Maybe it's just me, but it seems like most musicians I meet are more into making music than listening to it. They don't care about how music sounds at home; many are satisfied with the sound they get from boom boxes or chintzy computer speakers. Some tell me they're more focused on the way the players play than the sound.
Sure, I've met a few musicians with ears for sound. That happened just recently when I struck up a conversation with jazz drummer and audiophile Billy Drummond.
He readily conceded my point: "Getting a good hi-fi isn't high on their list of priorities. Like everybody else, musicians listen to music while they're on the computer or sending e-mails. That's what music is now, a backdrop, so fidelity isn't important anymore."
Sad, but true, so what is music for? Drummond had a ready answer. "It's for people to enjoy," he said. "It can take you somewhere, you can dance to it, music conjures emotions. For musicians it's an expression, a way to challenge ourselves, and it can be inspiring. If you're a saxophone player and you're listening to Sonny Rollins or John Coltrane, music can motivate you. It lets you see what's possible.
"I really enjoy playing (live) for myself and for an audience, I want people to feel something when I play. When I listen to Tony Williams or Elvin Jones (two great jazz drummers) and what they've accomplished it's mind boggling, that's what music means to me."
That's all great, but how did he become an audiophile? Drummond explained that he was always an avid music collector, and when he first heard his favorite music played on a really great system he was blown away: "Wow, I never heard my music sound so real, so vibrant, so great."
It turned you on, I asked. "Right, I was even more motivated because I could hear the nuances of Max Roach's drum set or Tony Williams ride cymbal. It helped me become a better player because I can get in touch with the thing I'm chasing after. Which is, how can I sound as good as these guys."
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(Credit: Steve Guttenberg)Listening comes naturally, doesn't it? Well sure, everyone with normal hearing can listen, but what do they hear? What I'm talking about is listening as a focused activity--as opposed listening where music serves as background to something else, reading, driving, running, working, or washing the dishes--active listening can be a lot more rewarding. You hear stuff in your favorite music, maybe rhythm guitar patterns, overdubbed vocals, or instruments you never knew were there can suddenly jump out of the mix. It's stuff the band may have put a huge effort into perfecting, that you only notice when you're really listening.
Bass drums and bass guitars can easily get lost when you're distracted, but they provide the very foundation of dance music and rock & roll. Paul McCartney's bass playing with the Beatles was amazing, and if you're really listening you'll hear every note. On acoustic jazz recordings you should be able to hear every pluck and slide.
Stereo imaging--the placement of instruments and vocals from left to right can be fascinating. Imaging is especially cool over headphones where it's all in your head. With speakers you can sometimes hear a sense of "space" surrounding each instrument. There might be spatial depth so some instruments sound like they're in front of other instruments. Over really good speakers you can almost "see" the musicians in front of the speakers.
The word "transparent" plays a key role in the audiophile lexicon and refers to the ability of components and speakers to disappear so you feel like you're hearing the original sound of the recording session. Of course, that's not literally true--transparency is a matter of degree. When everything's just right the heightened clarity lets you feel like you're getting closer to the true sound, and well, you feel closer to the music.
Just listening for these qualities will make you a better, more aware listener. One thing's for sure, the more you listen, the more you'll hear. And most importantly, you'll get more out of the music.
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