The Sony A850, the least expensive full-frame SLR on the market, now has raw-image support from Adobe.
(Credit: Sony Electronics)Adobe Systems released an update to its Photoshop and Lightroom products on Thursday night to support raw images from a raft of newer cameras from Canon, Nikon, Sony, and others.
Raw image formats, which record the unprocessed image sensor data from various higher-end cameras, offer higher quality and more flexibility than JPEGs but require more processing and take up more space. Adobe, Apple, and others write their own modules to decode the proprietary formats.
Adobe's update supports several newer SLRs from Canon, Nikon, Pentax, and Sony; compact cameras from Olympus, Panasonic, and Canon; and several medium-format camera models from Mamiya. Here's the full list of cameras now supported in Lightroom 2.6, the Camera Raw 5.6 plug-in for Photoshop CS4, and the DNG Converter 5.6 utility:
Canon EOS-1D Mark IV
Canon EOS 7D
Canon PowerShot G11
Canon PowerShot S90
Leaf Aptus II 5
Mamiya DM22, DM28, DM33, DM56, M18, M22, M31
Nikon D3S
Olympus E-P2
Pentax K-x
Panasonic FZ38
Sigma DP1s
Sony A500
Sony A550
Sony A850
The software also fixes a problem that, on PowerPC-based Macs, could create artifacts in highlight areas in some circumstances with medium-format sensors and with some cameras from Sony, Olympus, and Panasonic.
The Camera Raw plug-in also works for customers of Photoshop Elements 8 and Premiere Elements 8. The free DNG Converter software can translate raw files into the Digital Negative format Adobe is trying to promote and standardize as a way to address file format longevity issues for archiving, expand use of raw photography, and handle metadata better.
Supporting raw processing keeps software makers on a new-camera treadmill. Apple updated its support for some of the new cameras on Wednesday, and DxO Labs announced it supports Canon's high-end S90 compact with the new DxO Optics Pro v6.1.1.
Canon's new S90 high-end compact camera.
(Credit: CNET)Adobe Systems released beta software on Wednesday to support raw images from Canon's higher-end new compact cameras, the Powershot S90 and G11, Olympus' rival E-P2, Panasonic's FZ38, and a host of SLRs.
The software updates are betas of Lightroom 2.6, the Camera Raw 5.6 plug-in for Photoshop CS4, and the DNG Converter 5.6. All the software uses the same raw-image processing engine.
Raw images provide more flexibility and image quality but require more processing; typically only higher-end cameras support raw file formats. Most folks are happy with JPEG, but many photography enthusiasts prefer raw.
It's a hassle, though: Adobe and various competitors spend a lot of energy reverse-engineering each new camera's format before software such as Lightroom, Aperture, or Picasa can open and edit the photos.
Raw images are the norm for SLRs. The new beta software supports raw images from Canon's higher-end EOS 7D, and Nikon's new professional-grade D3s, the Pentax K-x, and Sony's A500, A550, and A850. Also on the list are medium-format models from Mamiya and Leaf. For a full list, check the blog post announcement from Lightroom Product Manager Tom Hogarty.
The new software also corrects an error in Lightroom 2.5 and Camera Raw 5.5 that could mar images from some Sony, Olympus, and Panasonic and from various medium format digital camera backs. The glitch only affected people with PowerPC-based Macs.
Update 8:02 p.m. PST: As Michael Reichman observed on the Luminous Landscape site, Canon's S90 is a member of a newer breed of camera that corrects lens distortion on its own, making parallel lines parallel again. Naturally, I was curious if Adobe's raw processing techniques did the same, because the distortion can be pretty severe, and fixing that manually is impossible in Lightroom and a hassle in Photoshop.
So I asked Adobe. The answer: yes.
"The S90 raw support in the release candidates (Camera Raw 5.6 and Lightroom 2.6) provides distortion correction that allows our raw processing results to match the optical characteristics of the JPEG output and what's viewed on the camera LCD," Hogarty said.
