(Credit:
Denon)
When it comes to turntables, I prefer them in their natural, all-analog state.
That's just me. Mixing digits and grooves is a hot topic of late. My pal Chris Chiarella over at Home Entertainment magazine seemed to really like Denon's new DP-200USB turntable ($250). I reviewed another USB turntable last year and thought it was too much work to use.
I'm no expert in this area, but this Denon seems like a better way to go. First, you don't need a computer nearby to do the analog-to-digital thing. Chiarella just connected the turntable's analog cables to his receiver's phono input, after switching the turntable's internal Phono EQ to Off (so the Denon will work even if your receiver is phono-input challenged).
The DP-200USB's best feature is its front-panel USB port. The system's internal MP3 encoder converts analog signals to digital files. A blinking red light confirms that grooves are being digitized. Denon claims 30 LPs fit on a 1GB drive.
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The Woo WES: eight tubes on top, two in the lower half.
(Credit: Steve Guttenberg)Lucky me, I've reviewed most of the world's very best headphones, including the Audio Technica ATH-W5000, Denon AH-D7000, and Sennheiser HD 800. But now there's something even better: the Woo Audio WES headphone amplifier ($4,500) and Stax SR-007Mk2 headphone ($2,410). The complete review can be found on the Home Entertainment Web site.
Yeah, it's a lot of dough, but the Woo/Stax combo creams the other contenders for world's best headphone sound, and the pair goes for less than the price of a world class, high-end camera, like the Canon EOS-1Ds Mark III. The camera's great now, but in a couple of years it'll be hopelessly out of date. Great audio is simply a better long-term investment.
Stax headphones use a very different operating principle than dynamic headphones (pretty much every headphone from lowly earbuds to full-size headphones are dynamic designs). Stax has been making electrostatic headphones since 1960 in Japan, and the company's current flagship model, the SR-007Mk2, is what I'm using with the Woo WES amplifier. The Stax is a big and comfy design.
The Stax SR-007Mk2 headphone
(Credit: Stax)The Woo WES is an all-triode tube drive, fully balanced design; the prototype unit I'm reviewing has a total of 10 tubes (four EL34 power tubes, four 6SL7 drive tubes, and two 5AR4 rectifier tubes), but production models will have 11 tubes. It works with Stax and Sennheiser electrostatic headphones only. The machined, all-metal dual chassis is beautifully crafted.
The WES, like all Woo amps, was designed by Wei Wu, and handcrafted in Woo Audio's factory in New York City. Each WES will be built to order over a four-day period; it's slated for release in October 2009. The preintroduction price is $4,500, and full retail is expected to be $4,990. Woo prices start at $470 for the WA 3. All Woo Audio electronics are sold direct from the factory, the waiting list is three to four weeks.
A look inside reveals no circuit boards; all wiring will be "point to point." That's a very expensive way to manufacture amplifiers, but Woo Audio thinks point-to-point wiring makes for better-sounding amps. The amp also features handmade inductors, and even the machined cone feet are designed specifically for the WES.
The clarity of the Woo/Stax combo with acoustic jazz mimics the way live, unamplified music sounds in a good concert hall or club. The Woo/Stax is the closest thing to being there I've heard to date.
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Burmester B25 speakers
(Credit: "Home Entertainment" magazine)Here at CNET we write about all sorts of gadgets and toys, but I've noticed that when I write about high-end gear I get the biggest reaction.
I like hearing about stuff I can't afford, like the recent road test of the $80,000 Jaguar XFR. The big sedan can hit 162 mph, can stop from 150 in 6 seconds, and it's a ball to drive fast. Funny, the road tester never mentioned fuel economy. There you go, people don't buy $80,000 cars for their practicality, they buy them to be seen in and for how well they perform.
High-end audio isn't so different, but it's more private. High-end buyers' families and friends are the only ones who'll ever get to be bowled over by the sound and looks of their spectacular audio systems. So while you've probably heard of Jaguar, chances are you're less familiar with high-end audio brands. I'm here to help raise awareness of quality audio.
I write about the world's best audio gear for "Home Entertainment" magazine, and I recently had the pleasure of testing the Burmester 032 integrated stereo amplifier ($22,495) and B25 speakers ($11,995/pair). Burmester is based in Berlin, Germany. The company builds the sort of hi-fis a Jaguar owner would buy.
The 032 amplifier in all its German splendor
(Credit: Burmester)The 032 amplifier's sculptured metalwork is drop-dead gorgeous. The amplifier's front and sides are covered by machined heat sinks. They provide optimal cooling for the stereo 240-watt-per-channel amplifier's output transistors, eliminating the need for noisy fans. Burmester components, fully decked out in chrome, are a startling sight to behold.
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The JC 2 stereo preamplifier.
(Credit: Parasound)If you're not in the "club," high-end audio might look like a bastion of elitist snobs and the idle rich, so it may come as a shock to note that some of high-end audio's greatest engineers started out in rock and roll. Take John Curl, in the early 1970s he worked his magic on the Grateful Dead's concert and recording sound systems and later kept the Jefferson Airplane aloft. That was just before he tackled film sound in Hollywood. All of that led to collaborations with high-end pioneer Mark Levinson; together they raised the stakes, considerably, with the JC 2 stereo preamplifier in 1974.
It didn't matter that the JC 2 was two or three times more expensive than any other component in the nascent high-end market; a lot of folks lucky enough to hear it and afford it bought it. The JC 2 had that effect on people. Curl and Levinson soon parted ways and over the next few years Curl designed a long run of cutting edge electronics for other companies. Levinson eventually departed the company that bears his name, and his old company now designs car audio systems for Lexus. High-end is in the big time now.
When I heard that Curl had finished work on an all-new Halo Series JC 2 stereo preamplifier for Parasound I had to check it out (it's like hearing that Carroll Shelby just built a new AC Cobra). Better yet, for this review Parasound sent along a pair of the matching Halo Series JC 1, 400 watt mono power amplifiers. I reviewed the all-new JC 1 & JC 2 combination for Home Entertainment magazine, you can read the review here.
The JC 1 is a seriously powerful amplifier, its output stage employs nine pairs of high-current bipolar transistors with massive heat sinks to insure long-term reliability. Each amplifier can deliver 400 watts to 8 ohm rated speakers, and 800 watts to 4 ohm models, and if your speakers ever dip as low as 2 ohms, the JC 1 will happily serve 1,200 watts! The JC 1 sounds potent, even when listened to at merely moderately loud levels, and maintains its composure at lease breaking, call-the-cops volume.
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