It's official: Audiophiles are over CDs
(Credit: Steve Guttenberg)The end is near, another war seems imminent, oil prices continue to rise, the dollar is in free fall, and now audiophiles have abandoned the CD.
Don't get the wrong idea: they haven't all dumped their CD players for turntables (I wish). Instead, they've bought music servers of some kind or another. How can this be happening?
I read the sad news on the Stereophile July 6 voting feature (scroll down to see results).
That week's question: how do you listen to digital music? The poll says 34 percent still use CD players as their primary digital source. Yikes, I would have guessed much higher, more like 70 percent. Thirty-six percent use a computer-based server, and 10 percent use dedicated servers such as Sonos or Squeezebox. Another 4 percent use iPods! I felt a little better that 11 percent use a SACD or DVD-Audio player. Another 3 percent voted "other."
Mind you, these are the Stereophile online readers, presumably the print readership would skew towards CD players. Or not.
Regardless, something's going on. Audiophiles tend to be a conservative bunch, or at least I thought they were. Me? I listen primarily to CDs and maybe 20 percent of the time to LPs. I cannot imagine using a music server anytime soon, and sound quality issues have nothing to do with that. I like picking music from my collection. It's a touchy-feely, organic process. One album leads to the next, or I accidentally find something I haven't listened to in years.
What about you? What are you listening with?
Steve Guttenberg is a frequent contributor to magazines and Web sites including Home Entertainment, Playback, and Ultimate AV. He is a member of the CNET Blog Network, and is not an employee of CNET. Disclosure.
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And, with the cost of storage space low as it is, the digital music files on the server can be CD-quality.
In short: s-weet!
Your collection can grow with quality non-lossy rips of classic LP's.
The fact the computer server number is so low is disheartening.
That being said LP's aren't always the best (oh sacrilege), take for example the remastered Boston CD's from last year.. amazing! Or the hunt in used CD shops for those Steve Hoffman mastered classics.
I just feel for those that won't listen to some incredible music created in the recent 10-20 years because its not up to snuff for their ears and they would rather listen to an artist that they can't stand (say a limited pressing of 100 LP's for a Japan Harvest like quality release of some Eddie Rabbit LP.. one that doesn't have 'I love a rainy night'.
You are correct that audiophiles are a conservative bunch, hence my hesitancy to call myself one. But I do care about getting decent sound out of my system. For some audiophiles the sky is always falling (remember when CD's were a sign of the end of hi fidelity in the early 80's?). Why can't they just look at all the positives of digital music?
Take cover art and liner notes for instance, Why lament the demise of these traditions when you have the the wide open possibilities of the web to find out more about a band or their influences? I'll take a laptop anyday over some 6 page booklet in a jewel case.
You are correct that audiophiles are a conservative bunch, hence my hesitancy to call myself one. But I do care about getting decent sound out of my system. For some audiophiles the sky is always falling (remember when CD's were a sign of the end of hi fidelity in the early 80's?). Why can't they just look at all the positives of digital music?
Take cover art and liner notes for instance, Why lament the demise of these traditions when you have the the wide open possibilities of the web to find out more about a band or their influences? I'll take a laptop anyday over some 6 page booklet in a jewel case.
I also have the option of converting the music to high-bit-rate compressed files for use on my MP3 player. It's amazing how much music you can carry around, even at a high bit rate, on just 4MB.
I will admit, that I do miss the browsing of the physical CDs, but I think the trade-off is worth it over the long run. And, as I said in the beginning, I am still buying CDs and will be as long as they are offered. I want the liner notes, the physical media and the qualty that will never be available from MP3 downloads.
People may be using music servers (I have for almost a decade), but where did they source the digital files? In my case, it is still CD that are ripped to WAV (Hey, it was the only option when I started and I had access to lot's of disk) and indexed strictly by file location and name. I just started my third TB of storage (which has fortumately gotten very cheap),
I keep trying to move to a Lossless format, but none have gained a universal traction across devices. When one does, I will start the arduous task of transcoding and attaching Metadata, but in terms of source I don't see a solution beyond CD until mainstream adopts a lossless format.
As far as the tunes themselves go, the value of the music dictates what format I buy. A artist I love? CD or (SACD/DVD Audio if I can find it). An artist I am interested in? 192 or better digital file. A single that is the passing fad of the moment? 128 or better.
That being said, I am trying to get my entire collection of CD's on my Mac in lossless format, so I will always have them. Off of my hard drive and iPod are my current listening methods. What can I say? I am a father of a 1 year old, pursuing my MBA and work 40+ hours a week. My time to sit and enjoy a CD is limited at best.
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by nachurboy
July 17, 2008 10:09 AM PDT
- I switched to a server-based platform a long time ago when I got tired of my CD's getting scratched by the slightest touch. To me, going server-based is equivalent to the transition between a cassette tape to CD. I'm no longer bound by a linear action. In the case of the Tape to CD, I could now freely go from one song to another without REW/FF. With the move to a server-based platform, I can now go from one album to another without ejecting and inserting a new CD. As far as perusing the collection, I see no difference between physically thumbing through a stack of cases and flipping between album cover artwork.
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