Silverman at the controls.
(Credit: Steve Guttenberg)Mastering engineers, like Alan Silverman of Arf! Mastering, make music sound better.
Of course, by the time the mastering engineer gets to hear the music, it's already been recorded, mixed, and fussed over by at least one recording engineer, record producer, and the band for weeks, months or even years.
The mastering engineer brings a fresh set of ears to the project and (hopefully) the necessary skill set to eke out the very best from the music. Silverman has mastered music by Norah Jones, Keith Richards, Dolly Parton, and Rufus Wainwright.
When I visited Silverman a few weeks ago, he was finishing work on Medeski, Martin, and Wood's upcoming CD, "Radiolarians 2." I'm a big fan of MM&W's free-form funk jazz, and these guys always make great-sounding recordings. It figures Silverman is involved with the upcoming CD.
I heard from friends that Silverman's newly updated playback system is not only super accurate, it sounds like an audiophile system. That sort of truth and beauty are a rare combination so I brought along some of my reference recordings and was thrilled by the sound. Silverman uses Revel Ultima Studio2 speakers and a McIntosh MC252 power amplifier.
Of course, in the real world just a handful of people are listening over a system like that. So for Silverman, "It's about how the music 'translates.'" A great mastering engineer knows how to make the music sound the best it can over all sorts of systems, played back in differing environments: headphones, car audio, plastic computer speakers, and high-end audio systems.
That's why Silverman hopes he will soon be doing multiple versions of a recording: a highly compressed mix for iPod or car, an uncompressed CD quality version for home listening, and a high-resolution one for audiophiles.
But now that so many bands are recording themselves mastering engineers play an even more crucial role in making the most of the music. When I asked if recordings ever come in that are so awful Silverman turns them away, he said "No, not at all, although in rare cases one of the best things you can do for client is advise them to do a remix. In general, though it's easier to make a poor recording sound better than improve a recording that's already really great. With those you worry if you're really making them better or just different. In those cases sometimes even the smallest tweaks add extra dimension and life to the music." Toby Wright, 3Doors Down's producer, uses Silverman and raved about his work: "So much better, it's silly."
... Read moreSure, it looks like everybody's doing it, but you've never downloaded music. I understand, downloads, be they iTunes or MP3s, even some of the DRM-free varieties sound awful and you're an audiophile, or just really care about sound quality. Downloads are "good enough" for most folks, but they're not good enough for you.
Enter HDtracks, a sound quality oriented download "store," where you can get 100 percent uncompressed, DRM-free, bona-fide CD quality downloads and burn them to CD. HDtracks also supplies each CD's full liner notes and cover art as a PDF.
I wrote about HDtracks before, but now that they're offering a free eight song sampler you don't have plunk down any dough to find out if their UNcompressed AIFF files, lossless FLAC files, or even 320kbps MP3 downloads would work for you. Burn the FLAC files to CD and play 'em in your car, or the boombox, or if you're hard-core, over your hi-fi. If you're so inclined you can put the music on your iPod as well.
... Read more
(Credit:
Steve Guttenberg)
Even hardcore audiophiles have to face the music--brick and mortar record stores are fading fast--and it's starting to look like the CD is on its way out. Sure, no card carrying audiophile would be caught dead downloading MP3s or iTunes, the sonic sacrifices are too drastic. Well, what if there was a site that offered bona fide CD quality downloads, would audiophiles go for it? That's HDtracks' prime directive, but I don't think the high-resolution download store is just for audiophiles.
Then again I never understood why anyone would pay more or less the same price for a low quality download as for a CD. Well, now that iTunes has become the #1 U.S. music retailer I have to admit the answer must be that buyers put a higher value on convenience than sound. Well alright, HDtracks offers three higher-resolution download alternatives: "CD quality" UNcompressed AIFF and lossless FLAC files or 320kbps MP3s. All three are DRM free. Oh, and when you buy a complete album you also get the cover art and liner notes as a PDF. Complete albums go for $11.98, individual tracks, $1.49.
True, iTunes isn't in any immediate danger of losing market share--HDtracks is just starting up--so you're not going to find Radiohead, R.E.M., or the Rolling Stones' music there just yet. HDtracks' selection is quirkier, less mainstream, with folk, gospel, blues, jazz, Latin, pop, R&B, rock, classical and soundtracks from a wide spectrum of independent labels. HDtracks is adding new labels all the time.
HDtracks was started by David and Norman Chesky, who will continue to run their audiophile record label, Chesky Records. HDtracks will in the coming months begin to offer ultra high resolution 96-khz/24-bit files, which will sound even better, much better than CD quality downloads, for a limited number of titles.
In the interest of full disclosure: I have worked for Chesky Records as a producer and writer, and written for HDtracks.
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