The Audiophiliac

"Bowie: A Biography" by Marc Spitz (Crown, 429 pages) isn't just about David Bowie.

After the Beatles, there was David Bowie. I'm not equating them, not by a long shot, but Bowie's music felt like a big change from what preceded it in the 1960s.

Born David Jones in the suburbs of London in 1947, Bowie had a huge impact on the music of the 1970s. If you're old enough to remember you know "Space Oddity" made him a star, and "The Rise and Fall of Ziggy Stardust" and his spiky haircut put him over the top.

I can't claim to be the biggest fan, but I love the way Spitz recounts when Bowie signed a record deal with RCA he met Andy Warhol, and that led to hooking up with Lou Reed, and that brought him to Iggy Pop. And according to Spitz there's a bit of Iggy in the creation of Ziggy.

Like all great stars lucky enough to have long careers, Bowie had a knack for continuously reinventing himself; he fused pop music with art, glam, synth, ambient, dance, rock, and soul. Bowie kicked heroin, sang a duet with Bing Crosby, starred in one of the great space oddity films of the 1970s, "The Man Who Fell to Earth," and "The Hunger" in 1983. He acted on Broadway in "The Elephant Man" in 1980.

Granted, reading about faded rock stars can be a big waste of time. Thing is, Spitz's book had me listening to a lot of Bowie, and I came away with a new appreciation for his music. And some of it, like "Low," the album that marked Bowie's first collaboration with Brian Eno, sound amazing. "Pin Ups" was definitely a high point for me.

"Bowie: A Biography" isn't just for fans, but it may spawn some new ones.

Stereophile magazine has just published its "2010 Buyer's Guide," a tell-all "book" for audiophiles on the prowl for new gear.

Sure, you can get a lot of this information on the Internet, but it's nice to have it all neatly arranged between two covers of a magazine. Inside you'll find listings for 4,000 audio products. So if you're in the market for a hi-fi,the "2010 Buyer's Guide" will save you a lot of time.

You'll find listings of turntables, phono cartridges; CD, SACD and DVD-Audio players; preamplifiers, power and integrated amps; speakers and subwoofers; and headphones.

And don't get the wrong idea, the "2010 Buyer's Guide" may be published by Stereophile magazine, but the components aren't limited to high-priced gear. I found lots of affordable components in there.

Looking for hi-fi that's less than $1,000? How about an Onkyo DX-C390 CD player ($219), Denon DRA-297 stereo receiver ($299), and a pair of Monitor Audio Bronze BR2 speakers ($450 a pair). They're all in there, and each one is accompanied by a set of useful specifications.

High-end goodies are well represented too. Read all about the Wilson Audio Alexandria X-2 MkII speakers that weigh 1,210 pounds per pair ($158,000) and the stunning SME Model 30 turntable that runs $50,000!

The Audioengine P4 is a cheap speaker.

Correction, it's an audiophile speaker that sells for $249 a pair. But that hasn't stopped it from getting raves from audiophiles who live with speakers that sell for a whole lot more.

I use Audioengine A2 self-powered speakers ($199 a pair) with my computer, so I thought I had a handle on what to expect from the P4.

The review P4 speaker sported a real, solid bamboo cabinet, wow!

(Credit: Steve Guttenberg)

I did not; it's a whole new ball game. First, the P4 is a "passive" speaker, so you need to hook it up to an amplifier or receiver. The A2 is an "active" self-powered design that can be connected to a computer or MP3 player via a headphone jack.

I started listening to the P4 with my computer, with the speakers hooked up to an old Jolida hybrid tube/solid-state amplifier. The A2 is a sweet sounding little speaker, but the P4 was dramatically clearer, cleaner, and more vibrant. The P4 blows the A2 away--it's not even close.

At 9 inches tall by 5.5 inches wide by 6.5 inches deep, the P4 looks like a larger A2 (the A2 is 6 inches high by 4 inches wide by 5.25 inches deep). The P4 comes in satin-finished black or gloss white paint for $249 a pair, or in bamboo for $325 a pair. The wood isn't merely a veneer over medium-density fiberboard; no, the P4's cabinet is made out of solid bamboo, it's gorgeous!

