Comments on: Digital music spins new sales approach
Subscription services try playlist swapping in battle against iTunes, but it's an uphill climb.
Subscription services try playlist swapping in battle against iTunes, but it's an uphill climb.
January 2, 2010 6:26 PM PST
January 2, 2010 4:56 PM PST
January 2, 2010 4:16 PM PST
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Subscriptions will never work out.
I'm one that favors the subscription model. For the price of a dozen iTunes song, I can pretty much listen to anything I want during the month. The model works for some people and not for others.
I have no doubt that Apple will have a subscription model in the near future - Jobs said he was against having video, but once he saw the demand he jumped on the bandwagon. Now that music subscriptions are starting to build, Jobs will copy that too.
Jobs is great at taking what others do and making the user experience fantastic. He copied a lot from Xerox for the Mac, put the Mac graphical layer on top of UNIX, saw the audio handheld inventions and then created the iPod, and then brought video to the iPod after others did the early innovations.
It's really quite simple. Depending on the service, you will spend $6.99 ro $9.99 a month to stream ANY song you wish to any computer.
For about $15 a month you can also load them to a portable player and take them with you.
I have found the only folks who say they don't like the subscription model are those who haven't tried one.
If you love music and try it you're hooked. It's access to anything you want to hear, whenever you want to hear it.
Also, the download and subscription models are not mutually exclusive. Subscription services are ideal for discovering which albums are really worth purchasing.
That alone makes up the cost of a subscription service worth every penny.
If you come to my house I can play anything you want to hear over my home system with YMU or Rhapsody. No iTunes only stiff neck can do that, unless that is, you've spent $2 million on digital files and have the hard drive space to hold them.
Subscriptions will never work out.
I'm one that favors the subscription model. For the price of a dozen iTunes song, I can pretty much listen to anything I want during the month. The model works for some people and not for others.
I have no doubt that Apple will have a subscription model in the near future - Jobs said he was against having video, but once he saw the demand he jumped on the bandwagon. Now that music subscriptions are starting to build, Jobs will copy that too.
Jobs is great at taking what others do and making the user experience fantastic. He copied a lot from Xerox for the Mac, put the Mac graphical layer on top of UNIX, saw the audio handheld inventions and then created the iPod, and then brought video to the iPod after others did the early innovations.
It's really quite simple. Depending on the service, you will spend $6.99 ro $9.99 a month to stream ANY song you wish to any computer.
For about $15 a month you can also load them to a portable player and take them with you.
I have found the only folks who say they don't like the subscription model are those who haven't tried one.
If you love music and try it you're hooked. It's access to anything you want to hear, whenever you want to hear it.
Also, the download and subscription models are not mutually exclusive. Subscription services are ideal for discovering which albums are really worth purchasing.
That alone makes up the cost of a subscription service worth every penny.
If you come to my house I can play anything you want to hear over my home system with YMU or Rhapsody. No iTunes only stiff neck can do that, unless that is, you've spent $2 million on digital files and have the hard drive space to hold them.
worlds. No subscription fees: people "own" their music, yet can
listen to complete songs 3 times before deciding to buy. And when
they buy, the recommender gets a commission for helping to
spread the music. In fact, if you want to start your own on-line
music store, just buy some Weed files and post them to your web
page, blog, MySpace, whatever. Also, weedshare has the pricing
flexibility that iTunes doesn't.
worlds. No subscription fees: people "own" their music, yet can
listen to complete songs 3 times before deciding to buy. And when
they buy, the recommender gets a commission for helping to
spread the music. In fact, if you want to start your own on-line
music store, just buy some Weed files and post them to your web
page, blog, MySpace, whatever. Also, weedshare has the pricing
flexibility that iTunes doesn't.
I don't trust the music publishers to keep a tune available in the "celestial jukebox" for my entire lifetime. I expect that some years down the road either these services or the music publishers will start to pull tunes with low listening statistics. The reality is that even though storage is cheap and slowly getting cheaper, there will likely still be a tipping point for the cost of maintaining the "celestial jukebox."
