Crave

Neil Young rides in his LincVolt in the video for "Johnny Magic," dedicated to LincVolt designer Johnathan Goodwin.

(Credit: NeilYoung.com/copyright Shakey Pictures)

Legendary rocker Neil Young is releasing a new album inspired by his electric-car project LincVolt.

The "grunge father," along with biodiesel pioneer Johnathan Goodwin, are developing a commercially viable electric power system in a 1959 Mark IV Lincoln Continental, which they hope will get the equivalent of 100 miles per gallon and take the $10 million Progressive Insurance Automotive X Prize.

Neil Young with his dog, Carl, in the video for "Johnny Magic."

(Credit: NeilYoung.com/copyright Shakey Pictures)

Young's classic "Long May You Run" could have been a proper theme song for the project. Instead, he's written new material about the LincVolt, featuring the crisis in the car industry and the economic downturn in general.

In "Fuel Line," he sings about the car's technology: "Awesome power of electricity, stored for you in this big battery." In "Johnny Magic," about the prize he's aiming for, "she goes long range on domestic green fuel, 100 miles a gallon is the Continental rule."

So far the concept album has received mixed reviews both in the music and green communities.

This time of year there's no shortage of lists, everywhere you turn you're hammered with Top Ten and Best of 2008 harangues.

Me, I'm not going to waste your time raving about Portishead, TV on the Radio or Vampire Weekend's CDs. Why bother? I'd rather turn you onto great music that slipped between the cracks.

My favorite album of the year was JD Souther's "If The World Was You." JD was most famous for co-writing a bunch of 1970s era Eagles tunes, but this new CD demonstrates the Detroit-born, Amarillo, Texas-raised musician hasn't dried up in the intervening decades.

The new CD, recorded live in a Nashville studio, has a dark, brooding sound. JD's accompanying musicians are serious players. But it's the writing that kept this disc in heavy rotation in my house. There's a bit of the late, great Warren Zevon influence in there, so if you're a fan of 1970s Southern California rock If the World Was You would definitely be worth a listen. It's at least as good as Randy Newman's excellent "Harps and Angels" CD that was also released this year.

A friend turned me onto Lizz Wright's "The Orchard" CD and I couldn't get over her straight from the heart vocals. This woman can sing, this kind of depth of feeling is rare nowadays, but Wright comes from a different tradition.

Neil Young says the tech industry doesn't care as much about music quality as it should.

Perhaps that's because the average iPod-toting iTunes customer doesn't give a second thought to whether the digital file of the latest single they just bought is uncompressed or lossless.

Young told a bunch of tech luminaries gathered for an industry conference as much on Wednesday: "People's understanding has been skewed by MP3s and convenience. It's important to get music out there...but not at the expense of quality."

He's not the only one who feels that way. Grammy-award-winning producer T-Bone Burnett (who says audio nowadays is so degraded it's akin to viewing "a Xerox of a Polaroid of a photograph of a painting") is spearheading CODE, a new high-definition audio format distributed on a DVD.

CODE gives the music consumer options, by including many different formats, including 24-bit/96-kHz WAV files, uncompressed 16-bit/44.1kHz files, AAC, and MP3 on a single disc. What Burnett has done is show consumers that there are options, more than perhaps they are aware.

Young and Burnett are certainly vocal, but aren't the only people dissatisfied with the listening experience offered by today's cheap, one-off music downloads. So we checked in with our own resident audiophile, Steve Guttenberg, who writes at CNET Blog Network's Audiophiliac. Here are his suggestions for hearing music the way it's meant to be heard.

*Listen. Well, sure, that's the point right? But Guttenberg means really listen, as in, don't have it playing in the background while you're filling in spreadsheets at work, or scrubbing your shower. Once you do, you'll actually notice how much is missing from a compressed MP3 file.

"People who actually put on music and listen--whatever form it's in--they hear more because they're giving it their undivided attention," he said. "Once people really listen, they care about (sound quality) more. Whether you're listening to an iPod or $20,000 turntable, it doesn't really matter. But that's sort of the beginning of everything."

(Credit: CNET)

*Download quality file formats. Now that you can get music players with 160GB of storage, file size isn't really a huge issue anymore. MP3 files are generally regarded as the lowest-quality music file since the audio uses a lossy compression process to make the files smaller, meaning some of the data is left out, like higher frequencies.

