I have no doubt musicians will continue to perform throughout the 2010s, but they'll make less and less money from recorded music. The passion to make and sell recorded music is already starting to wane.
Big record labels will be increasingly irrelevant so I wouldn't be surprised if Warner, Universal, Sony/BMG, and EMI eventually merge into one mega-label to sell and license back-catalog music. New music, that's another story. Already established bands, like Radiohead, have already proved the point: they don't need record companies anymore. They can sell their music directly to fans.
Will anybody be making 'albums' in 2020?
(Credit: Steve Guttenberg)But that model won't work for smaller groups. Recorded music for them may survive purely as a promotional tool, as fewer and fewer bands have any expectation of seeing recording as a potential source of income. Buying music, in physical form or by legal download, doesn't seem to have much of a future. So why would a band make an effort to make music people would want to listen to decades from now? The art of making albums--a suite of songs if you will--may become a rare pursuit.
... Read moreMusicians are a paradox when it comes to technology. They have voracious appetites for the latest, greatest gear, but unlike the average tech consumer, they also have a near-religious reverence for all things vintage.
Looking back on what I consider the year's coolest gear for musicians, the thread that ties it all together (well, most of it) is this balance of new and antique. From a guitar pedal that sounds like a tube amplifier from 1959, to USB interfaces that return the look and feel of a pre-Pro Tools era--music tech has a unique way of pushing forward while always acknowledging the past.
To see my completely subjective roundup of 2009's most interesting music gear, click though to our Crave slideshow. If you have some other 2009 music gear you'd like to champion, feel free to add it in the comments section.
As the name implies, the Yeti is a big microphone. Look, even the font Blue Microphones used on the box is gigantic.
(Credit: Donald Bell/CNET)When Blue Microphones announced the Yeti USB microphone ($149) in November, I was a little apprehensive about the name. Sure, Blue Microphones has been playing it cutesy over the years with microphones named Snowball, Snowflake, Mikey, and Bottle Rocket--but Yeti?
Well, after getting my hands on this thing I can now say that I fully understand the thinking behind the name. For starters, this microphone is huge--like, disturbingly huge. It measures a foot tall, weighs 3.5 pounds, and--to be perfectly frank--it's starting to give me a complex.
But beyond its intimidating size, the Yeti moniker is just as fitting as a way to describe its sound. Compared with similar microphones, such as the Samson G-Track or even Blue's own $99 Snowball, the Yeti's sound quality offers noticeably better depth and detail. It's a big sound from a big microphone, which is probably what I should have said in the first place instead of wasting your time with the last two paragraphs.
OK, so what else are you getting with the Yeti? From a features perspective the Yeti offers an integrated control for gain adjustment, zero-latency headphone monitoring, headphone volume control, a handy little mute button, and a switch for selecting between four microphone recording patterns (omni, cardioid, stereo, bidirectional). The solid metal man-shaped stand is also a nice feature, and does a better job than the G-Track or Snowball at placing the microphone at mouth level. If the cutesy-ness of the stand is overwhelming, a standard, threaded mic stand mount is also included on the bottom of the Yeti.
When it comes to performance, the Yeti has plenty to brag about. For starters, this is the first microphone or audio input device to receive the coveted THX certification. I asked Blue Microphones to tell me what was required to get the THX stamp of approval. Apparently, it involves a multitude of factors, such as tests for frequency response and signal to noise ratio, and--perhaps more importantly--proof of performance consistency across multiple product batches. In other words, it had to sound good and have a reasonable chance of sounding good every time. ... Read more
Think about it: turntables are electro/mechanical devices that transform LPs' grooves into sound. OK, that's not exactly right, it's the phono cartridge's job, but the turntable provides the platform to make that happen.
Phono cartridges are incredibly sensitive transducers, so they don't just convert the grooves undulations into sound, cartridges can also pick up bad vibes from footsteps, dancing, etc, and even the rumble of the turntable's motor. Those background noises muddy the sound.
A Rega P3 Mk. 24 turntable
(Credit: Rega)The turntable's placement can negatively affect its sound quality. Wobbly furniture is a huge no-no; put the turntable on a solid shelf or stand. If you can move the cabinet, even a little with a push of your finger, try this: tightly wedge a few paperback books between the back of the furniture and the wall. The goal here is to eliminate any possible lateral movement. Wobble elimination can improve the turntable's sound; bass will be deeper, better defined and overall clarity will be enhanced.
Next, if you have a bubble level, use it to make sure the turntable platter is perfectly level (side-to-side, and front-to-back). If your turntable doesn't have adjustable feet, try placing coins under the feet to level the turntable.
If you have a belt-drive turntable and know how to remove the belt, take it off. Wash it with warm water to clean off debris that's accumulated over the years. Then put it back on. Might make a small difference.
The quality of your phono cartridge is not only very audible; an old or worn stylus (needle) can permanently damage record grooves. When in doubt, buy a new cartridge. I like Audio Technica's AT-95 ($50) and Grado's Prestige Black ($60). These two are standard-mount cartridges, and they will work on many turntables, but some 'tables require "P Mount" cartridges. If you're not sure, read the manual or check with the turntable manufacturer.
... Read more
CNET Audiophiliac Steve Guttenberg joins The 404 Podcast for a special Friday episode all about the art of music appreciation. We love having Steve on the show because he actually comes prepared with topics of discussion, and today he launches right into a thoughtful point about how music has become background filler for the digital generation.
It might be because MP3s and digital audio watered down the listening experience compared with putting a needle on a record, but we suspect the current generation is so used to hearing overproduced music with pounding bass and autotuned vocals that they wouldn't recognize musical talent if it were performed live in front of them. Kids these days, I swear.
