The Audiophiliac

The hand-built JH 13 Pro in-ear headphone.

(Credit: Steve Guttenberg)

If you have ears, prepare to open them now.

I've just reviewed a bunch of contenders for the world's best full-size, over-the-ear headphone: Audio Technica ATH-W5000, Denon AH-D7000, Grado PS-1000, Sennheiser HD 800, Stax SR-007Mk2, and Ultrasone Edition 8 headphones--and all boast higher MSRPs than the JH Audio JH 13 Pro in-ear headphone.

Sure, full-size headphones can be used with iPods and MP3 players with varying degrees of success, but they're a lot more of a hassle to lug around than the JH 13 Pro. Honestly, I prefer the sound and comfort of over-the-ear models compared with in-ear headphones. Then again, the JH 13 Pro is a very different type of in-ear design, it uses six drivers--two woofers, two midranges, and two tweeters--to lower distortion compared with other in-ear designs. It's a difference I can hear.

The JH 13 Pro's resolution of fine detail is extraordinary, drums sound more realistic than I've heard from any other type of headphone. The JH 13 Pro is "fast," cymbals' shimmer and sparkle the way they do in real life, and when a drummer whacks his sticks against the drums' metal rims, the sound is more realistic. Dynamic oomph and slam are the best I've heard from an in-ear headphone.

The JH 13 Pro's bass goes deeper than any in-ear headphone to date, but it's the way these headphones decode palpable bass textures that's highly addictive. Electric, acoustic, and keyboard basses sound more different from each other with the JH 13 Pro. Switching over to Monster's excellent new Turbine Pro Gold in-ear headphone ($299) is startling, the Turbines sound mushy and muddled by comparison. The Monster has more mid-bass fullness, which some listeners may prefer. I do not.

The JH 13 Pro's midrange clarity is radically better than any in-ear 'phones I've used to date. Its bass, midrange, and treble are better balanced and accurate than what I'm used to from in-ear designs.

Grado's GS-1000 features solid mahogany earcups.

(Credit: Steve Guttenberg)

Headphone lovers of the world unite! We now have our own wiki, Wikiphonia.

Headphones are hugely popular now, but they were around long before "i" and "Pod" ever got together. The history is long and deep, and Wikiphonia is a fantastic resource for anyone who wants to know more about headphone technology and related information.

Headphone geeks are a breed apart from audiophiles as I know them, but they're an even more intense bunch. One of the great things about headphonia is you can get in pretty deep without a big investment. Hard-core types like to build their own headphone amplifiers.

Wikiphonia has an entry that covers 1970s era USSR copies of Western headphone technologies and designs, "The copying was done out in the open, probably and correctly, they figured no one would start a conflict with a superpower over a few headphone patents."

For me, it all started with Sennheiser's HD 414. Its bright yellow earpads were super cool, and the sound was awesome. Back in the early 1970s it was a really big deal, a giant leap better than anything I'd ever heard. You can read all about it on Wikiphonia.

The Woo WES: eight tubes on top, two in the lower half.

(Credit: Steve Guttenberg)

Lucky me, I've reviewed most of the world's very best headphones, including the Audio Technica ATH-W5000, Denon AH-D7000, and Sennheiser HD 800. But now there's something even better: the Woo Audio WES headphone amplifier ($4,500) and Stax SR-007Mk2 headphone ($2,410). The complete review can be found on the Home Entertainment Web site.

Yeah, it's a lot of dough, but the Woo/Stax combo creams the other contenders for world's best headphone sound, and the pair goes for less than the price of a world class, high-end camera, like the Canon EOS-1Ds Mark III. The camera's great now, but in a couple of years it'll be hopelessly out of date. Great audio is simply a better long-term investment.

Stax headphones use a very different operating principle than dynamic headphones (pretty much every headphone from lowly earbuds to full-size headphones are dynamic designs). Stax has been making electrostatic headphones since 1960 in Japan, and the company's current flagship model, the SR-007Mk2, is what I'm using with the Woo WES amplifier. The Stax is a big and comfy design.

The Stax SR-007Mk2 headphone

(Credit: Stax)

The Woo WES is an all-triode tube drive, fully balanced design; the prototype unit I'm reviewing has a total of 10 tubes (four EL34 power tubes, four 6SL7 drive tubes, and two 5AR4 rectifier tubes), but production models will have 11 tubes. It works with Stax and Sennheiser electrostatic headphones only. The machined, all-metal dual chassis is beautifully crafted.

The WES, like all Woo amps, was designed by Wei Wu, and handcrafted in Woo Audio's factory in New York City. Each WES will be built to order over a four-day period; it's slated for release in October 2009. The preintroduction price is $4,500, and full retail is expected to be $4,990. Woo prices start at $470 for the WA 3. All Woo Audio electronics are sold direct from the factory, the waiting list is three to four weeks.

A look inside reveals no circuit boards; all wiring will be "point to point." That's a very expensive way to manufacture amplifiers, but Woo Audio thinks point-to-point wiring makes for better-sounding amps. The amp also features handmade inductors, and even the machined cone feet are designed specifically for the WES.

The clarity of the Woo/Stax combo with acoustic jazz mimics the way live, unamplified music sounds in a good concert hall or club. The Woo/Stax is the closest thing to being there I've heard to date.

(Credit: Woo Audio)

You have two grand to spend on a fantastic stereo system. Can your cash get you there? Yes, it can!

In this case, we're talking about a headphone-based system, but I will in the coming months cover speaker-based audiophile-grade systems for less than $3,000.