I will continue to buy my music, thank you, and in a format that preserves my right of first sale.
I don't trust the music publishers to keep a tune available in the "celestial jukebox" for my entire lifetime. I expect that some years down the road either these services or the music publishers will start to pull tunes with low listening statistics. The reality is that even though storage is cheap and slowly getting cheaper, there will likely still be a tipping point for the cost of maintaining the "celestial jukebox."
I will continue to buy my music, thank you, and in a format that preserves my right of first sale.
I don't for the life of me, understand why the two models are pitted against each other like they are mutually exclusive?
How do you discover the music you want to purchase?
Radio? lame
MTV - lamer
blogs - better, but incomplete
Why not take all the latest releases for a test spin and see if they are worth buying.
We are talking about less than $10 a month here people. Less than one CD a month. If you subscribe to a music magazine, cancel now and get a Yahoo or Rhapsody subscription. You'll thank me.
I don't for the life of me, understand why the two models are pitted against each other like they are mutually exclusive?
How do you discover the music you want to purchase?
Radio? lame
MTV - lamer
blogs - better, but incomplete
Why not take all the latest releases for a test spin and see if they are worth buying.
We are talking about less than $10 a month here people. Less than one CD a month. If you subscribe to a music magazine, cancel now and get a Yahoo or Rhapsody subscription. You'll thank me.
You folks with subscription services and playlists need to target another area. See who Muzak targets, and go there. Do you feel that little spark of opportunity? Right. Now go forth and pump your subscription music into every elevator, every dentist office and shopping mall across America.
Do you get it now? Good. Just send me my 20%.
You folks with subscription services and playlists need to target another area. See who Muzak targets, and go there. Do you feel that little spark of opportunity? Right. Now go forth and pump your subscription music into every elevator, every dentist office and shopping mall across America.
Do you get it now? Good. Just send me my 20%.
Those offering subscription services and playlists need to go after another area. See who Muzak targets and go there. Feel that spark of opportunity? Right. Now go forth and fill every elevator, dentist office and shopping mall with your subscription music service.
Now do you get it? Good. Just send me my 20%.
(originally posted earlier, but was removed, hmmm.)
Those offering subscription services and playlists need to go after another area. See who Muzak targets and go there. Feel that spark of opportunity? Right. Now go forth and fill every elevator, dentist office and shopping mall with your subscription music service.
Now do you get it? Good. Just send me my 20%.
(originally posted earlier, but was removed, hmmm.)
Subs continue to grow and there is room for everyone. Show me a iTuner and a subscription customer and I'll show you the person more knowledgable about music. And he won't be the one with an iPod.
But hey, we're talking about SOUND BUSINESS MODELS and not music knowledge.
Show me someone who is knowledgeable about music and someone who know's how to build a sound business model for their target market, and I'll show you who knows how to run a successful music download business. And he won't be the one trying to make up excuses or pointing fingers.
Now for others, the subscription plan is perfectly fine because they just want to listen to music. They don't care about collecting it. They don't care about why this artist is more alternative than that artist. They just want to listen.
Just because someone subscribes to a music service it does not mean they are automatically more knowledgeable about music. You make it sound like everyone who uses a download service just grabs the top ten for the week and never explores anything else. A depth of a person's exploration of music depends on the individual and has nothing to do with how they find it. Someone who really wants to find new music will find it.
Subs continue to grow and there is room for everyone. Show me a iTuner and a subscription customer and I'll show you the person more knowledgable about music. And he won't be the one with an iPod.
But hey, we're talking about SOUND BUSINESS MODELS and not music knowledge.
Show me someone who is knowledgeable about music and someone who know's how to build a sound business model for their target market, and I'll show you who knows how to run a successful music download business. And he won't be the one trying to make up excuses or pointing fingers.