The content fill tool can replace a complicated background when objects are erased. This example shows the removal of a U-shaped white hair.
(Credit: Adobe Systems)
The content fill tool can be applied with a paintbrush-like tool, in this case for removing line across a building.
(Credit: Adobe Systems)It looks as if Photoshop, already famous for its ability to make people look thinner and skies look bluer, could take digital erasure of unsightly objects to an entirely new level.
A feature called "content-aware fill" described in an Adobe video published Tuesday shows the technology used to remove buffalo, telephone wires, and a tree from various images and to clean up stray hairs from an imperfect scan of a print. Photoshop's existing cloning and spot-healing tools can take care of this to some extent, but the new version adds a lot of smarts to the process.
Specifically, instead of using one nearby patch of the image to fill the area that's being erased, it draws on multiple areas--and it uses image analysis to make informed guesses about how to reproduce complicated background. For example, the technology can reproduce the window frames, architectural patterns, a river shoreline, and clouds.
"What this algorithm is doing is copying multiple patches from the surrounding background to try to fit them inside the hole, unlike the old spot healing proximity match that was trying to find one match for each of these holes," said Dan Goldman, researcher in Adobe's Creative Technologies Lab, in the video. "This generally results in a very convincing fill for these holes."
Adobe developed the technology in collaboration with Princeton University and the University of Washington.
Adobe is showing new warping and bending options.
(Credit: Adobe Systems)Every time Photoshop gets something like this, some folks--not without some reason in my opinion--get concerned that we can't trust the veracity of the images we see. But let's be clear: although the ease and sophistication of editing is increasing, photo manipulation has been going on for more than a century. And the way I see it, the profusion of digital cameras and ease of posting photos online probably means reality is being documented in unretouched form more comprehensively than ever.
Adobe touted other Photoshop features from the labs, too, in an earlier video released after the recent Photoshop World conference.
One of those new features aims to bring some realism to painting processes. Paint can be spread out and blended, and 3D models of various brushes simulate the behavior of actual brushes with different bristle configurations.
The other was a more sophisticated warping technology in which anchor points determine what parts of the image is fixed and other movable points are used to bend and stretch other parts of the image.
In addition, hinge points can make it possible to anchor the point of a person's elbow, for example, while moving the forearm.
Want more lifelike painting? Adobe is simulating actual brushes and paint behavior.
(Credit: Adobe Systems)
Adobe Systems, taking the same course with its forthcoming Creative Suite applications, will offer the next Mac OS X version of Photoshop Lightroom only on Intel-based machines.
Apple has chosen to discontinue support for Macs using PowerPC processors beginning with its next operating system, version 10.6 aka Snow Leopard, which is due to arrive in coming weeks. Adobe said last week that its next Creative Suite will follow suit. The CS family includes programs such as Photoshop, Illustrator, Premiere, DreamWeaver, and Flash Professional.
Lightroom, which is for editing and cataloging photos, isn't part of the suite, but it's headed the same route.
"The next full version update of Lightroom will not run on PowerPC-based Mac computers," Lightroom product manager Tom Hogarty said in a blog post last week. "Lightroom 2 updates will continue to support PowerPC."
Meanwhile, Photoshop Principal Product Manager John Nack, while fond of PowerPC, took a pragmatic tone on his blog: "By the time the next version of the (Creative) Suite ships, the very youngest PPC-based Macs will be roughly four years old. They're still great systems, but if you haven't upgraded your workstation in four years, you're probably not in a rush to upgrade your software, either."
Photoshop.com offers online image editing and sharing.
(Credit: Screenshot by Stephen Shankland/CNET)Adobe Systems is discontinuing Photoshop Album Starter Edition, the lowest rung on its ladder of image-editing software products, and the company is nudging its users toward the online Photoshop.com site.
Adobe launched Photoshop Album Starter Edition in 2003 as a free, bare-bones image cataloging and editing package. Adobe discontinued the line, though, and support for it ended June 30.
