Comments on: More megapixels, better photos: Fact or fiction?
Digital cameras makers continue to pack more sophisticated sensors. But some say there's a price to pay: lower image quality.![]()
Image: When photo noise annoys
Digital cameras makers continue to pack more sophisticated sensors. But some say there's a price to pay: lower image quality.![]()
Image: When photo noise annoys
December 28, 2009 6:10 PM PST
December 28, 2009 6:00 PM PST
December 28, 2009 2:39 PM PST
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Additionally, the image stabilization built into the new Pentax line is quite good. It's built into the camera, and not the lens, so all your lenses have the feature. I have used it for f 3.5 shots, and have been able to find that the depth of field is quite satisfactory. The Pentax K100D is quite the camera for the money. If you already own Pentax lenses, you can use them on this camera, which was its main selling point for me. I have used my K1000 for the past 25 years with lenses that are at least as old, and still retain excellent image quality. When using these old lenses on the new camera, there are limitations (ie: autofocus, aperture)but they are to be expected.
Personally, I think that one should look at the optics, and the sensor size, as megapixels have become a moot point these days. A larger sensor will provide you with the ability to crop and enlarge your photos better than a smaller sensor, and still retain the picture quality.
In short, I think that for some applications, film is still better, but digital is catching up fast.
And it's completely wrong to suggest that being able to select film types is an advantage over digital SLRs: Shoot in .raw format and adjust the image on your computer to suit whatever film type you desire. And, do that on the fly, using various pseudo-film types without having to carry an extra body or to change film rolls. And ditto for adjusting ISO and color balance on the fly.
As for differences in lenses . . what differences? For the most part, the same lenses work in digital or film SLRs. Sure, you could offer the criticism that most digital SLRs don't shoot full frame. But there are well-performing lenses designed to address that short-coming.
You also ignore that shooting digital offers immediate feedback. With a histogram. And, in newer models, focus points highlighted. Shoot, look, and if it didn't come out right, readjust and shoot again.
There are a few situations where film bests digital. Dynamic range is one. The article mentions shooting a wedding dress, but I usually see this in clouds during landscape work. And I've found that Graduated Neutral Density filters can compensate for this.
Bottom line: After shooting film for over 35 years I finally made the conversion to digital six years ago. And I'm not looking back.
--mark d.
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- warning on panasonic venus 3 engine
- by windelbocnet February 10, 2007 10:09 AM PST
- There was a nice paragraph on Panasonic's 2006/2007 camera's with the venus 3 engine. I recently purchased a camera with this engine, but returned it because the noise reduction destroyed so much detail in my photos. Additionally, there was no way to shut off the noise reduction so that I could take noisier photos and eliminate the noise on my pc.
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