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August 25, 2008 9:01 PM PDT

Rumor no more: Canon announces EOS 50D

by Lori Grunin

(Credit: Canon USA)

Bringing another rumor cycle to an end, Canon has announced the EOS 50D, a follow-up to the popular 40D, which will remain available at least through the end of the year. Though the timing seems a bit surprising--the 40D is only a year old, and midrange dLSR cycles tend to run closer to 18 months rather than 12--it was probably inevitable once the Rebel XSi, which is very similar to the 40D, shipped.

Built around the identical body as the 40D--the only differences are the name plate and mode-dial bezel--the 50D brings with it a bump to 15 megapixels. According to Canon, the new sensor has smaller pixels than that of the 40D's 10-megapixel version, but the company claims superior noise and image quality; 1.5 stops better, in fact, thanks to an improved manufacturing process and larger, gapfree microlenses that effectively result in the same light-sensitive area, according to Canon.

In combination with an upgrade to a newer version of the company's image processor, dubbed Digic 4, Canon also says that the higher resolution won't impose a significant performance penalty, and that the 50D will be able to maintain burst speeds close to the 40Ds. And now that the camera's CompactFlash supports UDMA, the burst buffer can process more shots--JPEGs, at least.

And though it has a 3-inch LCD like the 40D, Canon has switched to the same higher-resolution display found on the Nikon D300

Some key differences:

  50D 40D
Sensor 15.1-megapixel CMOS 10.1-megapixel CMOS
Sensitivity range ISO 100 to ISO 12,800 ISO 100 to ISO 3,200
Image processor Digic 4 Digic III
Continuous shooting 6.3 fps
90 JPEG/16 raw
(60 JPEG with non-UDMA card)
6.5fps
75 JPEG/17 raw
Autofocus 9-pt AF
all cross-type to f5.6
high-precision diagonal cross-type in center to f2.8
9-pt AF
all cross-type to f5.6
Price (body only) $1,399 $1,099

The Digic 4 enables some other new capabilities, including face detection in Live View mode (up to 35 faces), additional settings for the Auto Lighting Optimizer and high-ISO noise reduction (low, medium, and strong), and user-requested variable raw sizes of 7 and 3.8 megapixels. There are also some tweaks to the autofocus system, for example compensation for pulsed versus constant illumination, and support for in-camera lens databases that enable it to perform vignette correction and ensure undergraded illumination across the entire frame. Finally, Canon has improved the dust prevention, with a fluorine coating in front of the low-pass filter to deal with sticky dust.

Canon expects to ship the 50D in early October. The body will run $1,399, and a kit with the f3.5-5.6 28-135mm IS USM lens will cost $1,599.

On Sale Now: $1,099.99 - $1,249.99
View the latest prices for Canon EOS 50D (body only)

Senior Editor Lori Grunin has been covering digital imaging for two decades, but her memory's kind of sketchy on the details. You can hear about it every week on Indecent Exposure, the podcast she co-hosts with Matt Fitzgerald.
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Add a Comment (Log in or register)
by Philscbx August 25, 2008 11:07 PM PDT
I freaked..as I scrolled down the page.
I thought it was announcement for the new 7D.
All this 'L' glass just dying to mount it.
This 50D should do well.
3 years with the 30D was a good test.
Reply to this comment
by Larry Turner September 1, 2008 5:54 AM PDT
I currently own both the older D60 and 20D camera's. I skipped both the 30D and 40D (live-view and a couple megapixels just wasn't enough to justify the price).
The 50D will be a hands-down "gotta buy" winner if the 15 megapixel, 12,500 ISO results in real world effectiveness and not just hype.
Those who say the resolution game is over obviously haven't done wedding photography where creative cropping can give you a variety of image choices out of one image which should increase your profit margin. The higher the resolution, the more flexibility you have, especially if the client wants their prints at 8x10 or larger sizes.
One of the biggest problems you'll have at any sporting event including youth sports is combating noise caused by "low-light" at night using a "normal" lens. Most camera's generate considerable noise when shooting at ISO 800 and above. I'm looking forward to seeing how well the advertised 12,800 ISO does under real test conditions. If it results in very fine and low level noise at , say, 1600 and below, that alone may justify the upgrade to alot of people (and make your collection of lower cost lenses a little more effective and your "L class" glass even better.
Final thoughts: I love my 20D and the 50D sounds like it is going to be a great addition to the Canon family!
Reply to this comment
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