March 29, 2005 11:29 AM PST
Supreme Court may redefine file swapping
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Attorneys for the major record labels and Hollywood studios argued in front of the court in one of the most closely watched copyright cases in decades, which many observers say could help set the ground rules in the entertainment and technology industries for years to come.
Allowing companies to issue products with no concern for copyright infringement would amount to "unlawful expropriation of property as a kind of start-up capital," said Justice Anthony Kennedy. "From an economic standpoint and legal standpoint, that sounds wrong."
The case, which pits big labels and studios against file-trading software companies Grokster and StreamCast Networks, is the culmination of five years of legal battles against the peer-to-peer networks that entertainment companies believe are undermining the viability of copyrights.
Two federal courts have already ruled in favor of the file-swapping companies, saying that the software should be compared to a photocopying machine or a VCR--that it has enough legal uses to protect the file-swapping companies.
Betamax--tech's favorite ruling
legalized the VCR and provided
much of the legal context for
today's tech industry. Just how
important is the ruling?
Throughout much of the hour-long hearing, several of the justices appeared concerned about the implications of the entertainment industry's proposal, backed by the U.S. Solicitor General's Office, that companies whose business is supported "predominantly" by copyright infringement be held liable for the piracy.
Technology companies such as Intel have argued that this standard could freeze innovation, as developers begin to fear the threats of lawsuits based on unforeseen or unauthorized uses of their products.
Justice Stephen Breyer focused heavily on the iPod music player, which he noted was probably used by many people to hold songs downloaded for free. The MP3 player, the Xerox machine, and even Gutenberg's press all had "vast numbers of infringing uses that would be foreseeable" at the time of the product's release, he said.
Harm for start-ups?
Justice Antonin Scalia asked the government's attorney, who argued in alliance with the entertainment companies, how long a start-up venture would probably have before facing lawsuits.
"What I worry about is a suit that comes right out of the box," Scalia said.
Despite this concern about establishing new copyright rules, several of the justices sought information on alternative ways to hold Grokster and StreamCast responsible for the widespread piracy.
Record labels and movie studios have long argued that Grokster and StreamCast, the parent of the Morpheus service, have deliberately built their businesses on the existence of
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I don't know if the Recording and Movie companies ever tried to work with P2P companies or just demanded things from them, but P2P could try to work with them to find some way of stopping illegal downloads (assuming they haven't).
I have never downloaded a movie from the internet or anything like that. I haven't downloaded a song from the internet since iTunes came out and truth be told all the songs I did have been removed for one reason or another (hard drive crash mainly). I don't want to steal from them and I don't want them to steal from me. I like the idea of buying my music song by song. I like the idea of getting it right then. And I like the idea of have it available at the click of the mouse button.
The downside to P2P loosing this case is it will open a lot of other companies to lawsuits. I would be willing to bet that if this goes through a person could sue Microsoft or Red Hat for a bug that allowed a virus in. How about suing GIMP or Adobe because someone used their software for making counterfiet money.
Sure it might not happen, but it might.
For example, the thing ( snowcap ) that Napster guy is doing now is not the way to go.
The ability to download a song IS paid for.
The artists ARE getting credit.
The real problems here ARE the RIAA and MPAA wanting complete and total control as well as all the money.
You say your a musician, if you give them your signature....they own you (body and soul). Many artists have in the past writen songs to give you their testimony.
The problem IS NOT the downloader.
The problem IS greed and the nature of the power hungry.
The customer base of the RIAA/MPAA HAVE spoken. The message is quite clear as to what people want. The entertainment industry has a duty to their customers and their own bank accounts to use this technology rather than bring lawsuits against those that use it.
These big companies use our desire to download these things to get our business, then when we do....we are called thieves and are sued.
You say:
"However, downloading a copyrighted song that was not intended to be distributed for free is stealing."
How about telling that to the financial backers of the man that created MP3?
By the very nature of MP3, the intent is quite clear...distribution IS desired. I didn't create it, but I do understand it.
lol....you can't create something (especially something like this), put it on the global internet, and expect people not to use it. Have you given any thought as to "who" it is that puts a new movie online to be downloaded "before" it's official release date? I'm talking about the first person. Who is it that has access to it before it gets to the net?
~KPM
I propose that everyone (as consumers) should have full and total unlimited download bandwidth, and limited upload bandwidth. If you want to exceed your upload limit, then you need to pay for it (and become a supplier).
The ones who are supplying the content (be it music, movies, warez, whatever) right now are every Tom, Dick and Harry who has a broadband connection via BitTorrent, Grokster, Kazaa, whatever. However, I believe that the amount of content supplied would be severely limited if the suppliers had to start paying for the uploads. Legitimate business models could be formed based on the amount of upload bandwidth a company is willing to pay for, and thereby passing the costs onto their customers with a reasonable profit margin on top of that.
My ISP in Canada limits my download limit to 60GB per month. I'm not sure what happens yet when I exceed that limit, but they supply an online tool that allows me to verify the amount of download and upload data I have transacted on a month to month basis. Needless to say my uploads are something like 20 or 30 times smaller than my downloads. Thus, I'm not a supplier, I'm a consumer.
It's called evolution, and those who don't adapt will figuratively die, and those who do adapt will thrive. The RIAA and the major labels are not, as they are made out to be in the media, the protectors of musicians and artists. They are becoming an unnecessary middleman who have spent many decades gouging artists and consumers alike.
iTunes and indie distribution is the way of the future. P2P is a means of cheap marketing for artists. New business models will emerge, and hopefully make a more level playing field for artists and consumers.
It's called evolution, and those who don't adapt will figuratively die, and those who do adapt will thrive. The RIAA and the major labels are not, as they are made out to be in the media, the protectors of musicians and artists. They are becoming an unnecessary middleman who have spent many decades gouging artists and consumers alike.
iTunes and indie distribution is the way of the future. P2P is a means of cheap marketing for artists. New business models will emerge, and hopefully make a more level playing field for artists and consumers.
The Court, I think, will declare that P2P networks and VCRs are too different for the Betamax precedent to apply to this case. VCRs are replication devices. Replication of copyrighted materials isn't necessarily infringement. P2P networks are distribution infrastructure and the unauthorized redistribution of copyrighted materials in full would almost certainly be a violation. The Betamax case also differs from the present case in that Universal was essentially asking for a prior restraint, something the Court has always been reluctant to grant. With Grokster, no one can deny that massive infringement is taking place.
1. It is on a CD or LP and you don't have the hardware to make digital copies from them-fair use
2. In my case, I have about 200 CD's about 100 cassettes and a handful in storage in another state. I am not able to ship them to myself right now, but I downloaded a bunch of the songs. That is not stealing it is fair use.
3. Whatever media you bought them in was damaged and unlistenable. That is fair use as well.
It is sad how easily people are manipulated into believing self-serving corporate lies. There are too many gerbils in this country.
You have a CD and you have a computer but you can't make MP3s? Please explain?
2. In my case, I have about 200 CD's about 100 cassettes and a handful in storage in another state. I am not able to ship them to myself right now, but I downloaded a bunch of the songs. That is not stealing it is fair use.
Fair reason but that is a rare case (I have 200+ CDs and I used to be in the Navy but I had no trouble keeping them at hand)
3. Whatever media you bought them in was damaged and unlistenable. That is fair use as well.
I think that isn't Fair Use, it is just tough luck. Things wear out and you should of exercised your fair use earlier and made a backup. Try that when you buy a car and see if they care!