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Klipsch's nifty ProMedia 2.1 does bona fide stereo, and its subwoofer belts out more and better bass than single-box iPod speaker systems.

(Credit: Klipsch)

I don't know why, but it seems like almost every iPod speaker I hear here at CNET is a wretched-sounding thing. Most have screechy treble, lumpy bass, and vocals never sound remotely human.

As always, you get what you pay for, and the cheapest ones tend to be the worst offenders, but hey, they're cheap.

Some, going for upward of $300 are somewhat less horrible, but for three hundred bucks, you could actually buy a nice set of hi-fi speakers.

The A2 speakers

(Credit: Audioengine)

And since most iPod speakers are one-piece systems, they don't do stereo all that well. Sure, many incorporate some sort of processing to simulate stereo separation, but that usually messes up their already pitiful sound quality even more. With separate speakers, you can place them far enough apart to make stereo sound like stereo. Which stereo speakers, you ask?

I like Klipsch's little 2.1-channel iPod solution, the ProMedia 2.1 iPod/Computer Speaker system that goes for $150. It features a pair of two-way satellite speakers and a 6.5-inch powered subwoofer. Separate speakers means it does bona fide stereo, and the sub is big enough to generate real bass.

The larger A5 speakers

(Credit: Audioengine)

For $199 you could buy a pair of Audioengine A2 speakers and hook them up directly to your iPod. In my opinion, the A2 sounds at least as good as any single-box $400 iPod speaker I've heard. Granted, the $600 high-end iPod speakers make a lot more bass, but it's still on the thick, boomy, and bloated side of natural. And they're $600! For that kind of dough, you could buy a small stereo receiver and actual hi-fi speakers.

You can read my complete A2 review here.

What's new? Let's start with the Now Playing and What's Hot buttons.

(Credit: Screenshot by Jessica Dolcourt/CNET)

Fans of Midomi, the song-identifying app for iPhone, will still recognize the app when the iPhone prompts an update to version 3.0, even if they don't recognize the new name: SoundHound. The app's core remains the same with its outsize orange button you tap to sing, hum, or record a song you want to ID, buttressed by another button for shier folk to speak the artist or song name, and a text field for old-fashioned typing. What's new is big, and it centers on two additional tabs below, one that lets you browse music trends and another that links up to your iPod library.

Tap "What's Hot" to pull up trend charts for the most popular songs on the Midomi network; the songs that are played more through Midomi than they are on the air; and a list of the most recently "grabbed" tunes that SoundHound and Midomi.com users have identified.

Following any musical entry pulls up an info page from which you can flow into an artist bio, bookmark or share the details, buy the song via iTunes, or watch available YouTube videos. A new lyrics feature presents the words to the tunes within the Midomi app; if that's not available, tapping the "lyrics" button produces Google search results, still within the app.

Midomi's SoundHound also cleverly hooks into your iPhone's iPod library through the "Now Playing" button. The songs you play through SoundHound get funneled into the Midomi network, so you can rapidly interact with your ditty as you would had you sought it out by typing, talking, humming, or recording the tune. Even better, SoundHound can show lyrics for your iTunes song as it plays. Likewise, if your music search turns up a song you've already got, an icon denotes the fact, and lets you play the tune from your own collection.

The robustness of the lyrics feature and the trend charts crowd in on TuneWiki's territory, and threaten to overtake it. Shazam, the other popular music discovery app, could also find itself on SoundHound's lunch menu, except for its loyal following and free price. Even the premium Shazam Encore may continue to appeal to some for its now slightly cheaper price tag and a handy offline mode, but its features pale in comparison.

The cost of owning Midomi 3.0/SoundHound does jump in this release from $4.99 to $6.99, presumably to accommodate the cost of licensing lyrics, though we haven't been able to confirm this yet with the app's publisher, Melodis. What we do know is that with this release, SoundHound is jetting to the front of the music discovery pack, which can only mean more sophisticated improvements down the line for its competitors.

The best of today's home theater in a box systems are excellent, but how do you find the one that's right for you?

First, read my CNET reviews; they're loaded with information about how easy the HTIB is to use and how well it performs. It may be a dubious honor, but I probably hold the record for testing more HTIBs for magazines and Web sites than any other reviewer.

Most HTIBs come with Blu-ray or DVD players, receivers, and five or more speakers and a subwoofer. Right, HTIBs also come with lots of wires and setup chores, so they're almost as complex to install as separate receiver, player, and speaker-based home theater systems.

