The panelists discuss record production at the AES convention in New York City.
(Credit: Steve Guttenberg)I attended a fascinating panel discussion, "Behind The Glass: Audio Production in the 21st Century" at the Audio Engineering Society convention in New York City on Sunday.
The panelists were all prominent record producers and engineers: Tony Brown (Elvis Presley, Emmy Lou Harris); Jimmy Douglass (Jay-Z, the Rolling Stones); Dave Hewitt (Simon and Garfunkel, U2); Ryan Hewitt (Avett Brothers, Red Hot Chili Peppers); George Massenburg (Linda Ronstadt, Lyle Lovett); Ann Mincieli (Alicia Keys, Whitney Houston); and Russ Titelman (Stevie Winwood, Eric Clapton). These people know from where they speak!
Moderator Howard Massey led the panel through a discussion of the problems facing the record industry, with a primary focus on sound quality. Massey co-authored (with Geoff Emerick) my favorite Beatles book of all time, "Here, There and Everywhere: My Life Recording the Music of the Beatles." He also has a new book coming out, "Behind the Glass, Volume II: Top Producers Tell How They Craft the Hits" a collection of interviews with top record producers and audio engineers.
It seems like the main problem comes from record company pressure to make perfect recordings. Vocalists' off-pitch and out-of-time singing is tweaked with Auto-Tune; music-making is largely technology-based. That is, technology has replaced musical talent, and singers like Britney Spears were cited many times as to where it's all headed. Not so musically talented, her music has to be patched together in the studio. There's not a lot of there there.
Jimmy Douglass talked about the overuse of dynamic range compression, admitting that since most music is listened to over crappy computer speakers or cheap earbuds, compression is required to make it sound acceptable. Sad, but true.
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Cohen spins vinyl on a Clearaudio turntable.
(Credit: Clearaudio)Every year, the major record companies produce more miserable-sounding recordings. I'm not surprised by this. The labels know most folks listen to music with iTunes or streaming audio, and sound quality is a low priority for most music listeners. My weekend poll is ample proof of that.
Lyor Cohen, CEO of recorded music for the Warner Music Group, cares about sound, at least at home. He admitted, in so many words, to being an audiophile on the pages of the September 20 New York Times Sunday magazine. The media has been alerted! It's like learning that a fast-food bigwig is a wine snob.
Cohen was Run-DMC's road manager in the 1980s, and he now works with Jay-Z, Madonna, and the Beastie Boys. In the article, Cohen said his hi-fi is his "favorite possession." The Clearaudio turntable pictured in the article is a very high-end German model that "won a gold medal at a consumer technology convention a few years ago."
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