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With photo-editing packages widely available, Southwick said he has seen a change over the years in people's attitude toward the integrity of photos. During lectures or speaking engagements, Southwick asks his audience how many people have heard of Photoshop. Ten or 12 people used to raise their hands, but now everybody does. Still, as big as Photoshop's impact, Southwick said, in-camera photo-editing features will have an even greater effect on the way people relate to photography.
If pictures are indeed captured memories, as camera marketers would have consumers believe, these new features enable people to create a rosier vision of their personal history.
Spina pointed out that the creation of these tools and the fact that there is a market for them, speaks to the societal pressure to achieve physical perfection, as well as some people's deceptiveness when creating online personas.
"It almost does contribute to people changing their identities, for whatever reasons they are motivated to do that," Spina said. "Particularly, I can see it being used on a dating service. Now you can say the picture is current and still lie. But what I want to know is: What's going to finally happen when you meet that person? Even if you are not using it for that, its only interest is to make you look better. But why would you take a picture of yourself and give it to people who know you if it doesn't really look like you?"
But does it really matter? Photos have been "lying" for years in one respect or another. For example, photography from the 1940s, because it was black and white, gave a clean orderly appearance, with people in photos from that era appearing consistently crisp, with bright white teeth and seemingly matching outfits.
Spina said that he finds most technology of this nature as nothing more than entertainment. But he does see the trend leading to a larger philosophical question.
"Does social change drive technology change, or do changes in technology change social behavior?" he asked. "No one has won that debate...It just depends on where you fall on that continuum. My own personal bias is that technology advancements lead to social change."
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Come on, folks, grow up! Photos, unsolicited Internet e-mail, advertising and much of what the news media reports have been distorted forever! At least Jon Stewart has the nerve to admit it!
--mark d.
Good on him for reporting news while providing comedy and a beutiful comentary on mainstream disinformation services.
Come on, folks, grow up! Photos, unsolicited Internet e-mail, advertising and much of what the news media reports have been distorted forever! At least Jon Stewart has the nerve to admit it!
--mark d.
One possible solution Write Once Read Many (WORM) memory cards and MD5 checksums would aid investigators in proving the unfakedness of their evidence photos.
I am begging SONY for a GPS reciever in a camera and editing software that could read the EXIF GPS information, and pin each photo to GOOGLE EARTH.
Not taking it to serious though, perhaps
Reuter destroyed the idea completely, so now I come to the conclusion why not everybody jump on the waggon and deceive themself and others, perhaps everything is like a movie, lie back and enjoy, or leave the theater.
The fakes we should care about are the photojournalists, which we've heard of altering photos for dramatic effect. That's the kind of thing which is a step toward the inner party continuously rewriting history to suit their goals, and that's what I don't like happening. I don't know if skin toning or weight hiding features can accomplish this journalistic fraud, I suspect probably not, at least for now they'll need a laptop and some decent photo editing software there.
Only when cameras can copy portions of one photo into another, such as adding a person in one photo to another photo, will truely worrisome faking be done without the help of a computer.
cameras . People feel bad enough about them selfs, why does HP
need to feed to americas disorders. Thanks HP now maybe us fat
people out there will take more pictures of our selfs, and throw up
a little less. FU HP!
with or without edits; very nice :)
That's a hasty induction. Images don't appear more orderly just because they're monotone: Look at some Civil War battle-aftermath images for examples. Since North Americans up through the early 1960's (which I presume is the author's photographic reference culture) were crisply-pressed, snappy dressers, perhaps that's why B&W (and color) images show as much. Finally, most photo emulsions compress tonal values to some extent; B&W press emulsions do that by design, better matching the tonalities to those reproducible on newsprint. Off-white values get pushed towards white, and light-colored objects such as teeth teeth are represented as more white. That's necessary compromise in image reproduction, not lying. That most mid-20th century press images were exposed using flash units certainly contributed to the crisp appearance of those images, but that no more results in a lying image than the sun suddenly shining on a formerly overcast scene you're viewing and causing an increase in contrast.
- What's the old saying?...
- by GlennAl September 15, 2006 1:24 PM PDT
- the camera puts on 10 pounds? Well, not any more. (Of course, you can still make it do that, too.)
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