Comments on: AC/DC's iTunes boycott is on Highway to Hell
Band members say iTunes is just about the money and that they want to protect the album format. Hey Angus, what about protecting consumers?
Band members say iTunes is just about the money and that they want to protect the album format. Hey Angus, what about protecting consumers?
Web sites launch all the time, but they also shut their doors. We highlight 15 that bit the dust this year.
Let the debate begin: Was the iPhone more important than iTunes? Was anything bigger than Google finding a great business model? CNET offers its list of the 10 most important stories of the '00s.
The Web is now the place to go for news and entertainment. Look here for the latest on blogs, music, video, virtual worlds, social networking and more.
Add this feed to your online news reader
I resent that remark. I'm well aware that most people are happy to buy their 10 favorite singles at any given time on iTunes, but I, like Johnson, feel that the art of the album is lost on iTunes. I would much rather listen through a whole album and perhaps not like some of the songs as much as others - for me, it's about the consummate experience. If the music industry keeps heading the way of iTunes, there won't be a single 'top albums' chart in 15 years - the pop music industry will literally only revolve around singular hits... and that's sad.
if i'm going to listen to Beethoven's 9th, i'm going to listen to the whole damn thing - not just the hallelujah chorus. Same goes for the Foo Fighters' "The Colour and the Shape" - i'm not just going to listen to 'Everlong' - i'm going to listen to the whole damn album, if i can help it. because, while each song on that album is great because each of them was meticulously crafted and perfected, it's not any single song that makes that album great. it's EVERY song. this is why AC/DC is withholding the album from iTunes - they're not really worried about iTunes' business philosophy so much as they're worried about iTunes' musical philosophy.
really what it boils down to is people are becoming less and less conscious of the music they hear. notice i said 'hear' and not 'listen to,' and I, for one, am glad that bands like AC/DC are fighting that mentality through the ways they release their music - doing as much as they can to get people to listen to the whole album as a piece of work instead of one song that they heard on the radio or on TV or that their friends like. i'm glad that AC/DC is doing everything they can to force people to think about their music. even if people end up not liking most (or any) of their new album, they're at least thinking about it rather than simply consuming - and that's all that really matters to any true artist anyway.
Your dismissal of the album and the tracks it contains as an artistic choice completely overlooks the existence of many sucsefful concept albums.
Cobains claim that labels take a band's best tracks and scatter them over multiple albums to squeeze more money out of consumers assumes
1) That the label has more then one albums worth of the artists songs in the can
2) That the label know what will be the most popular tracks ahead of time
3) The artist has no control over what tracks go on an album
That sounds like a bit of stretch to me.
Given this fact, I have a hard time understanding why journalist after journalist continue to repeat this mantra by some artists that not being able to sell albums only is a valid reason why they're not on iTunes. It's NOT a valid reason because it's simply not true. Hopefully whoever the next person is who interviews these artists will have done some research and won't simply regurgitate their false premises.
PS, I'm a consumer who hates the album-only option. If I truly want to buy most every song on the album, I'll go out and buy the physical CD because I still prefer to have a physical backup and it avoids the DRM crap. If I'm only interested in one or two songs, I won't make a purchase if I can't buy the songs individually. The record companies didn't gain anything, they only succeeded in losing a potential sale.
Yeah, I'm being picky. . .
HOWEVER, they need to leave it at that. Do NOT bash iTunes because it is a successful marketplace for consumers to buy what they choose to VS getting ripped off $20 on a 12 track CD with only 1-2 songs on it. This shows poor judgment on behalf of a record company, but, meh, whatever. Go ahead and burn that bridge, AC/DC!
You can look at it as either leave the album intact for the sake of artistry and risk losing money, OR make music that consumers will want to buy per-track and eventually get all of them because they are good enough to put up money for.
Don't you think that Wal*Mart gave them a HUGE pile of cash to do this? AC/DC is one of the top-selling bands of all time. Getting an exclusive would cost big bucks.
I don't fault these guys at all. In fact, they've been my favorite band for about 20 years. They're just doing the same thing they've always said they would do.
"So if you've got the money, we've got the sound
You put it up and we'll put it down
If you got the dollar, we got the song"
Actually the original point behind iTunes music downloads was in the interest of ensuring that DRM'ed Windows Media files weren't the only legal downloads of music available, which would have locked out Apple's iPods and Macs (or at a minimum forced Apple to kowtow to Microsoft in order to license WMA).
As it is, Apple only makes a small fraction of their revenues off of music (and other media) downloads. Their real profits come from selling hardware, like iPods, Macs, iPhones, etc. Those products, surprisingly, are not locked to only playing Apple media, they can also play MP3s ripped off CDs or downloaded from Amazon, eMusic, etc.
Now as soon as the record labels other than EMI get the sticks out of their ***** and allow iTunes to sell DRM-free versions of ALL of their music, we'll finally be in one big, happy DRM-free music world. There's no chance there would have been even a HOPE for this if Microsoft had their way and DRM'ed WMA had become the industry standard.
Your quote of Doug Morris is not a good one. Him and others like him are industry vultures and not directly representing music industry. This industry, like many others, has many entities from artists to agents to distributors.
Just be fair and give AC/DC a break. They have played a mojor role in creating and shaping Rock music.
Commerce is a funny thing, in the case of black ice I have already pre-ordered the extended deluxe and standard CD. Just for my pleasure I appreciate the iTunes downloads as it is fast and if you get my drift a lot better for the environment.
So I really question that a real fan is not downloading the whole album. What means the album is not dead. I also have to say the quality of AC/DCs music normally justifies to buy the whole album. Even that I love the guys dearly, so here is my advise tell me solution not problems. Meaning if you just want to sell albums put it on iTunes and cut the contract in a way that you can only download the album. Others have done it, so why not go that route. Just don't limit the options.
On the other hand I agree with the general argument. If you are confident in the quality you have nothing ot be afraid of and actually can sell more it you allow the folks that don't want the whole album to download just a couple of songs.
Franz
that being said, itunes is not killing that. itunes is saying 'just want the 45? ok'. and ac/dc are the LAST band that should be talking about the importance of using a number of songs to create a work of art. their songs are not only the most simplistic rock songs musically but you could take any 10 songs of theirs from the last 30 years, shove them together and people wouldn't know they were recorded years apart from each other. and every song is either about sex or rock and roll. gee, what a contribution to the art of music.
An artist can sell a group of songs only as an entire "album" on iTunes.
- by Fletch4 October 16, 2008 9:48 AM PDT
- I think the obsolescence of the album is a shame. If the future of music is random, scattered digital files, then I'll just say no thanks and stick to buying vinyl. Yes, record labels still make vinyl--at least the ones that are interested in quality, adventurous music, not the major labels peddling vapid pop music.
- Like this Reply to this comment
-
Showing 2 of 3 pages (47 Comments)Greg, you lose all credibility by saying you stopped buying music in the early '90s. Is that really something you are proud of?
Also, the claim that labels force artists to spread their "good" songs across multiple albums is bogus. This might be the case for a handful of pop acts with an army of songwriters at their disposal, but I find it hard to believe label execs were cherry-picking Nirvana songs and saying, "this one's too good for this record, let's wait and put it on the next one."