Comments on: An open letter to the RIAA
The RIAA has gone too far, and now it's time we tell them as much.
The RIAA has gone too far, and now it's time we tell them as much.
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Trying to use a defense of a 12 year old is pretty shoddy journalism. You are not a technology pundit but a purveyor
of your version of "the law is wrong and I'll do what I want." Next I suppose it will be wrong for me to keep my doors locked to keep you out when you are in the area because in your opinion there should not be laws preventing you from coming into my home whenever you want. Get real.
Pay your way in the world. Stop begging.
My life has been made a lot more enjoyable because of all the music I've bought.
It's sad that music is seen as something that should be free / worthless now.
It seems like the musicians we love are always the ones really getting screwed. Did you know that full rate, to the band was $0.06 / song / album. That's only $0.60 / album! Most newely signed bands are forced to agree to 3/4 rate or Only $0.045 / song, from a CD that sold for $15.00-$18.00!
Bands used to lose money on touring and support themselves with the royalties they received from FM radio (which Sucks!) and album sales. Bands need money from CD and Merch sales. (A lot of merch is pirated too.)
So the recording business really Has deserved a good screwing, for a lonnnng time. That's why it's such a lost cause now. (People are gleefully screwing Sound Exchange / RIAA.)
We really should all support the musicians we love.
I used to be happy to get a CD for $11.99, at Kemp Mill Music. Then the prices just kept going up Everywhere. (No one seemed to know about Kemp Mill's prices.
I used to just shake my head ... and leave the store, when I saw Tower trying to sell CDs for $18.99! Welp, now their out of business. ;-p
If the industry had charged something more reasonable, this may never have happened. Nah - this was always gonna happen. It just might have taken a little longer.
Now, through the internet, we all know about thousands of great bands, with multiple albums, and no one feels like they will every have all the money they need, to buy all the music they want. However, that should just be too bad.
I don't have the money for a new car. So, I just don't get a new car 'till I get more money.
I wouldn't expect the guy who made the car to do it for free 'cause he likes puttin' doors on cars, all day long. Gimme a break!
I just can't steal from my fellow musicians. I've turned to subscription services like Rhapsody, which I Highly recommend.
Rhapsody is great because you can listen to weeks worth of whatever you want, when you want, without storing GBs of data.
Rhapsody Was just $8.30/Month, until a few months ago. The problem was, I still couldn't get anyone else to sign up, or even try it. Now it's $12.99/Month! Their prices, actually, went up! Now people will flock to it, right?!?!
http://www.pandora.com is cool too. ... and it's FREE ... for now. However, you can't listen to exactly what you want. Although, because of this, I've discovered many new / cool bands.
Check out Steel Attack "Diabolic Symphony"
http://www.pandora.com/music/artist/steel+attack
I still think Rhapsody is worth it.
Both Rhapsody and Pandora pay royalties to Sound Exchange / RIAA. That's good. That means they are supporting the musicians you love. Yes, that means the suits, labels, etc. make money from it. That's probably good too.
Rhapsody Unlimited
1-866-420-5833
http://www.rhapsody.com
Tell Sound Exchange / RIAA how you feel.
Sound Exchange / RIAA
Marc Hines
mhines@soundexchange.com
202 640 5858
http://www.soundexchange.com/contactus.html
We should all support the musicians we love.
Thank you for reading my mind dump.
a) 40 year old albums that sold in their millions (Beatles & Stones) still selling at (or very near) full price
b) Greatest hits albums that contain 1 new / unreleased track
c) Re-issues with bonus tracks (some of which are available on other albums)
d) Compilation albums with racks re-recorded by 1 or more of the original group
e) Box sets of the original albums plus bonus tracks (check out VU's Peel Slowly and See)
I am a victim of greedy record companies. I bought an lp back in the 60s, and again when it was reissued in the 70s with a single bonus track, I didn't buy the original CD issue as I didn't have a player but I did but the CD re-issue with bonus tracks (4 of which were shared with another of their CDs). So I have 3 versions of their original album and it could have been 4.
And they wonder why people download for free. It's because some of us strongly object to being ripped off!
Of course, the irony is that records were originally a marketing tool used to sell sheet music.
Did they hold a gun to your head and force you to by a cd?
Were the contents of the CD not clearly legible on the back of the CD?
I'm no fan of the RIAA and I look forward to their eminent demise, but to say that they ripped you off because you didn't like what they sold you (after they make it perfectly clear what you were getting) well, that's your own fault.
Here's a tip to help you not get "ripped off" again: All the songs on an album are usually listed right on the back of the CD. I you don't like the content of the album, then don't buy it.
Pretty simple way of not getting "ripped off", don't you think?
Old-Git's comment is much closee to what the RIAA should be doing, which is to examine their out-moded business model and revise it so that illegal (and it is illegal) music downloading is not as attractive.