Now for others, the subscription plan is perfectly fine because they just want to listen to music. They don't care about collecting it. They don't care about why this artist is more alternative than that artist. They just want to listen.
Just because someone subscribes to a music service it does not mean they are automatically more knowledgeable about music. You make it sound like everyone who uses a download service just grabs the top ten for the week and never explores anything else. A depth of a person's exploration of music depends on the individual and has nothing to do with how they find it. Someone who really wants to find new music will find it.
Maybe that's a hard concept for you to understand, so let me make it easier.
1. Economics. I can listen to any of over a million songs for 10 bucks a month. The cost of downloads / CDs prohibits you from LISTENING to the amount of music I can. Subscribers can listen to a more diverse selection then you could ever dream of with iTunes or physical media. Even with a budget of $500 a week you will not have scratched the surface of what a subscriber has at their fingertips.
2. Volume. Even if you could afford to buy a library that equals that of a music subscription service customer, where will you put the data? Do you have the hard drive space? Can iTunes handle it? Nope. And if your hard drive ever crashes you're out of luck. My million+ songs can be accessed from any Internet connected computer on the planet. You can carry at max of what, 60 gigs?
3. Time. While you download, transfer and maintain your files I am listening to music. It's all done for me. Also, if I read a great review of a brand new album by a critic I respect, I can search for it and be listening to the full album in a matter of seconds. Then I can make a determination on whether to buy it. You can listen to :30 clips. Lame. When I buy a CD I am 100% certain that it's something I love.
This brings me to another point against your ignorant and irrational point of view. People who use subs also buy CDs and pay for downloads. We are just much better informed customers. Would you buy a suit without trying it on or a car without driving it? Why buy music you are not familiar with?
Simple no?
It's because subscription services and their customers lack common sense.
It's all clear to me now. Thanks for the explanation.
Maybe that's a hard concept for you to understand, so let me make it easier.
1. Economics. I can listen to any of over a million songs for 10 bucks a month. The cost of downloads / CDs prohibits you from LISTENING to the amount of music I can. Subscribers can listen to a more diverse selection then you could ever dream of with iTunes or physical media. Even with a budget of $500 a week you will not have scratched the surface of what a subscriber has at their fingertips.
2. Volume. Even if you could afford to buy a library that equals that of a music subscription service customer, where will you put the data? Do you have the hard drive space? Can iTunes handle it? Nope. And if your hard drive ever crashes you're out of luck. My million+ songs can be accessed from any Internet connected computer on the planet. You can carry at max of what, 60 gigs?
3. Time. While you download, transfer and maintain your files I am listening to music. It's all done for me. Also, if I read a great review of a brand new album by a critic I respect, I can search for it and be listening to the full album in a matter of seconds. Then I can make a determination on whether to buy it. You can listen to :30 clips. Lame. When I buy a CD I am 100% certain that it's something I love.
This brings me to another point against your ignorant and irrational point of view. People who use subs also buy CDs and pay for downloads. We are just much better informed customers. Would you buy a suit without trying it on or a car without driving it? Why buy music you are not familiar with?
Simple no?
It's because subscription services and their customers lack common sense.
It's all clear to me now. Thanks for the explanation.
Subscriber growth is excellent.
I suppose by your logic Ashley Simpson is the best musician in the nation since she is currently selling the most?
Get a clue sheep. baaa
- You're hopeless
- by tinyelvis January 21, 2006 4:46 PM PST
- You're hopeless.
- Like this Reply to this comment
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- Wrong analogy
- by cagerattler January 21, 2006 6:42 PM PST
- AOL will tell you that subscriber growth is excellent too... so does that make them the best service?
- Like this View reply
Processing -
Showing 1 of 2 pages (56 Comments)Subscriber growth is excellent.
I suppose by your logic Ashley Simpson is the best musician in the nation since she is currently selling the most?
Get a clue sheep. baaa