So what's the alternative? In a customer note, Adobe puts its online service front and center.
"As part of our commitment to providing customers with a free photo-editing solution, we have created Photoshop.com, an exciting new online service that lets you upload, organize, edit, store (up to 2GB free), and share your photos," the note said. Afterward is a list of steps for exporting photos from the software to the Web site.
The move reflects the growing importance of Web-based applications even for software powerhouses such as Adobe. Web applications, even when using relatively sophisticated technology such as Adobe's Flash, are typically primitive compared to what can run on a computer, but they offer advantages in sharing, maintenance, and remote access from multiple computers and mobile devices. And of course the Web is gradually growing more sophisticated as a foundation for applications.
It should be noted that Adobe's note also encourages customers to "consider an upgrade to Adobe Photoshop Elements 7," the consumer-oriented software that right now costs about $37 including a $20 rebate on Amazon. Adobe also sells the combination of Photoshop Elements 7 and a one-year Photoshop.com Plus membership for $90. The Plus membership offers subscribers up to 20GB of storage, tutorials, album templates, and "creativity-inspiring ideas."
Adobe Systems released an update to the flagship CS4 version of Photoshop to squelch a number of bugs that could crash or slow down the image-editing software.
The 11.0.1 update (downloads available for Windows and Mac OS X) deals with the following issues, according to Adobe:
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A number of issues that could cause slow performance have been addressed.
Pen barrel rotation with Wacom tablets now works correctly.
Photoshop now correctly recognizes 3D textures edited by a plug-in.
The quality of the results of Auto-Blend Layers (Stack Images) has been improved.
A problem that could result in a crash when pasting formatted text has been fixed.
A crash that could result from a corrupt font no longer occurs.
Adobe released details Monday about Creative Suite 4, its first update to more than a dozen design and editing tools since Adobe CS3 some 17 months ago.
The costs of the applications, set to reach consumers in October, haven't changed since CS3, but remain hefty. Should longtime users upgrade?
Of course that depends on the specific tools you need. However, we suspect that only the most well-heeled will jump at the chance, as CS4 shares the majority of tools with its predecessor. Perhaps more dramatic, life-changing alterations will come with the next Creative Suite. That said, time-saving tweaks to Illustrator and Flash in particular could lure professionals immersed in them to upgrade.
With CS4, Adobe aimed to unify the interfaces of more than a dozen applications, including Flash and other former properties of Macromedia. You'll see similar pull down menus for toggling among workspaces that you can customize, as well as Flash-based panels that nicely snap open and shut. Corporate design departments will find plenty of enhancements for their teams to share work more quickly.
Adobe continues to improve integration among the applications. After Effects, as only one example, can import Photoshop 3D layers and export content directly into Flash.
Options for working with high-definition video and mobile content expand too, with support for the latest formats as well as for making Adobe AIR applications. Among other highlights:
Photoshop CS4 will use your computer's graphics chip for the first time, while offering support for 64-bit Windows.
At long last, you can handle more than one project at a time in Illustrator, thanks to the new multiple Artboards feature.
Flash CS4 has a rebuilt animation model, so you can make objects move on the stage in two quick steps. And Flash introduces a new, XML-based file format.
Dreamweaver provides plenty of shortcuts to CSS coding, including within the Properties panel.
We've been toying with the beta code of CS4 for several weeks. Check out our first take reviews and videos of the six suites and their individual applications for more details. We'll report back with rated reviews after working with the final code.
Adobe Systems CEO Shantanu Narayen speaks at the company's CS4 launch event.
(Credit: Stephen Shankland/CNET News)Photoshop is a famously taxing piece of software, but beginning with the upcoming CS4 version, it'll be able to employ the muscle of your computer's graphics chip for the first time.