I'm an "old git" too. I hate buying and re-buying the same CD because the sound is upgraded or it has bonus tracks and/or discs. Now there is also the tactic of issuing a CD, then a few weeks later issuing the same CD with a bonus DVD. The record companies ARE ripping us off at an alarming rate.
However, I'm not really into downloading music. First, I think it's outrageous to pay $9.99 to download a back-catalog CD that I can find in the store for the same price, and I get to feel like I actually own something.
And, yes, I own an MP3 player. Yes, I've downloaded tracks when I didn't want to buy the whole CD. And, yes, I've burned downloaded tracks to a CD so I can listen to them on a CD player while driving and at home while entertaining.
Both sides of this issue are flat wrong. The RIAA does need to encourage record companies to find new business models, and the downloaders need to refrain from illegal activities. Just because millions do it is not justification. If millions of people starting killing each other, we'd call it anarchy, not freedom.
There is no cost for creating, designing, distributing or marketing an actual CD. In other words the record labels are increasing their profits at the cost of consumers. Now let's say songs on only cost 0.50c, now there would be a better market and increased demand for the songs. You might even convince many illegal down loaders to purchase music and avoid the hassles associated with p2p sites. Consumers will be guaranteed a legal quality recording the first time for a minimal amount of money. Since few resources are devoted to the production of a CD, profits should remain the same or might even increase due to the expanded market base. Consumers will get only the songs that they actually want, thereby forcing artists to earn their keep by forcing them to produce quality songs. No longer will inferior or cover songs be forced on to consumers via a cd package.
Well I guess we can all return to recording from the radio on good old tapes like previous generations did back in the 70's-80's. I remember compiling my own tapes with recordings from radio, records and borrowed tapes. Did I buy all the music I wanted, not really I just bought my favorites and borrowed the rest from friends. Wow an early from of p2p. Wait weren't these recordings illegal? Why didn't the record industry start their litigations back then?
model, the art form and expression is cheapened, and this is prevelant in
todays music more than anything. Yes, it does take years of effort to "get it
right" - and to be honest with you, the songs that have stood the test of time,
have all come from the root of expression, not from the desire to make
money. How many popular songs lately have their roots in personal
expression though, think about it.
This new internet medium is _amazing_ for true artists that desire to express
themselves through their music, they no longer need to sell their souls to the
recording industry in order to get FM radio play time, and distribution deals.
Put up a website, and do live shows, it's amazing how many people start to
catch on, especially when it's not refactored drivel being sung by the latest
and greatest busty 18 year old to flaunt her body and modest musical talent
in front of a spotlight. Industries across the globe have embraced the
internet revolution, and there is some painful change going on, this being
one of them. The RIAA and the major labels made their billions trafficing
information, they didn't actually produce anything, they just sold it. Well
guess what, the internet now allows anyone to do that for a teeny fraction of
the price. I feel terrible for the artists who feel like they're losing out
because they signed their lives away for a nice initial bonus and chump
change on their album sales, oh, and their music, their product no longer
belongs to them. I'll tell you what though, every time I hear about some
talent-less chump on "Cribs" showing off his Mercades collection, I don't feel
so bad anymore, the ride has gone on for a long time guys, it's time to get
back to your roots, and start puting your soul into your music and stop
worrying so much as to how you'll be paying for your 3rd mansion.
And for those musicians out there turning out original, meaningful content? -
Keep your head up, and keep turning it out, your chances of getting noticed
by the public are now far greater than they ever have been before, get a
website, get a myspace account, and get recording in your home studio, there
are a whole lot of us who've got an appetite for some good music, and we've
had to pick at scraps for a few years now.
K.B.
So in reality, anyone who buys music now is paying the RIAA to make sure that they can keep paying those high priced lawyers and keep suing the little people. The $220k judgment is utterly disdainful. The RIAA taking someone's life and ruining it because they think their lawyers are worth more than the individual. It's disgusting, and makes me ashamed to be considered a part of the same species as those who run these sorts of operations.
Now if I ever listen to music, it's via good old fashioned FM.
Someone posted about the cost to produce a CD, using that as proof that music is overpriced. The cost of the media/duplication is a small part of the cost of music. How about advertising, production costs, artist royalties, etc? These companies take a chance when the decide to sell an album. They could lose money if it doesn't sell. They take a risk, and deserve the reward if things pay off.
Put yourself in their shoes. Say you spend hundreds of hours to write a book, and pay big bucks to get it published. What would you think if a PDF copy of it was freely available online, and thousands were downloading it? Would that be fair? You're charging $29.95 for your book, but the paper needed to print it only costs $1.49. You're making too much! I should be able to steal it for nothing!
So here it is: If you want to listen to a song on your computer or MP3 player, then buy it for $.99 through iTunes or a similar service. If it's not worth $.99 to you, then you'll have to do without it -- don't steal it. If you're caught stealing, then be prepared to pay the piper (or the RIAA) whatever the law allows.
