Poll: Why don't you have a turntable?
CNET poll
What, you don't have a turntable? What's wrong with you?
When the CD was unveiled to the world in 1982 with the "Perfect Sound Forever" motto, everyone assumed the LP's days were numbered. Well, nearly three decades later, vinyl's hanging in there and the CD's future looks uncertain.
Vinyl appeals to oldsters who still covet their LP collections, and kids who are just now getting into the groove. To some vinyl sounds better, more musical than digital, and some just dig the more physical connection to the music vinyl provides.
(Credit:
Steve Guttenberg)
Steve Guttenberg is a frequent contributor to magazines and Web sites including Home Entertainment, Playback, and Ultimate AV. He is a member of the CNET Blog Network, and is not an employee of CNET. Disclosure. 





I used to DJ in a former life, but now I use them for entertaining (try spinning vinyl at your next house party instead of playing an iPod), and for rare stuff that's not available digitally.
One of my fave vinyl albums of all time just finally got released on iTunes/Amazon earlier this year -- "Francis Albert Sinatra & Antonio Carlos Jobim," while another, "Brasil '65 - Wanda de Sah" is still vinyl only...
Which brings up a question--I wonder how many people there are out there who think they've "heard vinyl" but have never heard a good turntable set up right? I've heard even some expensive decks sound like cr*p because the person who set them up didn't know what they were doing.
I used to say that the sound quality of CD is either B, B+, or B minus, whereas vinyl can go from F to A+. I would guess most common record player setups achieve no better than a C grade. People who say CD sounds better are usually right...based on what they've heard.
I was always skeptical of the sound quality, though. It wasn't until I got a Pioneer PL-518 direct drive turntable and Audio Technica AT-440MLa cartridge that I truly appreciated the sound quality offered by vinyl: No inner groove distortion, accurate and un-distorted highs (no sibilance), low surface noise and very un-colored, transparent sound (on some later 70s/80s albums, I forget I'm not listening to a CD).
That was the first music I bought for myself when I was a kid. It is 30 years old, and I paid $6 for it. I hadn't listened to it much in about 20 years. When he put it on the good turntable and it started, my jaw dropped. I sat in the listening room in awe! It sounded like the BeeGees were right in the room with me. I think I nearly cried with the pleasure.
I love digital. A good digital recording (Like Jack Johnson's Sleep Through The Static) sounds amazing on any system I put it on. I know that vinyl can't reach the frequency range that digital can and is technically not as good. But there is something incredible about the vinyl. It adds a warmth and a depth and a life that digital can't quite get.
I have borrowed a friends old Techniques turntable that needed a few repairs and I put a Grado cartridge on it and it sounds really good. Not as good as the one in the store, but very nice. I am saving for a good turntable of my own, something I never thought I would ever spend any money on.
I'm converted!
I'm using a moderate quality JVC belt drive and I'll admit my friends realistic direct drive sounds much better. The JVC is much more reliable than most CD players I've owned which is also a plus, and I found a decent cartridge that supports several common replacement styli so I should be set for awhile.
the third is in a box in the garage. i'd sell it cheap if someone wanted it. did i hear someone say "Craigslist"?
A plus: since I don't need vinyl in order to listen at all (like back when vinyl was all I had), I don't keep anything in vinyl I don't really like, or that doesn't sound really good. Another plus: I use MP3 and iTunes purchases to screen vinyl purchases; if I really like a record as a download, I'll go see if I can find it on vinyl. (You wouldn't happen to know if Howe Gelb's "'Sno Angel Like You" was available on vinyl, would you?)
Another thing I like: I tend to get lazy and leave the same record on the 'table for days. So I cue it up multiple times. It helps me to really get to know a record. I guess I'm just in that habit, from years past. But I like the habit.
Best thing about vinyl: when I get disgusted with the often just-not-quite-adequate sound quality of MP3s, spinning one or two of my best-sounding records is a great antidote. It centers me again. I often feel digital files are good enough...until the needle hits the groove.