Audioengine offers a nifty tabletop stand, the DS1 ($29 a pair), that cants the speaker back at an angle to project sounds up. The rubbery stands also isolate the speaker and prevent it from transmitting bass into your desk. Want to wall mount it? No problem, use the threaded inserts on the speaker's rear-end.

The P4's three-quarter inch silk dome tweeter and 4-inch Kevlar woofer appear to be of very high quality. Both drivers are made by Audioengine.

The Grado PS-1000 headphone

The Grado PS-1000, Sennheiser HD 800, and Ultrasone Edition 8 full-size headphones all sound amazing. They're all expensive to buy, but if you listen to headphones with your hi-fi or computer, they might be worth the investment. Which one is right for you?

That depends. First, they sound very different from each other. To get the full scoop, read my CNET reviews of the Grado PS-1000, Sennheiser HD 800, and Ultrasone Edition 8 headphones.

My personal favorite was the Grado, as it was the most exciting to listen to. It seemed to bring out details more, and its dynamic impact was simply more visceral than the other two headphones. It worked well enough with my iPod, sounded acceptable with my Onkyo TX-SR805 receiver, and best with my Woo Audio WA6 Special Edition headphone amplifier.

The Ultrasone Edition 8

Which reminds me, if you're going to spend big bucks on a headphone, check out dedicated headphone amplifiers. I've blogged about Woo's amps many times, and they offer models starting at $470. I will try to get around to covering other brands soon.

The Ultrasone was the bass champ of the three headphones. If you love bass and you want to feel it, check out the Edition 8. As I said in the review, it gets closer to the full sound of a large floor-standing speaker than the other headphones. It's also the most iPod/MP3 player-compatible deluxe headphone I've heard. I couldn't believe how good it made my iPod sound.

The hand-built JH 13 Pro in-ear headphone.

(Credit: Steve Guttenberg)

If you have ears, prepare to open them now.

I've just reviewed a bunch of contenders for the world's best full-size, over-the-ear headphone: Audio Technica ATH-W5000, Denon AH-D7000, Grado PS-1000, Sennheiser HD 800, Stax SR-007Mk2, and Ultrasone Edition 8 headphones--and all boast higher MSRPs than the JH Audio JH 13 Pro in-ear headphone.

Sure, full-size headphones can be used with iPods and MP3 players with varying degrees of success, but they're a lot more of a hassle to lug around than the JH 13 Pro. Honestly, I prefer the sound and comfort of over-the-ear models compared with in-ear headphones. Then again, the JH 13 Pro is a very different type of in-ear design, it uses six drivers--two woofers, two midranges, and two tweeters--to lower distortion compared with other in-ear designs. It's a difference I can hear.

The JH 13 Pro's resolution of fine detail is extraordinary, drums sound more realistic than I've heard from any other type of headphone. The JH 13 Pro is "fast," cymbals' shimmer and sparkle the way they do in real life, and when a drummer whacks his sticks against the drums' metal rims, the sound is more realistic. Dynamic oomph and slam are the best I've heard from an in-ear headphone.

The JH 13 Pro's bass goes deeper than any in-ear headphone to date, but it's the way these headphones decode palpable bass textures that's highly addictive. Electric, acoustic, and keyboard basses sound more different from each other with the JH 13 Pro. Switching over to Monster's excellent new Turbine Pro Gold in-ear headphone ($299) is startling, the Turbines sound mushy and muddled by comparison. The Monster has more mid-bass fullness, which some listeners may prefer. I do not.

The JH 13 Pro's midrange clarity is radically better than any in-ear 'phones I've used to date. Its bass, midrange, and treble are better balanced and accurate than what I'm used to from in-ear designs.

Keeping up to date with home theater technology isn't easy, buyers need all the help they can get.

