Rolling Stone magazine discovers high-end audio

Thiel's CS3.7
(Credit: Thiel)Here's the concept: It's no secret young consumers don't get high-end audio. It just seems like either total BS or an extravagance for the rich. Yes, it can be both of those things, but there's a lot of great, affordable high-end audio that's available to anyone who's truly passionate about music. Here's one quick example, Usher Audio's staggeringly good S-520 speakers that go for $400 a pair (I'll review them in this space soon).
Anyway, a high-end publicist friend of mine proposed this reach out to the youth concept through Rolling Stone magazine. He wanted to blow the magazine's writers away with high-end sound and convinced two of his clients, Canadian electronics manufacturer Bryston, and Thiel, a speaker company from Kentucky, to loan Rolling Stone $40K worth of gear for their reviewers to enjoy for three months. Seems like a great "what if" idea to me. Obviously, the reviewers know music, and I can't wait to hear how they're affected by hearing music like never before.
It's a killer system, with a Bryston BCD-1 CD player, Bryston BP-26 preamp, and Bryston 28B-SST power amps mated with Thiel's astonishing CS3.7 speakers and SS2 subwoofer. For guys used to hearing music over $29 PC speakers it's the equivalent moving up from a skateboard to a Chevy Corvette. Now they'll actually get to hear the music they're critiquing at least as well as the people who recorded the tunes in the first place. Who knows, maybe they'll communicate that experience to their readers. Point is, sound matters, and hearing it with the best possible speakers and electronics is a good idea. We'll see.

The gear, installed at Rolling Stone's NYC office
(Credit: Bryston)
Steve Guttenberg is a frequent contributor to magazines and Web sites including Home Entertainment, Playback, and Ultimate AV. He is a member of the CNET Blog Network, and is not an employee of CNET. Disclosure.






Chris
Founder
ComputerAudiophile.com
While I agree the majority of kids nowadays are very simple minded in their pursuits for audio, but a quick pop to head-fi.org will show you that there is an entire community of under 16 year old audiophiles.
I'm 16 and I just wrote this while listening to $300 Beyerdynamic DT880's and a $150 Minibox-E headphone amplifier. While that may seem cheap to a grissled audiophile such as yourself, it's the best I can afford and I enjoy it immensely.
I'm planning on moving to bigger and better things once I have some extra money rolling around.
I was looking for a new pair of loudspeaker and the Usher Audio S-520 look the best potential candidates I've seen thus far. Thanks for bringing them to light!
Almost a shame to be listening to recent recordings with poor mastering on such a revealing system.
It is also good to realize that one can easily buy lower in the Thiel and Bryston lines and still have an incredible system.
Why pay this much for a system? Go and visit a respected audio retailer and ask to demo a few songs on one of their better systems. If you still don't understand, consider yourself somewhat lucky. :-)
Aside: As for receivers, most do not provide anywhere near the output they publish, so it is not a good point for comparison.
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by Atulkanagat
March 18, 2008 7:50 AM PDT
- Hi Steve. It's Atul Kanagat, CEO of MusikMatters Inc. distributors of Usher loudspeakers and JPS wire products.
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Reply to this comment
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(9 Comments)I feel that you are right about younger listeners; there will obviously be exceptions that prove the rule, but it is tough to deny that most young adults graduating from college do not have a Hi Fi system on their top 5 list of things to get when they have the resources. I can identify several factors for this shift from the days you and I graduated from college. In my case, a Hi Fi system was #1; and I was far from alone.
Factors:
1. Price of entry (perceived to be too high)
2. Plethora of high function alternatives (computers, game consoles, DVDs)
3. Availability of music; everywhere; the IPod effect
4. Limited opportunities to experience the performance levels of high end audio; dealer decline in providing properly configured demos don't help.
Maybe we should stop thinking about music consumption as a zero sum game among formats. Instead, maybe we should think about "occasions" rather than platforms. While Americans are consuming music like never before, different listening occasions (driving, flying, working out, studying/working, partying, musical evening out, serious in-home listening asession) favor different platforms.
We at MusikMatters believe that reducing the overall cost of ownership to offer more attractive price/performance levels is an important dimension, and we are dedicated significant resources to achieve this. However, this on its own will not be sufficient. We need to figure out how to get people to give us "10 minutes in the sweet spot" so we can offer them something that enriches their musical experience AND makes sense in their lives.