-of-use improvements for home networking in Windows 7 (hallelujah), and streaming home audio is no exception. You'll be able to stream media from any Windows 7 PC to any network-connected device that supports version 1.5 of the Digital Living Network Alliance (DLNA) standard, and vice-versa. The Windows Media Player will even transcode your media on the fly to the appropriate format for each device on your network. This sounds great on paper, but of course the devil's in the implementation details. Still, it's a great step forward from Windows Media Connect in XP and Vista, which only supports the Xbox 360 and a handful of other devices.
• Bluetooth audio. Windows 7 includes a Bluetooth audio driver, meaning it will natively support Bluetooth speakers and headphones--no installation required. (The lack of support for Bluetooth audio in Vista drew lots of complaints.)
• Intelligent routing. Microsoft promises that audio will flow more reliably to the proper devices--for example, a song will naturally play over your speakers, while a Voice-over-IP call will flow to your headphones. Again, nice idea, but wait to see if the implementation works.
• Libraries. A new feature, Libraries, will arrange similar types of files from across your PC--and across all the PCs in your network--within a single virtual folder. So all your music, even files you've neglected to put in your MyMusic folder, will appear in this virtual Music Library, which should make it easier to organize and find songs outside the context of the Media Player or Zune (or iTunes) libraries.
• Music Wall. It looks like the Media Center team has borrowed a trick from the Zune PC software: when you're listening to an album in Media Center, the background will gradually scroll through images from all the album art in your collection.
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