Comments on: Will Sony's DRM nightmare affect future policies?
Readers weigh in on the security debacle surrounding Sony's rootkit music CDs.
Readers weigh in on the security debacle surrounding Sony's rootkit music CDs.
January 4, 2010 8:25 PM PST
January 4, 2010 7:20 PM PST
January 4, 2010 7:10 PM PST
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Sony has it wrong. They treat a consumer like a criminal by putting their copy protection on anything and increasing the cost of the product by investing in this technology. Someone that is going to steal a song or movie is not going to buy it. I know the stores by me will not allow you to return an open DVD or CD. They only allow you to exchange it for the same title.
Courts should make Sony responsible for all and any damage caused by this in not only personal PC's but any computer related problems anywhere.
Class action suits should automatically include anyone who purchased this crap from any supplier.
Also should be sued by companies spending time and money (antispyware and antivirus) in trying to deal with this mess.
An example should be made of Sony for others to follow that this is not what you do to people buying your products even if it means Sony going out of Biz.
Stand up to Sony with lawsuits!
We want your song and you want the money but sure won't get any from me if it means crap like Sony tried to pull off or any other company for that matter.
Sony should be charged with criminal invasion and destruction of any computer it has infected with their rootkit; made to pay for any and all damage to a computer, plus a multi-million dollar fine.
Keep in mind, two months ago the New York State Attorney General fined Sony 10 million dollars after being found guilty of payola.
Just an example: Recently, the Best Practices Committee of the TCG published a document entitled "Design, Implementation, and Usage Principles for TPM-Based Platforms". On page 13, the document states:
?TCG realizes that market forces, coercive behavior, and poor implementations can do much to weaken these principles and that there is little the TCG organization can do to prevent a manufacturer or system designer from subverting the goals of privacy and control, if they are determined to do so.?
Do I need to say anything more?
I guess the case of SONY was more or less the same story. They are just determined to enforce their rights. No matter the price. And in this context, they have decided that their rights are more important than their customers' rights. A very bad policy for a company. In fact, there are other more user-respectful technologies and even other possible business models as demonstrated by i-Tunes.
We are experiencing strong protests by miners in Spain. Mining is not profitable any more and they know it. They just ask for a way out. In my opinion this is also the case for record companies and in general for any digital good intermediary.
I don't want to be obvious but the perception of the music consumers (to mention the best known case) is that artists earn lots of money, and that record companies earn even more money. Furthermore, the added value of record companies, given the current status of technology, is very little. One of the values is recording. But recording studios have started to be affordable. I have a recording studio at home. I'm not rich, and I don't make my living out of the music, it's just my passion. Of course a proffesional one is still expensive, but the existence of very good quality home studios make entering the music business easier for novel artists.
Then there is the promotion. However, most of us feel that the promotion strategy that almost all music companies have is not good for the art. It is good for their (mainly economic) interests. So the general opinion is that music companies manipulate consumers in order to sell their products, with no respect for the good music. They only produce commercial music. I know this is not applicable to all of them, but it is for the 99.99%.
Finally, there is the issue of collecting revenues, but current Internet technologies make this possible by automated means without their intervention.
In fact, SONY and the others are "record companies", designed to earn money and provide added value in a past world where records were a popular good, but the future information society is "recordless". So, in the end the sad conclusion is that record companies, and any other intermediary of digital goods are bound to dissapear if they insist in playing the same roles. They have to re-invent themselves or die. Just as Spanish miners.
First of all, there has been a "recording industry" for less time than the Soviet's "Evil Empire" lasted. In that time, they have strangled creativity and removed the passion of which you spoke from music. Today, no artist is heard on mainstream radio unles he or she is signed by one of the B3 or a subsidiary. They are only signed if they agree to a ridiculous contract that takes 90% or more of the proceeds from the sale of recordings, while extracting 100% of the costs of studio time, extra musicians, mixdown,printing, artwork, packaging, promotion, and shipping from the artist's share which is often less than 4%. This is not by accident... the lopsided arrangment forces the artist to tour in order to make any money from their efforts, thus further promoting sales for the record label.
The RIAA complains that file sharing cheats the artist of his royalties but also stated in Radio Ink a while back that moneys received as a result of law suits and intimidation could not be distributed to artists because they had no "digital rights" specified in their contracts.
This whole copyright issue is a scam and the labels appear to have our Congress bought and paid for so don't look for any relief from that quarter.
A partial solution is Internet Radio. Listen to a variety of signed and unsigned artists and buy from the "Indies"... if you can find them.
A fan of an artist truly appreciates an artist's work, and they will happily support the artist, and send them the money. The problem is major labels in the music biz are all about money for themselves, and this goes back to the beginning of broadcast radio. Get the major labels out of the loop, and the artist will be rightly compensated for their talents and works, and if not, the labels will continue with all the copy protection tactics they attempt to deploy, which will always be circumvented, and the artist and the public get cheated. The distribution of music via the internet is advent of clear path to eliminating the rigged business world of music distribution. Sony should be swamped with class action law suits on this one, they deserve it.
I think Sony BMG is being ridiculous by putting copy-protection software on these CDs in the first place. The music industry is a bunch of jerks. They take the CDs that they are trying to sell, load them full of anti-piracy copy-protection, and then sell them, and expect to get good feedback. I see that they are trying to prevent bootlegging, but 1) If the bootleggers really want to, they will figure out a way to bypass the copy-protection anyway, and 2) What about those people who just want to put their songs on an iPod or the like? What about them?
Bottom Line: I disagree with the people who mercilessly bash Sony because of this one mistake. However, I respect that they have their own opinions. Regarding Sony: I think that they could've - and should've - avoided this whole fiasco by not copy-protecting their damn music. And if they stop, which they should, I hope the rest of the music industry follows. Because they've become a sad heap . . . but that's another story.
Sometime, in the possibly near future, the music industry will collapse onto itself. The labels will no longer fight to see which artist sells more, but who can protect their music best. They will, in a sense, copy-protect themselves into oblivion. This will, in turn, give P2P networks like LimeWire a huge boost in business. The same will go for legal networks such as Napster, Rhapsody, iTunes, and Yahoo! Music. Artists will make their own music, when and how they want to. They will release it through these services, which will make them more money in the long run, because the only people they'll be splitting the money with is the services, which is fair. The problem with CDs is getting to be that there is so much fluff on it, you get to wondering why you just spent $20 when all you really wanted was the one song. And that's why music is going to graduate to pay-per-song method (iTunes) or subscription-with-option-to-buy-for-burning-etc. method (Napster). Downloading is the music of tomorrow, and its brighter than what we have today.
- DVDs Also
- by cafesmitty May 27, 2006 6:50 AM PDT
- Sony didn't list their DVDs that have that malicious code on it also. I know at least one (ROBOTS) that if you put in your CPU will wreck havoc on your system.
- Like this Reply to this comment
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