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"There are a number of major players from the P2P community that are still active and are vulnerable to a rollup solution," Summer said. "To the extent that we were able to address a broader universe than the iMesh universe, that could only be seen as good for iMesh and similarly good for the industry."
Yagan said he has also had conversations with Audible Magic and Snocap, the two technology companies who have respectively helped iMesh and Mashboxx create label-approved file-trading services.
"A lot of this is questions of expertise," Yagan said. "What is my team good at doing, versus what other people are good at doing. We're going to need a lot of help to move."
Executives at both iMesh and Mashboxx, which have spent much of the last 18 months developing authorized swapping services, argue that it is unlikely that eDonkey or others could create a similar service without spending millions of dollars.
Along with these business decisions is the starker reality of settling with the RIAA. When iMesh made its peace treaty with the music industry in mid-2004, well before the Supreme Court's ruling, it agreed to pay labels $4 million.
Industry insiders say the settlement for any big file-swapping company that expects to continue swapping is also likely to range into the millions of dollars.
A spokesman for the recording industry said that the group was encouraged by the progress of discussions, but declined to discuss a timetable.
"These conversions are simple notionally, but there is a lot of devil in the detail," said RIAA spokesman Jonathan Lamy.
Peer-to-peer watchers are quick to note that even the most prominent companies, such as eDonkey and Lime Wire do not have a lock on their own file-swapping networks, however. For example, many people who connect to eDonkey's network actually use a different, compatible piece of software called eMule, which also allows people to swap files, but is not produced by Yagan's company.
That means that even if the RIAA does strike deals with eDonkey and other file-swapping software companies, their networks may stay active as a result of other organizations or individuals creating compatible software that uses the same networking technology.
It remains difficult to say how file-swapping, industry-backed or not, will fit into the future of online media.
The technology itself has been warmly embraced by both record companies and movie studios, assuming the file-sharing outfits can prove that copyrights are being protected. Sony Music was instrumental in helping create the soon-to-launch Mashboxx, and Warner Bros. Home Entertainment announced Monday that it will begin selling films through a P2P system in Germany this March.
So far, iMesh is the only file-sharing company to try to go legit. Its music subscription service launched in October, but allowed existing users to continue downloading as much music as they wanted for several months without asking for payment. Summer said that a "small" percentage of those users have now been asked to begin payment, but declined to say what proportion of those users have converted to the fee-based subscription service.
Estimates of usage vary, but Big Champagne, a company that measures file-swapping traffic for record labels and other clients, estimates that the eDonkey network attracted an average of 3.5 million simultanous users a day around the world by the end of December. Attracting even a small percentage of that user base, which could range into the tens of millions worldwide, would be profitable for the record industry, Yagan says.
That's the card he hopes will carry MetaMachine and eDonkey through the critical next weeks and months.
"If you compare us shutting down versus us converting, there's a heck of lot more value in us converting versus scattering those users," he said. "I think we all want to go to the same place."
See more CNET content tagged:
eDonkey, file-swapping, P2P, iMesh, software company






Doesn't really matter, they're all the same and there will always be another ready to take the place of the exiting service.
Mashboxx sent me an email saying they have had unavaidable delays in getting to beta .Wayne Rosso promised the service would be avalible November last year and that was after he promised it would be avalible in September last year and IMesh is a Musicnet Store with a crippled Gnutttella p2p client tacked onto the end of it .
Peer Impact is the only sucessful industry aproved Peer to Peer service that is up and running .
But, some stuff just can't be found.
The older generations can find plenty of their own blugrass and 50's - 80's classic pop, rock and soul tunes on the paid for mp3 sites like Rhapsody, mp3.com and iTunes for $9.99 per month and $.99 per track.
And BTW sure it can be found eventually you just have to keep on waiting searching for the post to appear. :)
mp3s are simply smaller and more mobile, there's no way the RIAA will be able to stop this. At the very bottom of it are emails. If the users want, they will be able to exchange mp3s over email.