After we're done complaining about people younger than us, we address the ongoing prevalence of digital abuse. Cyberbullying took an ugly turn earlier this year when 13-year-old Megan Meier took her own life over a fake MySpace profile. Tragedy struck again in the form of another 13-year-old, Hope Witsell, who committed suicide after finding herself the subject of constant taunting and abuse over a nude picture message that made its way around her school. As a tech podcast, we also examine the role that text messages and cell phones play in the hands of young people and how parents can protect their kids from digital abuse.
It's not all sad news on today's show, though. We can always depend on Steve to bring the most random and hilarious anecdotes, and be sure to listen to his uplifting message at the end of the show to start your weekend off right. See you back here on Monday!
EPISODE 480
Listen now: Download today's podcastSubscribe in iTunes audio | Suscribe to iTunes (video) | Subscribe in RSS Audio | Subscribe in RSS Video
... Read more
Meet Yeti, a very real USB mic due out in December.
(Credit: Blue Microphones)From the company that brought you the Snowball, and the Snowflake, comes the Yeti--a $150 USB microphone destined to ravage and plunder desktop-recording studios this December.
The Yeti marks many firsts for Blue Microphones. It's the company's first THX-certified USB microphone. It's also the first time we're seeing a budget-priced microphone from Blue built around three 14mm mic capsules, allowing four recording patterns (omni, cardioid, stereo, bidirectional). Also, unlike the company's famous Snowball microphone, the Yeti offers a direct headphone connection for zero-latency audio monitoring.
The Yeti's USB connection gives it plug-and-play compatibility with both Mac and PC, with recording resolutions up to 48kHz at 16 bits.
Aside from a USB cable, the Yeti also includes a cool Yeti-shaped desktop stand to add some Abominable-Snowman design flare to your recording rig.
The Zoom Q3 camcorder brings quality audio to the solid-state video camera market.
(Credit: Donald Bell/CNET)Update: CNET's full review of the Zoom Q3 is now available.
As the audiophile's answer to the Flip camcorder craze, the Zoom Q3 ($249) takes a basic pocket video camera and bestows it with a high-quality stereo microphone and advanced audio-recording options. After a weekend playing with the Q3 and testing its audio and video capabilities against the Flip Ultra HD, I have a few initial observations to share.
... Read moreThese days, there is a plethora of audio content available to stream over the Internet. Even traditional terrestrial radio often offers content streamed over the Web, diversifying the choices for how consumers can enjoy music and other audio. Although the legality is questionable, there are--and will always be--ways to record these streams. Streamed audio recordings for music are not going to offer the same sound quality as a ripped CD or even a purchased MP3, but it's a good option for talk programs and mixes that might not be available in other formats. This tutorial will show you how to record streamed audio as an MP3; just be sure to read the usage rules for any recording source before beginning.
Editors' note: This tutorial was completed using Windows XP.
Cost: Free
Time commitment: Varies
System Requirements: Windows
(Credit:
Microsoft/Burger King)
Happy Windows 7 Day everyone! Much to Wilson's chagrin, there is indeed another operating system out there, and the new version just came out today. Users unhappy with Windows Vista can now breath a sigh of relief, as the new OS combines a strong design with an easy-to-use interface that many are calling "Vista done right," but more.
Check out our own Seth Rosenblatt's full review of Microsoft Windows 7 (Professional), then head over to CNET's Windows 7 landing page for full coverage and a live blog of today's launch event.
Most interesting about Windows 7 is Microsoft's impressive worldwide media promotion, which includes Burger Kings in Japan rolling out the official Windows 7 burger. The meaty behemoth actually has seven meat patties and carries a 777 special price for Japanese customers.
The limited-time offer is an effort to promote the software as "leaner and meaner," although we don't get how a heart attack between two buns will get the message out there. Seth MacFarlane is getting in on the viral marketing as well--on November 18, Microsoft will sponsor a full half-hour episode of "Family Guy." Be sure to watch the sneak peak that features Stewie and Brian poking fun at Microsoft's new features.
Today's Beck's Beer Audio Draft Pick is The Audition.
(Credit: The Audition/Victory Records)Finally, Jeff's pick for today's Beck's Beer Audio Draft is a band on Victory Records called The Audition. Although we agree with Jeff that they might be the pop-iest band we've featured on the show, they nevertheless have a feel-good sound that takes us back to our teenage years. The first song of the day is entitled "My Temperature's Rising" off the band's newest self-titled album.
Unfortunately, the band just got off a tour with our beloved Alkaline Trio, but be sure to check back on their Last.FM page for the latest concert info.
EPISODE 451
Listen now: Download today's podcastSubscribe in iTunes audio | Suscribe to iTunes (video) | Subscribe in RSS Audio | Subscribe in RSS Video
... Read more
Looking more like a remote control for the Batmobile than a voice recorder, the aluminum-clad Samsung YP-VX1 is way too sexy to record your memoir, much less a grocery list.
Announced today along with a handful of other Samsung portable audio gadgets we may never see in the U.S., the details surrounding VX1 are pretty scarce. There's no word on pricing or capacity, but this little beauty does offer MP3 playback with ID3 support, along with Samsung's DNSe sound enhancement technology.
But if you're feeling strangely compelled to buy a dedicated voice recorder, don't get your hopes up for this one. Both GenerationMP3 and PMP Today have stated their doubts that the VX1 will ever see the light outside of Korea. Hey, there's always the Sony PCM-M10.