Mark Fleischmann covers LCD, OLED, plasma displays, LED backlighting, DLP projection, 3D TV, AV receivers, speakers, connectivity issues, and the never-ending blizzard of features in his recently revised book, "Practical Home Theater: A Guide to Audio and Video Systems" (268 pages, $19.95). It's chock full of useful information.

Do HDMI connections confound you? Fleischmann delves deep into the continuously evolving "standard," from the original 1.0 version all the way up to version 1.4. THX certification is another one of those barely understood terms used in reviews, the book gets you up to speed on what THX certification entails. All of the various Dolby and DTS surround schemes are explained. There's a wealth of information about VCRs; right, some people still watch video tapes! The chapters on home theater setup and troubleshooting are excellent.

(Credit: Denon)

When it comes to turntables, I prefer them in their natural, all-analog state.

That's just me. Mixing digits and grooves is a hot topic of late. My pal Chris Chiarella over at Home Entertainment magazine seemed to really like Denon's new DP-200USB turntable ($250). I reviewed another USB turntable last year and thought it was too much work to use.

I'm no expert in this area, but this Denon seems like a better way to go. First, you don't need a computer nearby to do the analog-to-digital thing. Chiarella just connected the turntable's analog cables to his receiver's phono input, after switching the turntable's internal Phono EQ to Off (so the Denon will work even if your receiver is phono-input challenged).

The DP-200USB's best feature is its front-panel USB port. The system's internal MP3 encoder converts analog signals to digital files. A blinking red light confirms that grooves are being digitized. Denon claims 30 LPs fit on a 1GB drive.

The HT-RC180, the best-sounding receiver for a grand.

(Credit: Onkyo)

Powerful-sounding receivers are hard to come by.

Sure, you can buy respectable-sounding models from the usual suspects--Denon, Marantz, Onkyo, Pioneer, Sony, and Yamaha--but most of the more affordable models lack real muscle. They sound acceptable at moderate volume levels, but can't fully convey home theater impact the way bigger, read "more expensive," models do.

Onkyo's new HT-RC180 ($1,049 MSRP) is THX Select2 Plus Certified and that's always a good sign. A bevy of features including an Ethernet port that enables the HT-RC180 either to receive and output audio tracks playing on your PC, or to bypass your PC and directly stream Internet radio stations such as Rhapsody and Pandora. There's five HDMI 1.3a inputs and the ability to upscale any video input to 1080p via Faroudja DCDi Cinema. You'll soon get the complete scoop in the full HT-RC180 review I did with Matthew Moskovciak.

The features are nice, but it was the HT-RC180's power and dynamic slam that wowed me.

The very first thing I noticed about the HT-RC180 was its ability to play nice and loud without strain. True, in absolute terms it probably can't play much louder than lesser receivers, but the HT-RC180 definitely sounds better playing loud. Home theater, at its best, is all about producing a more visceral experience, and the HT-RC180 does just that.

The Dome system combines sleek good looks and high quality sound.

(Credit: Focal)

Focal Audio, aka JM Lab, may not be a well-known name in the U.S., but it is France's largest speaker manufacturer. I had Focal Mini Utopia speakers in my reference two-channel system for years and the Focal Grande Utopia EM ($180,000 per pair) is the best sounding speaker I've ever heard.

Maybe that's why the Focal Dome 5.1 satellite/subwoofer system ($2,595 MSRP) review by Michael Trei in Sound & Vision magazine piqued my interest.

The Dome replaces the Sib and Cub 5.1 system I favorably reviewed a few years ago. Unlike the Asian-built Sib and Cub, the Domes are manufactured at Focal's factory in Saint-Etienne, France.

The Dome 5.1 package is Focal smallest home speaker system yet. Trei writes: "the Dome satellite's cast-aluminum enclosure feels solid enough to withstand being run over by a small car." Each satellite speaker has a 4-inch woofer and a 1-inch aluminum/magnesium inverted dome tweeter, similar to the one Focal uses in its upscale Profile and Electra S models. Optional stands are available for the sats.

The matching cylindrical, rounded-top subwoofer has a single downward-firing 8-inch woofer and a built-in 100-watt amplifier.