Who is your favorite radio DJ?
I've had a lifelong love affair with radio. I was a huge Howard Stern fan, back when he was funny, and I'm into political talk, but music has always been the biggest draw. I find most of the new music I buy on the radio.
A great DJ can turn you onto great music. They work as filters, filtering out the crap, and playing stuff you might not hear anywhere else. That's what makes them great DJs.
Scelsa's on Sirius-XM's "The Loft" channel.
(Credit: Steve Guttenberg)I've been listening to Vin Scelsa since the early 1970s, starting with, I think, WABC-FM in New York City. His sets, now on Sirius/XM Satellite Radio can go on for 30 minutes or more, and the way he weaves together tunes from rock, jazz, classical, world, strange and wonderfully obscure music is unmatched. His deep knowledge and vast music library (he broadcasts out of his house) should be cited as some sort national treasure. There's something about the way Scelsa makes musical connections I never tire of.
He's not just randomly stringing tunes together; there's a lot of thought and preparation that goes into the choices. The way he moves from Roseanne Cash's new CD "The List," to Johnny Cash, Bob Dylan, some little known zydeco player to the "West Side Story" soundtrack to Alice Cooper, and it all makes sense. Scelsa's a genius of musical connections and juxtapositions.
The only real drawback to listening to Scelsa nowadays is Sirius' sound quality, it's worse than crappy-sounding MP3s. To get around that, I listen over a tabletop satellite radio, which hides the harsh sound really well.
Scelsa calls his show "Idiot's Delight," and it can be heard live on Wednesdays and Thursdays from noon to 2 PM ET on Sirius/XM Satellite Radio's "The Loft" channel. The combined four hours of "Idiot's Delight" are repeated on Sunday nights, 8 PM to midnight ET.
Scelsa is also on WFUV 90.7 FM radio in New York on Saturday nights 8pm-Midnight. The radio show is simulcast on the Web and is archived for listening for two weeks after each broadcast.
Tell us about your favorite DJ in the comments below.
Steve Guttenberg is a frequent contributor to magazines and Web sites including Home Entertainment, Playback, and Ultimate AV. He is a member of the CNET Blog Network, and is not an employee of CNET. Disclosure. 





John Santorelli, Dave Herman, Pete Fornatale, Scott Muni ,Dennis Elsas and Vin Scelsa, Alison Steele.
Fire up the Kenwood receiver with the beautiful weighted dial and a nice pair of Advent speakers and it was WNEW-FM all night.
Bonus, stream from kexp.org - free - all the way up to 1.4Mbps with no commercials.
My younger brother met Jim Ladd, who played rhythm guitar for a short time in a group that practiced in our living room. Ladd went on from being a small time DJ on KNAC to KLOS and KMET and finally has a late night, freeform show on KLOS-FM.
But back in the late 60s, there were DJs in LA like Outrageous Nevada, The Obscene Steven Clean, Frazer Smith, B. Mitchel Reed, Shadoe Stevens, and others. Steven Clean was my favorite. I have a reel-to-reel tape of a Christmas show he did that was too zany for words.
George " Hound Dog" Lorenz, later at WBLK.
Joey Reynolds
Danny Neaverth
Fred Klestine...whatta voice!
Don Berns
Sandy Beach
Rod Roddy.....of the Price is Right fame.
Dick Biondi............before he was Chicago.
Jungle Jay Nelson...........later at 1050 CHUM-Toronto
Russ "The Moose" Syracuse
Tommy "Wild Weekend" Shannon
Shane.....'Brother Shane"
Stan Roberts
That was just at KB Radio. We also had WYSL and WNIA and WGR and all their personalities, too.
These were the best times in radio; the 60's and 70's and late 50's!
You can stream his shows on their website. Super eclectic mix electronic, pscychelic, pop, funk and latin. He is always turning me onto new bands and DJ's as well as decades old ones old ones I never knew about.
Niche programming - check out a "hot 100" list from back in the day - way more diversity. Country, R&B, different flavors of Rock, ballads, dance, novelty etc. all living together in harmony!
The above poster's comment about going from on-air personalities to mere announcers is true. It?s removing the soul from radio. Thanks corporations!
The trend described in a different post from above distains any human interaction in favor of only music. This is fine and has its place, but shouldn?t be the only alternative.
DJ?s help shape our listening experience by informing us about the artists and their songs and give many people their primary source of human contact.
I didn't see any other station doing anything different at any DJ paygrade, either.
My favorite DJ, though, is Steve Wright (currently on BBC2).
I cant listen to him now, but back when lived in LA, I would always look forward to the set lists that he would put together for his show on 95.5.
To my knowledge, he is one of the last remaining Free-Form rock DJ's on public radio. He hand picks each track and strings them together in sets of his own choosing. He also has a great listener input, and will throw out themes or words and have callers suggest songs that fall into that catagory, and he will build a set list with the listeners input. Great stuff...i miss it.
Little extra note: Jim Ladd is the basis and inspiration for Tom Petty's "The Last DJ"...kinda cool!
and a free form dj from the san francisco area , bill goldsmith , made the leap to the internet in 1999 and is still going strong at radioparadise.com , like the comment above , he also hand picks the music to flow together , all i listen to
Meatball Fulton, the Electric Aunt Jemima in Philly was a great underground music (later called rock music) and blues DJ.
IN DC it was Cerphe for rock on various stations over a 30 year period and from WHFS Bethesda, Weasel, and Josh for alternate rock and cutting edge rock and roll and blues.
- by Cornellalum November 4, 2009 12:49 PM PST
- My favorite DJ from the '70s was the late great Frankie Crocker of WBLS, 107.5 in New York City. In fact, back in the day WBLS had outstanding talent such as Vy Higgensen, G Keith Alexander, Ken Webb and Captain Al Roberts. Who could forget the legendary Hal Jackson. However, Frankie set the tone for all of the Black urban DJs from that era. Frankie not only had the voice, he had a unique style that was often imitated but never duplicated. More importantly, Frankie knew the music. He was a serious broadcast professional. God Bless the legends of Black radio!
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