The new version of Adobe's flagship software product takes its first steps in using the graphics processing unit, or GPU, said John Nack, principal product manager for Adobe Photoshop. For example, the graphics chip helps Photoshop CS4 fluidly zoom in and out, rotate the canvas so artists can reorient an image for the best sketching angle, display and manipulate 3D objects, and handle color correction.
"It's not lost on us that when you look at the rate of GPU power advancement, there's an enormous wealth of cycles we can take advantage of now," Nack said. "The rate of price drop and performance gain has been off the charts."
Using graphics chips opens up new horizons, but it poses its challenges. For one thing, graphics chips are designed to blast pixels to the screen, not back to the main processor for further work, so not all tasks can be accelerated, he said. For another, it means Adobe has to work more carefully on hardware compatibility and means some people with older machines might have to upgrade at least the video card; he recommends a card with 128MB of memory.
"Typically, when folks were building a big Photoshop rig...we never had to really concern ourselves with things like which video driver they were using. We had a very light integration. Anything was fine," Nack said. "Now that we're doing actual processing on the GPU, we have to be a good deal more stringent."
... Read moreAdobe on Tuesday said it will launch an update to its flagship Creative Suite software bundle on September 23.
The company has offered few details of the planned CS4 release. The current iteration of the suite, CS3, is offered in several configurations that include various combinations of the company's core applications, such as Photoshop, Illustrator, Flash, Acrobat and InDesign.
Just ahead of the CS3 launch last March, Adobe made available a public beta test version of Photoshop CS3. For CS4, the company in May posted "preview versions" of its Dreamweaver Web design software, Fireworks image editing application, and Soundbooth audio editing tools.
In Photoshop CS3, which debuted last year, Adobe added rudimentary 3D editing and manipulation tools.
(Credit: CNET Networks)As for Photoshop CS4, Adobe has said publicly that it will make available a 64-bit version of the photo-editing software, but only for Windows and not for Mac OS X.
CS3 is currently offered in four configurations: Master Collection, which includes virtually the entire Adobe design software lineup; Design Premium, which includes Photoshop and other tools for designers working in print, Web and mobile applications; Web Premium, targeted at Web site designers; and Production Premium, geared toward people designing film, Web and mobile content.
The Dear Adobe site lets people vent about Adobe products and vote about the gripes.
(Credit: Dear Adobe)A lot of people use Adobe Systems software, and apparently a lot of them feel the need to vent.
Web designer Erik Frick created the Dear Adobe site where users can enter gripes and vote for or against others' gripes. "It started from a conversation between Adam (Meisel) and myself complaining about Photoshop. Both of us being Web design nerds, we figured, 'Why not create a forum for people to vent? Who knows, maybe Adobe will listen,'" he said Tuesday on the site's inaugural blog posting.
Sure enough. Photoshop Principal Product Manager John Nack said the site generated more than 30 e-mails within Adobe in the first two days, and Nack himself responded to a few gripes at the site.
"Just because it would be unprofessional of me or others to rant about this or that aspect of the company in public, don't for a second think it's not happening behind closed doors," Nack said, acknowledging complaints about Creative Suite 3's installation and update software.
Frick created a top 50 gripes list. It's possible the results are skewed to early gripes, since it appears the site presents random gripes for readers to vote on and early gripes have had more exposure. Even so, it's still illuminating to see a mass venting of the spleen: some want Adobe to slow down and cut the bloat, others to speed up with new features. One gets sympathy for Adobe as well as for its customers.
On the overall list:
Gripe 126: "Lens flare is played. Let it go."
Gripe 675: "Linux users luvs u. We can has Adobe applications and a currents Flash versions? Kthanxbai."
Gripe 6: "You kindly turn off the highlight on text when choosing a color for it, but not when choosing a different weight. Would you kindly do this, or kindly jump off a cliff? "
Gripe 366: "please don't copy Microsoft's naming and bundling conventions. I want CS3 not CS3 pro, CS3 pro advantage, CS3 pro plus, CS3 no frills, CS3 pro max, CS3 pro extra pro max... "
(Credit:
Dear Adobe)
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