Comments on: I'll pass on the Pixies LP, but here's 10 bucks
CNET News.com's Caroline McCarthy, a former record store junkie, freaks out over the fact that her favorite hometown music hub now has no relevant place in her life.
CNET News.com's Caroline McCarthy, a former record store junkie, freaks out over the fact that her favorite hometown music hub now has no relevant place in her life.
Web sites launch all the time, but they also shut their doors. We highlight 15 that bit the dust this year.
Let the debate begin: Was the iPhone more important than iTunes? Was anything bigger than Google finding a great business model? CNET offers its list of the 10 most important stories of the '00s.
CNET News' Caroline McCarthy is a downtown Manhattanite who believes that, despite popular opinion, the Web can actually help your social life. She's happily addicted to fun social-media tools from Twitter to Yelp to Facebook, sends an inordinate number of text messages, and has a tendency to waste time at the office reading restaurant blogs. Here, she explores all facets of the Web's gregarious side, as well as the unique tech culture in her home city of New York. (Don't call it Silicon Alley.)
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Kingdom"?
And as for 7 Mary 3... are you referring to the
Toadies?
If so, your post starts to make a glimmer of
sense. Personally I find that your taste in
music is matched only by your love of accuracy.
also there is a ton of stuff that is simply not available on the
internet or sometimes even cd. hence the record exchange is still
popular.
read that Amoba Records business is still going strong.
Whenever I'm in LA I try and hit up the shop. There's still an
endearing side of flipping through loud clunky clacking cases,
trying to score a find.
Sadly the mom and pops stores, the special interest places and
the dedicated to scenes shops will die. Music e-tailers are our
new overlords but at least there's never a sold out, never a line
and infinitely more selection. I remember buying CDs in 1992
and the limited selections but the internet revolution has really
birthed subgenring to the extreme allowing people find
themselves musically to a degree never possible before. Its not
without side effects with the indie-than-thou snobbery but I
scored the perfect age to watch my music grow up as I did, and
now there's an entire scene of indie/underground hip hop artists
that reflect more maturity, humor and wit that I wouldn't have
found without aid of the internet. There's some real causalities,
such as artists able to support themselves by sales.
Whatever the music industry is today won't be what it is in 10
years...
that they start to bring up the quality of the sound to whatever I
may want. I will not buy any music that I can't get on a CD. I one
want a copy that sounds better than anything I can currently buy
online, (legally). I currently use lossless to cut the CD in about half
and keep a good clean sound. When you start to get into really
good headphones, home stereo, or car stereo it's a must as you
will start to hear all the things you miss from 256k and below...
play 7" records (usually by bands like The Archies!) As I grew up,
and began to truly understand and appreciate real MUSIC, I realized
the importance of audio fidelity. Today's children, like Ms.
McCarthy, still listen to their "music" on toys (now called iPods) and
probably couldn't tell the difference between a harmonium and an
accordion.
I believe it to be you who lacks understanding, so let me get you caught up:
http://en.wikipedia.org/wiki/Sound_recording_and_reproduction
This world no longer has a place for grumpy anachronisms.
Through the 8-track and cassette era I migrated to the CD format. After dabling in the on-line lackluster quality of the horrid download bitrates of music, I felt that the record industry should pay me the $9.99 an album to be forced to listen to.
Now don't get me wrong, I think putting One's whole music collection to "digital" is great. I have two terrabytes of HD FLAC Loseless covering hundreds of artists and over a thousand albums all taken from CD and Vinyl piped and re-engineered through products like Sony's SoundForge to clean up the haphazard engineering -- Yes, I am an audiophile so it's no wonder with thousands of dollars invested into my music hardware, I want to get the best I can get without the DRM crap.
I purchase all my usic legally and like the old days, after I purchase it, I should be able to put it to any format and on any device I own for myself -- Hence FLAC and transcode only for my IPod with no less than 320 bitrate and that is as low as I can or want to go.