Onkyo's HT-S9100THX is the best-sounding HTIB on the planet.

(Credit: Onkyo)

If that's more than you bargained for, maybe you should be looking for something simpler: a single-speaker surround system? That would eliminate most of the wiring and setup hassles. Check my CNET reviews to see if one is right for you.

For small bedrooms or dorm rooms, a budget HTIB or single-speaker surround system may be ideal. Family-size home theaters may require larger systems with larger speakers and powered subwoofers.

Connectivity varies a lot in this category, so don't assume all HTIBs have what you need. If you don't want to switch inputs on your TV every time you select a different video source, say from a game system to a Blu-ray player, make sure the HTIB has enough HDMI and other video inputs. Some HTIBs don't switch video at all. Some have USB inputs and iPod-docking capabilities.

HTIBs tend to sound best with movies; music comes in a distant second place. I always refer to HTIBs' performance with movies and music, so if you plan on listening to a lot of music over your new system, definitely look for that in the reviews. Don't assume the sound will be equally good for music and movies; it rarely is.

Zvox Z-Base 525

(Credit: Sarah Tew/CNET)

Surround sound and its accouterments tend to dominate a living room, requiring an AV receiver, several speakers, stands, and wires to make the whole thing work. That's why many people choose to skip surround sound, opting instead for the tinny acoustics of their TV speakers.

Single-speaker solutions like the Zvox Z-Base 525 represent a middle ground approach, promising much better audio than your TV without all the fuss. The Z-Base 525 is particularly fuss-free; its unique design makes it look like nothing more than a pedestal for your HDTV. Even better, the Z-Base sounds better than most sound bars do, although it doesn't have as much of the surround effect as other sound bars. (The step-up Z-Base 575 sounds even better, but it's larger and more expensive.)

Like any sound bar, it doesn't compare with a full 5.1 system, but if you can live with the compromises, the Z-Base 525 ($350) is one of the more affordable options with respectable sound and an outstanding design.

Read our full review of the Zvox Z-Base 525.

Zvox Z-Base 525 photos

The Z-Base575 is a speaker and a TV base.

(Credit: Zvox)

Sound bar speakers vastly simplify home theater setup and installation, but their sound quality always falls short of bona fide 5.1-channel speaker-subwoofer-based systems. The single-box Zvox Z-Base575 get closer to that ideal than most.

The problem with sound bars is they're too small. Even pricey bars like Yamaha's YSP-3050 ($1,199 MSRP) can't generate full-blown home theater impact. And it's a bit bigger than average (31.5 inches wide by 6.1 inches high by 6 inches deep), but films like "Mission: Impossible III" sound tepid over the YSP-3050. The film's explosive effects lack the excitement you'd get from a 5.1 system. Yamaha's technology is amazing, but it can't produce high-impact sound from skinny cabinets. I'm not singling out Yamaha here; Denon, Marantz, Polk, Samsung, and Sony sound bars all--to varying degrees--squash dynamic range of movies.

Stepping up to the YSP-4000 ($1,600 MSRP) won't make that big a difference; in my CNET review I noted that it stumbled with big special effect-driven flicks like "Mission: Impossible III." The explosions fell flat, the bass was rumbly, and the Yamaha couldn't play loud at all. Hooking up an Acoustic Research HT60 subwoofer to add extra muscle helped a little, but the YSP-4000 still lacked punch.

Part of the problem is that almost all sound bar speakers are too small. Zvox's Z-Base575 is big and very, very deep. How deep is it? Sixteen inches! So unlike other surround bar speaker systems that can either be wall-mounted or set on a shelf, the Z-Base575 was designed to be used as a base under your TV. Don't worry, the sturdy medium-density fiberboard cabinet can support heavyweight displays.

(Credit: Wall of Sound)

For a stereo, the Wall of Sound isn't massive. But for an iPod dock, it's gargantuan.

Pitched as "the world's most powerful iPod speaker," the Wall of Sound is a $4,500, handcrafted iPod dock with a stocky 3x4-foot frame that weighs in at 225 pounds.

As for the sound itself, the 125W system promises a frequency response of 40Hz to 20kHz that will provide "graceful mids and crystal clear highs," according to the product's Web site. It's also purportedly "for people who believe that music should be listened to loudly."

This story originally appeared on Gizmodo.