Blue Mikey
(P.S. Sometimes the digital files do sound really good, though, I admit. Right now I'm listening to the Rudy Van Gelder Remaster of Roy Haynes' "We Three," that I got off eMusic, and it sounds great.)
That's just my preference, and others feel differently. However, it's also considerably cheaper to enjoy the sound of a high end CD system than a phonograph set up of "equal" quality.
I would never argue that vinyl is the perfect medium, of course. Far from it. But I find it fun to mess around with. It *is* partly nostalgia, too, but those days were great fun and I'm very glad I lived in the vinyl era as well as in the era we're in now!
Is really refreshing to see a picture of a Linn LP12/Graham combo on a mainstream web site like this one! Being the owner of a fine-tuned 1985 Linn LP12 and a Technics SL1200 MKII and a collection of about 500 LPs and 400+ CDs I can tell you an LP is a lot more musically involving than a digitally compressed CD/DVD/Blue-Ray disc.
Besides, scratch a CD/DVD/Blue-Ray disc against a wall or floor and you won't be able to ever play it again. On the other hand, do the same with an LP and, with maybe clicks and pops, you will still be able to listen to it. Talk about music forever!!!
That is the most non-fundamented FUD comment I've ever read regarding LPs!!!
I agree with you regarding people not giving a crap regarding sound anymore. What pisses me off is that they pay for a convenient way to listen crap sounding music!!!
It was quite a system 20 years ago. ANY BIDS ????
Geo
- by Tousana July 8, 2009 7:04 PM PDT
- I have a modest set up of a Music Hall MMF 5 and Creek Phono Pre, but also have a nice CD transport and PS Audio Digital Link III. The CDs are convenient for the 1400 titles I have but when I really want to get into the music I like to pop on the vinyl. I'm at about 400 Albums and counting. If the non believers care to experiment just go get a copy of a recent CD release and then find a nice 180G LP of the same title. Less level, less compression, better sound on the LP. And you might ask why, simple you can't cram that much level on the LP. Most CD's these days are so loud it hurts, some so load I've seen them distort some electronics.
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- by NLips July 8, 2009 10:49 PM PDT
- Less compression? So how much compression would you say there is on a CD?
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- by cheinonen July 23, 2009 9:16 AM PDT
- Though I really want to reply to the later comment here saying that there is no compression on a CD. They are thinking in terms of mp3-style compression, not compression of the dynamics in the music as it's recorded. CD has the potential for huge dynamic range which can lead to great sound. Unfortunately, over the past two decades, the db level of music on CD has be rising higher and higher as labels and mastering engineers go for a "louder is better" approach. This destroys the dynamic range of the music, and leads to compression of dynamics on the album.
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- by rochmndx September 15, 2009 7:59 PM PDT
- To reply to a few replies - It really all depends on the mastering process. You can't quite say one does and one doesn't. In the mastering process for most rock music, significant amounts of compression and limiting are applied. This varies with the genre of music and style of mixing. In ye olde analog days, the master tape might have then been run through additional compression or processing before it was cut onto the LP. The CD of this album might be a raw capture of the master tape, thus having more dynamic range. It might also be that the original master tape was engineered for vinyl or the CD was recorded from the vinyl master. There's also the possibility that the CD was remastered and the dynamics are even less than that of the original LP.
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Showing 1 of 2 pages (43 Comments)If you answer "none", you'd be right.
Vinyl has inherent limits on the db level due to the technology, and thanks to better mastering, recordings that you will buy on vinyl should not suffer from this compression of the dynamics of the music, and so this is just one of many things that can lead to vinyl sounding better than a CD. It would be nice if companies would start to do a better job on mastering CD's to exploit the dynamic range available, if I want the music loud I can just crank up the volume like I do with vinyl.
Vinyl mastering techniques had a lot to do with creating a groove that was traceable by the average consumer gear of that day - and decrease artifacts like inner groove distortion, sibilance, etc. The techniques used and things like the amount of high frequencies and dynamic range of drum hits did progress as time went on.