Even most of the radio stations out there have gone to low quality bitrates and pipe out the music at these rates through the airwaves -- Pitty.
Until places like iTunes and Amazon Music starts selling lossless bitrates I will not indulge and continue to purchase the 16 bit 44,000Khz music.
tastes, I have a few responses.
I agree with the sentimental aspect and I hope the classic stores
survive, but knowing me, I'll never be there. I'm too lazy, buy it
online.
In regards to the audio quality, personally I think iTunes quality
is great, especially iTunes+. The only time I truly notice a
difference and prefer the highest quality possible is classical.
There you (or at least I) can tell the difference. But when I'm
listening to the oldies, i almost prefer the less quality. Sinatra
shouldn't be crystal clear, it should sound like it's being played
through a scratched record player even if it is on my iPod in this
digital world.
As for the guy who said Fred Durst sucks, no way, open your
mind to other music. Limp Biskut definitely isn't an Aerosmith
or Led Zeplin, but when your at the top of the terrain park, ready
to hit the jumps on your snowboard, nothing gets you juiced like
Fred's "Hot Dog" or "My Generation".
Music is for the occasion. Relaxing or working: YoYo Ma, date
with the woman you might marry: Sinatra or Marvin Gaye, girl
you picked up at the bar: keith sweat or R.kelley, snowboarding:
Limp Biskut or P.O.D. Just about all music can be appreciated in
the right setting. Don't call yourself a true fan if you can't
appreciate it all.
I'm older than she is, but my experience has been largely the same: I used to love digging the through racks at the local indie record stores in San Francisco and Minneapolis looking for new bands and cheap used CDs, but I seldom bother anymore. Not only is it easier to find and obtain music online, but you never have to worry about a hot new CD being sold out, you don't have to keep track of CDs and cases (the back seat of my car used to be a CD graveyard), and it's easier to access your music in multiple locations.
Like Carolyn, I would like to support the local stores, but I don't have much interest in buying CDs at this point. It's not that CDs have no inherent value -- the cover and artwork is definitely a part of the experience that I miss, and having a physical backup is never a bad thing -- but when I can sit in my office, or in a coffee shop, and download that song I can't get out of my head from iTunes on my iPhone, it's difficult to justify CD hunting.
If you must have pristine audio quality, it's still available. But my guess is even most of those who decry the allegedly horrendous quality of commercial downloaded music still have quite a bit of it.
Though I see your point about your CD Graveyard and usnderstand. I purchase all my music in CD format and mind you, its the best available through the commercial means, but far from perfect. For me it's tolerable and what I do to re-engineer to get the sound quality up to par reflects the imperfections in this media.
However, I choose FLAC lossless which is about half of a wav file on a CD and mathmatically without loss and I loathe the DRM that is put into everything.
I know exactly what you are talking about the album or CD art and that's why I opt for WinAmp and I get the album art imported in and carries over to the iPod. Since I purchase the CDs, I get the art, the good art, I scan in and make some wonderful wallpaper, but that's me.
Though I do not download music online, and all mine is legal though I am fed up with the American Music Industry and all of its thugs, I keep it legal.
Until the online music industry comes out with a lossless format, I will refrain from downloading. I, however do use the web to order CDs and especially hard to find music, or bands that over the years you cannot find in music stores anymore. I also use the Internet as a powerful music tool to find bands and music that you will never hear on Corperate Radio -- Pitty.
- Really sad
- by rapier1 April 14, 2008 10:00 AM PDT
- The problem you have Caroline is that it seems that going to the
- Like this Reply to this comment
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(19 Comments)Exchange wasn't a social activity for you. For some of us who cut
out teeth on used record stores it wasn't just a place to get music -
it was a place to have real face to face conversations with people
that really cared about music. Sure, you can sort of kind of get a
sad and lonely approximation of that online - but it doesn't
compare to the real benefits of *talking* to someone standing next
to you while slowly flipping through albums.