Believe it or not, iPod speakers were once rare objects--and Bose's SoundDock was one of the first to hit the market back in 2004. Since then, the company has followed up with the SoundDock II ($299) and the SoundDock Portable ($399), even as the iPod speaker category has become completely commoditized (nowadays, there are plenty of sub-$100 clock radios with built-in iPod docks). For the 2009-2010 buying season, Bose has gone back to the drawing board and produced the SoundDock 10.

Bose says it worked for several years on this new speaker system for the iPod and iPhone, with the lofty goal of building a product that can deliver "audio performance previously unattainable from a one-piece speaker system for iPod." The SoundDock 10 is bigger and more expensive (costing a whopping $599) than previous SoundDock models, but it's still relatively compact, measuring 17 inches wide by 9 inches high by 10 inches deep, and has a nice clean, understated design that gives the whole system a classy look.

The centerpiece of the unit is a hefty, custom woofer, bracketed by two Bose Twiddler transducers (no, that's not a new social-networking site; it's a combination of a high-frequency transducer and midrange driver). The woofer alone adds a lot of weight to the unit, and while the speaker can be moved around the house easily enough, the SoundDock 10 weighs a beefy 18.9 pounds (that's three times as much as the aforementioned SoundDock Series II and SoundDock Portable). Held in hand, this model feels quite substantial and well built.

So, does Bose deliver on its lofty sound goals?

Read the full review to find out (or just watch the embedded video).

Twin aluminum cylinders belt out a huge sound.

(Credit: Steve Guttenberg)

The Rocky Mountain Audio Fest 2009, held last week in Denver, showcased the best and brightest in high-end audio gear.

Hundreds of high-end manufacturers, from tiny one-person operations all the way up to industry giants like JBL were on hand. RMAF has a very different vibe than the Consumer Electronics Show held in Las Vegas every January--RMAF is a more grassroots affair.

I never heard of RAAL, a company based in Serbia, but its small (I'm guessing 7-inch-tall) speakers, produced a huge, room-filling sound. The speakers totally disappeared as sound sources.

The speaker uses twin aluminum cylinders, with 4-inch drivers firing up and down and a special "ribbon tweeter" sandwiched between the two cylinders, firing front and rear. Each speaker has its own, separate woofer, housed in another tube with 6-inch woofers at each end.

It's a fully powered system; just hook up a source such as a CD player and you're good to go. Price and availability weren't announced, but the company is hoping the complete system will cost around $4,000.

TAD speakers and Bel Canto electronics sang ever so sweetly together.

(Credit: Steve Guttenberg)

TAD (a division of Pioneer Electronics) had the best sound I heard at RMAF. Their newly revised Reference One speaker ($60,000 per pair) was far from the most expensive speaker in Denver, but the 330-pound towers produced the most vivid, clear, and transparent sound. Bass drums were tight, pitch-perfect; stereo imaging was, again, remarkably precise and three-dimensional. Vocalists virtually materialized between the two Reference Ones.

Some of that amazing sound quality has to be attributed to the Bel Canto electronics that TAD was using. The compact e.One Series components use just a tiny fraction of the AC power consumed by their hotter running, bigger and heftier competition. Bel Canto does things differently.

The Limited Edition System amplifier.

(Credit: EMP Tek)

High-end audio can be expensive, but there are deals to be had.

Take a gander at EMP Tek's nifty Limited Edition System that goes for $595. It's a three-piece affair with a stereo tube integrated amplifier and a pair of sweet-looking bookshelf speakers.

Call me jaded, but I've heard a bunch of iPod speaker systems in that price range that sounded like glorified boom boxes. And since most of them are single-box systems they don't do much in the way of stereo separation. Yes, they make bass, but it's always bloated, thick, and boomy bass. Impressive to some at first, but its not what you'd call hi-fi sound. These iPod systems' power amp wattage is rarely specified or it's wildly exaggerated. For $600 you should be able to get a decent sounding system, and there's no such thing as a decent sounding iPod speaker for that kind of money.

The EMP Tek Limited Edition System is something else again. Its 40-watt-per-channel rating seems about right. Small enough to fit on a desktop, it's just 6.6 inches wide, 4.5 high, and 10.25 deep, and the amp has three inputs. Two are minijacks, so you can plug your iPod/MP3 player in, and there's a stereo RCA input you might use to pump the sound of your DVD or Blu-ray player through the system. The amp's two tubes are backlit with blue LEDs, which look extra cool. The amp weighs 8 pounds.