Luckily there are alternatives: Apple lossless for iPods compresses the files, but losslessly (which means it sounds exactly like uncompressed, but is actually compressed, Guttenberg says); AAC, which is a lossy compression encoding process, but is generally accepted as better than MP3; or OGG (no, no relation to me), which is another lossy compressed file format, but is open source and is known for its higher fidelity. And then there are WAV files, which are completely uncompressed and sound exactly how they're "supposed to," according to Guttenberg.

*Buy used CDs. Though CDs probably aren't Neil Young-approved, it's a vastly better quality experience than MP3s. Plus, it's kind of a deal, Guttenberg says. "It's cheaper than buying iTunes (songs) and certainly sounds a million times better."

*Think outside the iPod. Though there's nothing wrong with Apple's portable music player, it's not the only device out there. Besides other brands of players, you could get super pro and go with a set of turntables. And you don't have to spend a ton. There are USB-equipped turntables that go for around $100--cheaper than most iPods.

*Listen to it live. If the other options still aren't getting it done, you can always go see your favorite act in person. But Rule No. 1 still applies: Actually listen. A lot of people "talk because they're used to music being in the background, they don't just shut up and listen to it."

Having spent some time in recording studios, I was aware that automatic pitch-correction software exists and is used by nearly every singer to smooth out the occasional off note. (Neko Case claims she doesn't use it, but she's the rare exception.) But I don't sing, so haven't spent a lot of time with it myself.

When pushed to the limit, pitch-correction software can sound like a vocoder, such as this device built in the 70s by German band Kraftwerk.

(Credit: Public domain via Wikipedia)

So I was fascinated to hear New Yorker music editor Sasha Frere-Jones, who wrote about pitch-correction this week, give an audio demonstration of Antares' AutoTune software in the magazine's Out Loud podcast. He sings a version of Kelly Clarkson's inescapable "Since You've Been Gone," sounding a bit like Lou Reed until he gets to the chorus, which he actually comes close to hitting. (Try it. It's hard.) He and the audio engineer pitch-correct a few off notes and it's almost undetectable.

Then they go extreme with the effect, creating the "warbling" effect that is best known from Cher's "Believe." In the podcast, they cover the misconception--which I shared--that "Believe" was recorded with a different device called a vocoder, which is enjoying a small resurgence among some electronic bands and was used to great effect by Neil Young on his 1982 album Trans. It's hard to tell the difference, but vocoders can be used for much more extremely distorted sounds--demonic robots on a rampage--while pitch-correction always sounds musical, if a little bit artificial.

Neil Young's latest release is available on DVD-A.

It's safe to say most, I mean like 99 percent, of music buyers don't give a hoot about sound quality. Why else would CD sales continue to plummet and worse than CD quality downloads go up every year?

OK, that's the mainstream, what about the other 1 percent; why have the audiophiles, according to a poll on the Stereophile website, already given up on SACD and DVD-Audio? Before I cite their feedback I'd like to point out that despite the naysayers, the super sound formats are still hanging on. Neil Young's latest release, "Chrome Dreams II" just came out on DVD-A, because he still cares about the sound of his music. You can still buy Pink Floyd's "Dark Side of the Moon" on SACD, and it really is one of the best sounding remasters of all time. Amazon currently lists 3,436 SACDs and 3,303 DVD-As, so anyone interested in checking out high-rez audio can do so. Audiophile labels like Telarc and Chesky Records are still putting out SACDs all the time.

Ah, but Amazon currently offers just 596 Blu-ray titles and 687 HD DVDs. Gee, I would have thought the tens of millions of people with HDTVs would have gobbled up high-rez discs by the boatload by now. Aren't Blu-ray and HD DVD supposed to be the up and coming video stars?

Ray Charles on this recently released SACD.

(Credit: Telarc)

Back to audio: thirty eight percent of Stereophile's readers believe SACD and DVD-Audio are "dead," and 23% more think the formats are "mortally wounded." Only 3% claim they're "alive and kicking." Wow, that's pretty bleak. But one guy wrote "I own about 900 SACDs. In Japan everything high-quality in Jazz, and/or classical music is issued in DSD/SACD/CD. There are stores exclusively dedicated to the format. DVD-A's pretty much dead." Somebody chimed in with the hope that SACD and DVD-A "May get resurrected via Dolby TrueHD if Blu-Ray and HD-DVD don't kill each other first." And I think another guy hit the nail on the head with, "The market has voted in favor of convenience over quality. Consumers are unwilling to purchase new hardware and make complex new connections for the sake of quality. . . But, as high speed broadband connectivity becomes more commonplace, all digital content will be distributed over the web. All physical media, including HD-DVD and Blu-ray, will become obsolete." Gee, I think, gulp, he's right.