Comments on: Do you still buy CDs?
Sales of music downloads won't surpass silver discs for a while--a report projects the year 2012. So fess up: a lot of you are still buying discs, and I want to know who you are.
Sales of music downloads won't surpass silver discs for a while--a report projects the year 2012. So fess up: a lot of you are still buying discs, and I want to know who you are.
The world may have thrilled to the potential for a Google Phone, but what Google actually unveiled is its plan for a new smartphone world order.
Photos: Unboxing Nexus One
faq Worms, Trojans, and SMS attacks are risks for mobile phones, but the biggest practical threat to users is losing the device.
Ex movie theater projectionist Steve Guttenberg has more or less successfully hitched his future to home theater, but he still pines for the clickity-clack of 35 MM projectors and all the stale popcorn he could eat. Between projectionist gigs he worked as a high-end audio salesman for sixteen years, and produced records for an audiophile label. Oh, and one more thing, nothing annoys Steve more than being confused with the other Steve Guttenberg, the washed-up Police Academy actor. The wordsmith Guttenberg is a frequent contributor to a number of magazines and websites including Home Entertainment, Playback, and Ultimate AV. He is a member of the CNET Blog Network and is not an employee of CNET. Disclosure.
Add this feed to your online news reader
Do the following experiment:
Record your favorite best sounding vinyl LP as 44100/16 bit, using a $80 soundcard, put it on a CD, and run a double blind comparison test. Find out if you can tell live LP playback from its recorded CD copy. You may be surprised.
I'm afraid you're confusing frequency range and dynamic range. And you're wrong anyway.
While there is no hard design limit to the highest frequency that can be reproduced from LP, in practice it's limited by the smallest radius on the needle, which is itself limited by the vinyl rigidity and wear resistance. Then there is a limit on the output level across the frequency range. The frequency compensation curve goes 6 dB/octava, keeping the groove sweep about the same for the given output level across the wide frequency range. Except for the lowest frequencies. On the lowest frequencies there is no compensation; thus the max output level goes down.
But remember that the needle acceleration is proportional to velocity times frequency, or, amplitude times frequency squared. This limits the maximum level for the higher frequencies. If you go over that, the needle won't follow the groove.
All these limitations just don't exist for a CD. There is only Nyquist frequency limit (22050). Real life antialiasing filters don't reach it though, but they're close enough.
I have done that experiment before, because i wanted to listen to my music in my car and on the road. i have a mini home recording studio that i used to transfer the audio over too. I have a creative x-fi sound card that i use with yamaha mixers. And yeah, i can tell the difference if im in a quiet room. obviously outside and in my car isnt an optimal listening enviorment, but thats my point, when im in my home and want to listen to music, i put a record on. when im on the go, an mp3 player is adequate. Thats the sacrifice you make for portability. I guess it just depends on where you do the majority of your listening.
Plus, im just a sucker for having something physical like a record in my hands. I love reading the liner notes without a magnifying glass like i need for cd sheets. Its just my own opinion and i understand others dont share my view, but i really do prefer vinyl more than any other format.
I suspect the main reason that CD?s still have a significant market is that people 40 and above are not as comfortable with technology and just like the simplicity of buying a disc and popping it in. But these people buy less and less music as they get older so I doubt CD?s will still be with us in 15 years except as a niche product. But I wouldn?t turn down the profits from them either. It?s certainly no growth market but it?s still quite lucrative.
In the long term though, the future of music seems to be a mainly digital world where the physical product is a specialty item. That doesn?t mean that there is no way for artists to prosper in this environment though. The smart, forward thinking bands are already figuring out how to make money and please fans by offering different tiers for their record sales: Give away some songs for free, offer more complete better quality versions of the album for a small amount of money, offer special packaging, physical media for CD prices, and high priced deluxe limited-editions for the hard core fans.
The audio CD is like the CD-ROM with software - the backup just in case there's hard drive failure etc.
I pay extra for a CD vs. online, then I rip the CD and put it in mycloset. I get a better sound quality vs. lossy compression, and I have a durable backup in a format that will still be playable for a very long time to come.
CD's are indeed good backup but then again hard drives are really cheap and its super easy to keep several copies all over the place. And most of the music places around where I live have horrible selections and even more horrible prices. Why would I buy a CD for 14 or 15 bucks when I can get ther whole thing from eMusic for 2 bucks or Amazon for 8 or 9?
Now, yes. But in the future, probably not.
But not all of it. Losing music for forever due to hard drive failures and software issues is not something I enjoy at all. And with digital music services (iTunes, Amazon, etc.) having hit and miss re-download options- I can't really trust them to do the job. lala.com is nice- but they only allow re-downloads of stuff that they've sold you- and streaming isn't quite the same as owning either. At this point- I'm pondering burning any of the digital stuff I have to disk- as economic oddities and the like are constantly looming over services like lala. I know CDs aren't a full-fledge longterm solution- but they will work long enough for someone to develop a better one.
Also- I really get a kick out of things like bonus tracks and bonus DVDs that come with the hard copies of some albums- meaning you get more for your buck- which also applies to the greater profit margins for the artists. You can also rip and convert those tracks off the CD whenever to whatever you want- at least I think thats how things are at the moment if the RIAA didn't have its way with ripping.
Its also rather nice to just flip through the album artwork and wander through your collection in non-Date Modified list form.
Also, also also.
- by imotionsrt4 January 9, 2009 8:54 AM PST
- I really don't buy CD's that much anymore, and unfortunately I'm not really in the habbit of paying for them if I download them. I've had $5 in zune points for over a year. But I also don't download that much at all either. I drive a whole 1.5 miles to work, so I really don't get to hear that much new music anyways, I'm lucky if I get to hear any music at all.
- Like this Reply to this comment
-
-
- by friscoG January 9, 2009 6:38 PM PST
- I still buy CD's. I would rather own the CD than download the album at a lower quality. Downloading may be a little more convenient, but CD's are usually 9.99 or so when they come out, and are on sale, so for the same price, I would rather have a better sounding physical copy.
- Like this
-
- by joshdeboer January 11, 2009 8:10 AM PST
- friscoG is right on the money!
- Like this
-
- by Loli1995 January 22, 2009 6:57 AM PST
- I am not a fan of downloading albums either. I have only downloaded 3 albums and that is because they are not sold in the U.S. and shipping and handling was 50 dollars.
- Like this
-
Showing 1 of 7 pages (170 Comments)I will buy CD's for a few bands only because I own all their other CD's and I enjoy their music, even if there is a track or two I'm not in love with. But I only buy them the week they come out as they are usually like $10. But the recording industry can go to hell if they think I'm paying $18 for a CD.