I'm not a big fan of small speakers or subwoofers.
They tend to sound, well, small, and most of them squash the life out of films and music.
Thing is, people like tiny speakers and subs, so lots of speaker companies make, and sell tons of iffy-sounding 5.1 systems.
The Definitive Technology ProCinema 600 system.
(Credit: Definitive Technology)But they're not all bad, I've cherry-picked three truly exceptional alternatives from Definitive Technology, Energy Speakers, and Mirage. My complete reviews are all on CNET, but I'll run down the highlights here.
The Definitive Technology ProCinema 600 System is a six-piece package with four 7-inch tall satellite speakers, one 10.5-inch wide center speaker, and a minisubwoofer. The injection-molded mineral-filled polymer cabinets have more of a high-end feel than your typical plastic or fiberboard cabinets. Can you say "rock solid?"
The subwoofer is a conventional, matte-finished medium-density-fiberboard box. It measures 13 by 10.3 by 13 inches. Its side-mounted volume control is a convenient design touch.
The satellites are two-way designs with a 1-inch aluminum-ceramic dome tweeter and a 3.25-inch midrange driver. Ah, but the midrange driver is acoustically coupled to a 3.25-inch pressure-driven planar low-frequency radiator on the top panel (so when the midrange driver moves in, the passive radiator moves out, and vice-versa).
The passive radiator effectively doubles the bass radiating area of the tiny midrange driver. The same technique is employed on the center channel speaker; it has a pair of 3.25-inch midrange drivers flanking a 1-inch tweeter--and there's a 3.25-inch radiator on each side of the speaker.
The subwoofer's 8-inch polymer cone woofer is acoustically coupled to a bottom-mounted 8-inch passive radiator. The combined radiating area of the driver and radiator is almost equivalent to a single 12-inch woofer. This little sub kicks butt!
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(Credit:
Acousticom)
Acousticom manufactures audio communication equipment utilized by the Department of Defense and leading aerospace companies. The company is well-known for its flight helmets, but it is coming to CES 2010 with something almost everyone can enjoy--the Sound Egg.
The egg chair is back, but with a 5.1 Dolby Digital surround sound system and an intimate media experience not intended for sharing. The chair can be connected to a television or computer and its unique foam insulation means no more complaining from your significant other. Go ahead, play Call of Duty all you want--he or she won't hear a thing.
The Sound Egg was initially manufactured as a demonstration tool for trade shows. Although this is still a marketed use, Acousticom is making it available as a consumer electronics item. The $1,450 seat is not for everyone, but audiophiles might call it an "investment."
SACD and DVD-A: A feast for your ears when you hear them over Oppo's stellar BDP-83.
Oppo's new BDP-83 player spins just about every type of "silver" disc under the sun: CD, SACD, DVD-Audio, DVD-Video and Blu-ray. Cool!
I brought a stack of SACDs and DVD-A discs to the CNET listening room to check out the BDP-83 with our Denon AVR-3808CI receiver and Aperion Intimus 4T Hybrid SD 5.1 speaker/subwoofer system. I'll cover the high-resolution audio performance of the Oppo here, read Matthew Moskovciak's full CNET review for the rest of the story.
"The Allman Brothers Band at Fillmore East," recorded on March 12 and 13, 1971, was a trip. Sure, the original mix was stereo, but I loved the way the SACD's 5.1 mix opened up and clarified the sound, especially the band's two drummers, Jai Johanny Johanson and Butch Trucks. The entire rhythm section's dynamics and pulse came alive on SACD, it's more in the background on CD.
On one hand the 5.1 mix is fairly subtle, but the sound's open quality and spaciousness was remarkable. The sense of being in the 2,000 seat concert hall was a thrill that you can't get with stereo. And no, you can't get there by playing stereo in Dolby Pro Logic II, a discrete 5.1 channel mix, if it's any good, will always sound better.
Led Zeppelin's "How the West Was Won" double DVD-A set was very different. How? The band's dynamic energy was even more present and the front three speakers soundstage depth and dimensionality were better than the Allman Brothers' disc. Too bad the bass was thicker and muddier, which was probably the way it sounded at the 1972 Zep shows. I didn't like the surround mix much, mostly because I couldn't understand why Jimmy Page's guitar was sometimes coming out of the surround speakers. Strange. But it's still the best sounding Zeppelin disc I own.
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Five speakers and sub for music? I don't think so!
(Credit: Steve Guttenberg)It's interesting. Tens of millions of homes are equipped with multichannel home theater systems, but multichannel music is a dead issue. Stereo rules the roost, for going on 50 years.
Ten years ago it looked like stereo's days were numbered--the two new multichannel formats, SACD and DVD-Audio, were on track to be the next big things. Funny, it didn't work out that way. I cover the subject in detail in my "Whatever happened to 5.1-channel music?" article that appeared in the July issue of Stereophile magazine.
Obviously, 5.1-channel sound makes sense for movies and home theater, mostly because 5.1 was an outgrowth of theatrical film-sound technologies stretching all the way back to the 1950s.
Every attempt to bring surround music into the home without video has flopped, big time. Are you old enough to remember the rise and fall of quadraphonic in the 1970s? What was needed was a surround format that didn't require music lovers to invest in new playback gear. Surely such a format would prove the viability of music surround...wouldn't it?
