Comments on: MPAA touts lawsuits, new P2P-fighting software
Hollywood ups effort against movie trading on P2P networks, offers tool to help parents, others find and zap movies on hard drives.
Hollywood ups effort against movie trading on P2P networks, offers tool to help parents, others find and zap movies on hard drives.
December 2, 2009 12:12 AM PST
December 1, 2009 8:53 PM PST
December 1, 2009 8:27 PM PST
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Now, Im not condoning file-sharing in copyrighted works or saying that it has no effect on the bottom line, but it is not as drastic as these 2 groups make it out to be.
Look at the Video Game industry. It is flourishing, yet you can go out right now and download a working copy of halo2, GTA:san andreas, Doom3, etc. Halo2 had a bigger opening day sales than the incredibles.
Why, might you ask? Because, its about the content. Frankly, I as a consumer am not going to pay $7-10 to go see a movie anymore. I will wait until I can rent it for a couple bucks. And Im going to plug the netflix service here, which is awsome. www.netflix.com.
If filesharing is diminishing box office sales, why are online rentals figures going up? People that rent movies form online stores such as netflix are obviously connected and can download the movie for free if they choose too. Its because most people dont mind paying for a movie, but they are not going to pay the outrageous prices asked at the box office to see the same old recycled crap.
The music industry is the same way. I have bought 2 cd's this year, and both of them I bought because I listened to the mp3 for free first. I will not buy a CD based on the reviews because 9 times out of 10 that cd will be 1 or 2 good songs and then 10 tracks of crap.
Think about this, what was the last 'new release' that you bought and listened to the whole thing more than once? Its not often. So, is 1 or 2 tracks worth $14-22? Why do you think online music stores are doing so good? You can pay $1 a track and download what you want. The only thing that I think would be better is if you could download an entire track at full quality, listen to it, and then its gone until you buy it.
The MPAA and RIAA just dont understand that consumers dont care if stuff is protecting them from breaking copyright law, they care about content, value, quality, and above all ease of use.
This is my one pet peave about online music stores, the content is not universal. Its "well this track will work on this software, with these players". Dont tell me that. Tell me Im downloading a U2 song that I can play in my car cd player, my home stereo, my mp3 player, and my computer. Isnt that what you could do before with a plain old cd?
If the MPAA isnt careful, they are going to **** off consumers like the RIAA has and drive them from the movie theatres.
Now, Im not condoning file-sharing in copyrighted works or saying that it has no effect on the bottom line, but it is not as drastic as these 2 groups make it out to be.
Look at the Video Game industry. It is flourishing, yet you can go out right now and download a working copy of halo2, GTA:san andreas, Doom3, etc. Halo2 had a bigger opening day sales than the incredibles.
Why, might you ask? Because, its about the content. Frankly, I as a consumer am not going to pay $7-10 to go see a movie anymore. I will wait until I can rent it for a couple bucks. And Im going to plug the netflix service here, which is awsome. www.netflix.com.
If filesharing is diminishing box office sales, why are online rentals figures going up? People that rent movies form online stores such as netflix are obviously connected and can download the movie for free if they choose too. Its because most people dont mind paying for a movie, but they are not going to pay the outrageous prices asked at the box office to see the same old recycled crap.
The music industry is the same way. I have bought 2 cd's this year, and both of them I bought because I listened to the mp3 for free first. I will not buy a CD based on the reviews because 9 times out of 10 that cd will be 1 or 2 good songs and then 10 tracks of crap.
Think about this, what was the last 'new release' that you bought and listened to the whole thing more than once? Its not often. So, is 1 or 2 tracks worth $14-22? Why do you think online music stores are doing so good? You can pay $1 a track and download what you want. The only thing that I think would be better is if you could download an entire track at full quality, listen to it, and then its gone until you buy it.
The MPAA and RIAA just dont understand that consumers dont care if stuff is protecting them from breaking copyright law, they care about content, value, quality, and above all ease of use.
This is my one pet peave about online music stores, the content is not universal. Its "well this track will work on this software, with these players". Dont tell me that. Tell me Im downloading a U2 song that I can play in my car cd player, my home stereo, my mp3 player, and my computer. Isnt that what you could do before with a plain old cd?
If the MPAA isnt careful, they are going to **** off consumers like the RIAA has and drive them from the movie theatres.
My current personal thought about the situation is quite simple, maybe too simple.
The overall copyright concept is in great danger and MUST be revised. The Internet and its related technologies have made possible and very easy to record, copy and redistribute at no cost any work, be it from an artist or a pupil, that can be seen or heard.
Given that, how can you imagine that the older copyright concept (which existed before the Internet and its technologies) can survive? By trying to sue people who CAN do it? I would suggest rethinking the concept itself, because it is not viable nowadays.
Sincerely
Patrick Michel
- Comment about Copyright concept in the Internet Age
- by November 17, 2004 4:13 AM PST
- I am following the MPAA and RIAA's vain efforts (as well as those of other associations) to reduce Internet piracy.
- Like this Reply to this comment
-
(4 Comments)My current personal thought about the situation is quite simple, maybe too simple.
The overall copyright concept is in great danger and MUST be revised. The Internet and its related technologies have made possible and very easy to record, copy and redistribute at no cost any work, be it from an artist or a pupil, that can be seen or heard.
Given that, how can you imagine that the older copyright concept (which existed before the Internet and its technologies) can survive? By trying to sue people who CAN do it? I would suggest rethinking the concept itself, because it is not viable nowadays.
Sincerely
Patrick Michel