I didn't. Given the same choice, I wouldn't do it today either.
If people have to be more involved/connected to do this stuff it will easily drop by two orders of magnitude. So, while stopping this sort of software won't stop the piracy it will certainly decrease it substantially.
My 2 cents...
Simple , easy http://www.streamsharing.com to download! enjoy!
I have been downloading material for most of my life. Frankly, even visiting a website is technically downloading and is almost always copyrighted material.
Shame on CNet for spreading this lie. As a technical source it should know the difference.
http://www.slyck.com/winmx.php
http://www.slyck.com/news.php?story=925
If we want to make any progress against the powers that be, we need to keep our arguments legitimate.
Lastly the definition between legal and illegal is who persuades law makers to write the rules. Maybe if the people formed a strong enough lobby group but ?.. I forgot it?s not about the people any more it?s about money and big business. Maybe someone should enforce the law of a person carrying a lantern in front of a car so we don?t scare the horses it?s a law never removed from the books. What would people say if they received a fine for that? It?s really time to review the laws and how technology is changing them instead of keeping people in the dark ages.
They DO have a requirement to recognize that downloaded songs are not going to go away, and they have done that recently with the ever growing downloads of paid for music.
They should recognize the market you present. The problem is proving to the record companies that you own each of these and there-fore should have a digital copy available (at any price, free or otherwise). Do you still have all of your reciepts for every LP? Do you have all of them in their original case? Have you actually taken care of each to ensure it's continued play?
There is a potential for a market here, but it has serious obstacles. Had a LP been destroyed by water, fire, damage or spousal upheaval the record companies should not, nor could they, be held responsible to replace your misshaps. Owned and later lost an LP? What about the dozen that have been loaned out never to be returned?
I hope the RAII sues you for downloading music. Why? So you can bring your LP collection in to court and show that you have downloaded songs you alredy own. I patiently await that case to make it before a judge, because it's a very real concern for people who own any media and download the mp3.
And just for an FYI, there are still record players out there.
What would be fair is for you to legally transfer the vinyl to any new format you choose yourself. We can do that. It's considered fair use. With the current digital media we are losing the ability to do even that, and therefore losing our fair use rights.
You're proposing that the industry bears the responsibility to do the conversion work for you since you no longer have a turntable or perhaps your vinyl is damaged. Quite honestly that makes zero sense under any fair use doctrine. Why not just ask them for an extra copy of your CDs while your at it... for the car of course?
There are alternatives to piracy, various services exist but they are either not a perfect fit for the user's current needs, or are simply over priced for whatever medium are trying to sell.
personally, if I'm going to download a music cd, i expect to pay less that retail cause if I am willing to pay retail, I'll go to bestbuy and actually buy the CD, at least that way I can get the cover art and jewel case. You don't get thoese when downloading, so I shouldn't have to pay for them!
I saw "Underworld Evolution" in the theater, payed $9.00, loved the movie, hated the movie experience. It was cold, sticky, smelly, lots of talking, and the sound system sucked. The snacks were incredibly over priced.
In short, the RIAA and MPAA want us to stop pirating and start paying full price for everything they shove down our throats. We should stop pirating, but we should also stop going to bad movies and buying crappy music.
That's the key, show them both how we really feel, don't download it or pay for it. When both numbers start going down, they'll freak! "our stuff is so bad, no one will even pirate it!"
- in answer to your comments
- by bernhug February 11, 2006 3:43 AM PST
- yes i have every one in its original case,
- Like this Reply to this comment
-
(28 Comments)yes i have the receipts and yes i have a DB's of every track i have singles and lp's.
and whilst i dont mind contibuting a small amount to obscene profits the music industry makes each year. i dont see why i should..! (singles cost$6+ & CDLPs $18+) and having already paid for each track at least once, and most songs get released several times in the course of a few months if it didnt do well the first time of release. and i have them as well.