For the headphone system, I'm recommending the Woo Audio WA6 Special Edition vacuum tube headphone amplifier ($1,050) I reviewed in yesterday's blog, along with Grado RS-1 headphones ($695), and Oppo's DV-981HD SACD/DVD-Audio player ($229). All prices are manufacturer's suggested retail price.

Mind you, the Woo and Grado are hand-crafted in New York, and they are truly stunning designs built to last a long, long time. The Oppo is nowhere as extravagant, but the brand has gained quite a reputation among audiophiles for building budget-price high-performance players (I didn't have time to acquire an Oppo, so I used my Sony DVP-NS90V ($220) SACD/DVD player for most of my listening tests. DVD-As were played on a Pioneer DV-45A.

(Credit: Steve Guttenberg)

First, a word about the W-G-O's sound signature: the clarity and "listenability" made long sessions a joy. The tubes didn't--not even a little--soften the sound or add a mellowing influence. The resolution of fine detail was right up there with the very best I've heard.

"Lies" from The Black Keys' Attack & Release CD wasted no time in telling me what the W-G-O system did so well. The duo's distortion-strewn blues rock was all there, and it was great to be able to play it as loud as I wanted without worrying about disturbing my neighbors.

The W-G-O made it all sound vivid and immediate, as if there was nothing between me and the musicians. Bass went plenty low but never turned flabby.

Neil Young's Greendale on DVD-Audio upped the ante even more. I found the "live," you-are-there quality to the sound highly addictive. Neil's acoustic guitar, in particular, had an eerie presence over the W-G-O.

(Credit: Oppo)

Oh, and there's no reason why you couldn't use the W-G-O to enjoy DVD movies. Two-channel home theater-in-your-head will be just as amazing.

Just for fun, I plugged my old Sennheiser HD-580 headphones into the Woo, and I have to say, they never sounded better. Nowhere as vibrant as the Grados, but the Sennheiser's more laid-back sound might suit some tastes better than the Grado. The HD-580 is no longer made, but the current model, the HD-650, might be a worthwhile option.

The Sennheiser HD650

(Credit: Sennheiser)

As we all know high-end speakers are really expensive, some cost as much as a nice car. But high-end headphones, even the very best ones are within reach of anybody who loves great sound.

A while back I tested three of the top contenders for Home Entertainment magazine: AKG's K 701, Grado's RS-1, and Sennheiser's HD 650. Each is, in its own way, remarkable. You can read the complete review here.

The AKG K 701 is a very large over-the ear headphone. Its remarkably open sound will be hugely appealing for those of you who use headphones while watching DVDs. I find the K 701 produces a less in your head, more speaker-like sound than the Grado or Sennheiser. As big as they are, the K 701's creamy soft ear pads are so darn comfy it is easy to forget I'm wearing headphones. No wonder some headphone addicts lauded the K 701 as the best there is. The K 701 will continue, but the K 702 will debut in August.

My pal Wes Bender checks out a pair of classic AKG headphones.

(Credit: Steve Guttenberg)

On Sunday, I went to a meet organized by Head-Fi, a national headphone club.

The vibe at the Bayside, New York, event was relaxed as I sampled the mind-expanding sounds of Grado, Sennheiser, AKG, and Stax headphones, driven by awesome headphone amplifiers, some of which were commercial products. Some were one-offs, built by their proud owners.

A few of the amps were portables, and the standout was the superslim MiniBox D ($79) from Head-Direct. This little thing pumps up the power of iPods with amazing gusto, and while listening to Head-Direct's Yuin PK2 earbuds ($79), the sound was remarkably un-headphone-like (more like listening to speakers). Bass was deep, rich, and weighty.

The catch: these headphones, plugged directly into an iPod, won't play at all loud; you really need to use the Yuin earbuds with the MiniBox D to get the full effect.

The MiniBox D headphone amplifier

(Credit: Steve Guttenberg)

I next listened to a set of Sennheiser HD880 headphones over a Shanling PH3000 amp ($400). This combo's dynamic range, impact, and resolution of fine detail blew my mind. Truly amazing.

I was totally wowed by Woo Audio's vacuum tube headphone amplifiers. First of all, they look amazing, the quality of the machined metal chassis is extraordinary (it's made for Woo in China, but the internal construction is handled here in New York).

Instead of the usual printed circuit boards, Woo hand-wires each unit; it's a labor-intensive process, but it yields the best sound quality. And since the amps are hand-built, they can be custom-ordered with all sorts of parts upgrades. I spoke with Jack Woo, and he explained that his company does that sort of thing all the time. It can build one-off designs, and yet the prices are solidly in the affordable range.

The Woo all-tube amp delivers bona fide high-end sound for a real-world price!

(Credit: Woo Audio)

I played my own CDs over Woo's $570 WA6 all-tube headphone amp while listening to a Grado headphone not so different from my Grado RS-1 'phones.

It was almost magical the way the Woo WA6 made every recording sound better than I thought it was. There was a satisfying "wholeness" to the sound, voices were so much more natural, flesh and blood human, and the bass definition was truly exceptional. Treble detail was sweet, delicate, and clear as can be.

The fact that Woo can offer artisan craftsmanship at prices competitive with the plastic, disposable tech sold at chain stores and Web sites is icing on the cake. For about a grand, you could pick up one of Woo's amps and AKG's stellar K 701 headphones.

Head-Fi has meets in cities all over the country. Check its Web site to see when it'll have one near you. I had a blast.