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This is the ideal 7.1 setup, but very few home theaters really look like this.
(Credit: Dolby)An industry insider recently admitted to me that only 30 percent of AV receiver buyers ever bother to hook up all seven channels to their receivers. That guesstimate seems a little high to me; the standard 5.1 channel setup: Left, center, right speakers upfront, and a pair of surround speakers to the sides of the main listening position can supply a truly immersive sound experience.
Seven-channel home theater adds two more speakers, placed behind the main listening position. That's tough to accomplish in rooms where the couch or chairs are up against the rear wall. There's no "rear" there, so some folks mount the rear speakers up high, or bounce the sound off the ceiling.
Still, the rear surrounds typically contribute little, so it's pretty hard to justify the added expense and hassle of running the extra wires for a marginal sonic improvement. The one exception might apply to very large rooms where the side and rear surround speakers are further apart from each other. The extra coverage may produce a more complete sense of surround envelopment.
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With Pro Logic IIz some receivers will produce 9.1 channel surround.
(Credit: Dolby)The Dolby Web site is bubbling with excitement about its new processing trick, "With Dolby Pro Logic IIz, rain in a movie now seems to be actually falling on the listener's roof, concert videos bring a more intense sense of being at the performance, and orchestral works deliver more palpable depth, power, and connection." The "z" in Pro Logic IIz signifies the Z axis, otherwise known as height.
Sounds interesting, but when I setup and listened to the first receiver (an Onkyo TX-SR607) with Pro Logic IIz, the height speakers didn't lift my spirits.
Pro Logic IIz can, depending on the receiver's capabilities, either augment a 5.1 or 7.1 channel speaker system with two height channels. In other words, in a 5.1 channel system with Pro Logic IIz you'll have five speakers in the front of the room--left, center, right, left height, and right height--plus a surround speaker to both sides of the main listening position.
The 7.1 system with Pro Logic IIz uses the same speaker array--plus two rear surround speakers.
Once you have a receiver equipped with Pro Logic IIz, and wall mount the height speakers three feet or higher over the main left/right speakers, you're all set. You won't have to buy specially encoded movies or music.
According to Dolby, "Pro Logic IIz identifies and decodes spatial cues that occur naturally in all content--stereo and 5.1 broadcast, music CDs, DVDs, 5.1 and 7.1 Blu-ray discs, and video games. Dolby Pro Logic IIz processes low-level, uncorrelated information--such as ambience and some amorphous effects like rain or wind--and directs it to the front height speakers."
Nice idea, did it actually work?
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It's no secret that gaming's presence at CES can barely be felt, but we were lucky enough to find some diamonds in the rough, including a few that made us want to phone a lawyer.
While there was no new gaming software to be found, there was a respectable amount of gaming hardware and accessories that stole our attention. Nyko stood out with the company's Wand and
...Read the full post at CNET's CES 2009 blog.
Psyko 5.1 headset puts speakers where they've never been before
We've seen our fair share of surround-sound headphones, but the Psyko 5.1 PC gaming headset goes about it in a unique way. Instead of loading separate audio channels in each ear cup, the Psyko 5.1 places them on the unit's headband and it's the ear cups that house the actual subwoofers.
With the speakers located on the top of your head, the Psyko 5.1
...Read the full post at CNET's CES 2009 blog.
(Credit:
Energy)
"The bigger the speaker, the better the sound" is a rule of thumb that you're likely to hear from many audiophiles. Thankfully, every rule has an exception. In this case, it's the Energy RC-Micro 5.1. Energy's latest surround-sound speaker system sports downright miniscule dimensions--the satellite speakers are a mere 4.7 inches high--but they deliver the sort of sound you'd expect from much larger speakers. Among the highlights were the $1,000 system's ability to blend seamlessly between the tiny satellite speakers and the 8-inch subwoofer. While the system's size does have its limitations--wattage freaks who like to crank it overly loud will soon find its sonic restrictions--most listeners looking for a set of surround-sound speakers that's heard and not seen would be hard-pressed to find a better-sounding solution at this size and price than the Energy RC-Micro.
One caveat: Anyone who's tempted by big sound from little speakers might want to wait for our review of the $1,200 Mirage MX 5.1--an even smaller version of the Mirage Nanosat 5.1, which is still available, and a steal for under $600. (Mirage and Energy are sister brands in the Klipsch family.)
(Credit:
Acoustic Research)
Acoustic Research announced two new specialty headphones models on Friday: a 5.1 USB solution and wireless headphones that offer uncompressed sound quality up to 100 feet.
The ARW200 5.1 Dolby Digital headphones connect to any PC or Mac via an open USB port and provide you with three separate speakers in each ear. The headphones also fold up in an included travel bag for 5.1 on the go. Also included is optional software should you want to save your personal treble and bass settings. Retailing for $100, the ARW200 are available now. We recently took a look at the Turtle Beach Ear Force AK-R8 and will put these two head-to-head for our review.
The AWD209 Wireless Headphone System complements the AWD510 that we recently reviewed, except the 209s do not offer true 5.1 surround. Instead, these headphones have two speakers in each ear cup, one of which is completely dedicated to bass output. Acoustic Research claims the phones will work up to 100 feet via the 2.4GHz transmitter and will provide uncompressed sound for up to eight hours. The AWD209 will be available in October for $150.
Look for reviews of both these headphones in coming weeks.