With physical CD sales dropping like a rock the individual companies should each be coming up with new competitive product offerings to combat that. Perhaps the solution is lower prices, or maybe going to online distribution, or perhaps something completely different!
Instead of using the principals that make the free market great they have banded together to all continue to push the CD album format, fix prices on downloads, and prevent any other creative/competitive distribution format. Instead of competing with one another they have banded together to stand against customers who want something different. Its anti-competitive and wrong. The people breaking the law in insane numbers is not lawlessness breaking out, but a consumer revolt.
I also have a real problem with someone being sued 220,000 for the apparent theft of 20 songs. Last I checked thats about 20 dollars worth of goods. People convicted of grand theft auto pay less penance than those who steal 99 cent songs. Perhaps their should be a punishment for stealing music, but it should fit the scope of the crime.
Perhaps stealing music is wrong, but until fair competition is returned to the recording market, it will be nothing but a mess.
Writes PC Magazine: "According to court documents, the record companies sued Thomas in April 2006 after 1,702 music files involving artists such as Green Day, Aerosmith and Guns 'N' Roses were traced to a computer tied to her."
She was offered the chance to settle, and refused. I have no sympathy for her at all.
I admit it: I've downloaded music; I've used it as a tool to check out albums -- many of which I later purchased, some of which I deleted after deciding I didn't want to waste my money. I've picked up rarities and out-of print tracks, and replaced tracks that were unplayable due to scratches or manufacturing defects. I've backed up my own collection onto MP3s, which I burn as collections for use in the car. I've even sent MP3s of great songs to friends and relatives, many of whom later bought the albums in question. Hell, I might as well confess to the cassette mixtapes I made as a kid. In other words, I've *used* the technology you are so afraid of and so intent on criminalizing to advance and promote your product. But I'm done. After almost four decades of avid interest in ownding and collecting music, I'm done. Done with the whole thing.
You've met your goal with me, since I can only assume your goal is to ratchet up the anti-consumer, anti-music fan ante until we all give up in disgust. For the first time in years, I won't be stopping at the store on Tuesdays. I'm not buying the new Springsteen album (first time ever). I'm not buying the Queen Latifah I had considered picking up for my wife, or the upcoming Krause/Plant disc that seems interesting. I could have easily been the target of one of the RIAA harrassment suits. Why would I want to reward an industry, an organization, that seems to consider me a criminal? An industry that has put more energy into blackmailing college kids and strong-arming ISPs than it has into finding a workable business model? I don't buy clothes from companies that run sweatshops, I'm sure not going to buy from companies that support an organization that treats its consumers this way.
Enjoy your victory, RIAA, but realize how completely you've poisoned the well by criminalizing, threatening, and shaking down many of your best customers. Music literally doesn't sound as good to me anymore, given the inescapable undercurrent of animosity and greed that is encoded with each track.
It's too bad that the artists are the collateral damage in all this. The smart ones have already found the alternatives to the RIAA labels; to the rest of you: sorry, you backed the wrong horse here.
- Music industry business model is doomed to fail
- by Jagadeesh Venugopal October 13, 2007 6:58 AM PDT
- A business model where you prevent customers from using your product (DRM) and where you sue your customers (or threaten to sue them) is destined to fail. We've been seeing indications of that failure for a while.
- Like this Reply to this comment
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Showing 2 of 3 pages (57 Comments)Music industry executives contend that they need both DRM and Lawsuits because the vast majority of albums lose money, and they need to make big money on very few albums to stay in business and to make up for the lost revenues on the flopped albums.
Unfortunately the music industry can't continue with this model for much longer because technology and the Internet have seen to it that the $16.98 CD can be easily ripped and copied. And virtually every DRM method has either been unsuccessful (e.g. Sony's ATRAC) or failed (e.g. Apple, Microsoft selling MP3's instead of DRM'ed music).
The only way out for the music industry is to sell unprotected music online, and to reduce their cost structure and selling price such that the convenience of buying the music oughtweighs the inconvenience of copying it from a friend. Think of the TV Guide model, or even the bottled water model wherein an essentially free commodity (television scheduling information and water, respectively) finds willing buyers.
To do this, the music industry will have to review and rethink all its assumptions. I would suspect that they will not be able to make this price point with distribution of physical CD's any more. Everyone will have to move to some form of online distribution. DRM will have to go as well. Sea changes will have to be introduced in the way in which catalogs are put online in unprotected format. Deals can be struck with online radio stations (hitherto relegated to pariah status) that would allow for playing of songs from a catalog in exchange for, say, a cut of the revenues. The industry can start to sell different versions of the same song... an MP3 with a lower bit rate for, say, $0.25 and the same song with a higher bit rate for, say, a dollar.
Finally, the music industry can add value to its product in the form of artist interviews, song lyrics, interesting package inserts, about anything that cannot be copied over MP3 formats.
The bottom line is that the current business model is in its last throes. A drastic reduction in cost and pricing, along with innovation in packaging and distribution, and ancillaries, is what is needed for the industry to recover.