Blu-spec: Sony's latest CD format
If CDs really are on their way out, Sony is ready with their replacement: Blu-spec CDs.
Although details about the new format, launched in Japan in November, are somewhat scant, we do know that users won't need a new player for Blu-spec CDs.
"The Blu-spec CD format boasts a new approach to the faithful reproduction of music by utilizing the leading-edge blue laser diode technologies optimized for the manufacturing of Blu-ray," according to CDJapan. The new discs' polycarbonate plastic, optimized for Blu-ray discs, is used "to ensure accurate reading of the data."
Sony doesn't claim that the Blu-spec CD sounds any better than a CD or how the new discs compare with Sony's previous and nearly dead super-CD format, Super Audio CD (SACD).
Although Sony made its Blu-spec PR splash in Japan, a few titles to the United States. The site lists Blu-spec CDs from Aerosmith, Jeff Beck, Bob Dylan, Miles Davis, Herbie Hancock, and Weather Report. While most Blu-spec CDs carry a list price of $25 in Japan, Amazon.com is selling them for $35.49 here.
Another CD format, SHM-CD, seems to be similar to Blu-spec CD, but with non-Sony artists.
Have you heard a Blu-spec CD or SHM-CD yet?
Steve Guttenberg is a frequent contributor to magazines and Web sites including Home Entertainment, Playback, and Ultimate AV. He is a member of the CNET Blog Network, and is not an employee of CNET. Disclosure. 





Just because it works for Apple doesn't mean it will work for you!!!
Sony is the main inventor of the Blu-Ray... perhaps it's Apple who is copying Sony by adding Blu-Ray players to some of their products. Why shouldn't Sony be allowed to adapt their technology and name to other products? I think it will be a failure, but they are not copying Apple in the slightest.
Apple has to have their own stores because hardly no other retailer will carry their products. About the only place I ever see anything other than iPods is at Best Buy and they have maybe 1 or 2 Apple laptops for sale and every now and then maybe a Mac Mini.
Ummm... I wouldn't call it copying. It's not really that uncommon for manufacturers to open retail outlets. Apple just decided to locate their stores away from the 'manufacture outlet' mall.
Gateway didn't really open a retail store. You couldn't buy a computer there. You could look at the current models and talk to someone about the options available ( They read the catalog to you ), but you had to order your system using the 1-800 number. This was stupid because (1) it was a waste of a store front and (2) forced you to pay state and local taxes because Gateway actually had a local presence. This gave Dell a huge advantage, since you still had to call a 1-800 number but the system was cheaper due to the lack of a sales tax.
I don't know why you even bring up the Gateway store... Did they sell Blu-Spec CDs?
Bandwidth has nothing to do with it. CDs ARE lossless. That's the point. Nothing gets better than the CD, and a different disc won't change that. The trend in sound engineering to over-compress is just that: a trend, and a trend that can be easily changed. You pointed out that CDs, when recorded correctly, sound damn good. So why change something that doesn't need to be changed when the real problem lies with the engineers and their faulty techniques? (That's a funny statement; engineers fix problems, yet they are the problem. Ironic to the last.)
That being said Blu-spec CD's are silly as they don't do any of this. Blu-spec CD's use a blue laser to reduce bit write errors on standard CD's that could lead to play back issues; however, most bit errors on current CD's are not caused at the time of writing, but at play back from scratches and surface grime. The bit error correction circuits in most modern CD/DVD/Blu-Ray players should be able to overcome most of these kind of errors even if they do occur. Also there is nothing that prevents a Blu-spec CD from suffering from errors from grime and scratches after they've been burned as they still rely on the same bit correction circuitry that normal CD's use. Thus the only improvement they make over standard CD's from what I've read is in the area that is typically the least problematic as it is. The only other potential advantage is it may increase the longevity of the recording unit; however, this would hardly affect the listener in any way shape of form.
Also, as it turns out, 44 kHz wasn't a high enough sampling rate... it's somewhat complicated, and a rather long winded discussion, but it has to do with the PCM conversion method. Direct Stream Digital (DSD) was created to solve that issue, and is the technology used in SACD, another fine Sony product. If you're at all interested in such things it's worth taking a look at the two methods; it's quite an interesting study in digital conversion.
I do love SACD, as for all intents and purposes as it most closely reproduces analog sound without the drawbacks of vinyl or magnetic tape, but never really caught on since most people think MP3's sound fine so it has no mass market appeal. Sony has a nice long history of this... Betamax, MiniDisc, SACD, and now Blu-spec.
Maybe I used the wrong choice of words, my bad. You are right, but technically, CDs are limited in their storage capacity, as I'm sure you know. As a result, there are gaps in the waveform that are omitted, both for sampling limitations as well as storage limits. BluRay is closer to the original studio masters because of their higher storage and sampling. Thats why I don't like to cal them "lossless'.
I suggest you read a bit on Nyquist theory.
44100 is sampling rate. Sampling theory states that you can restore an original contiguous frequency-limited signal if you sample it at twice the rate. That means you can restore a signal which doesn't have components at an above 22050 Hz, from its samples at 44100 samples per seconds. In reality, because you cannot have an ideal anti-aliasing filter, you have to limit your original signal frequency range a bit more.
There are a couple extended sampling theoremes. One says that if your signal is limited at frequency F, you can restore it from its sample and its derivative as sample rate F. Another theoreme says that you don't have to have uniform sampling; you san sample with average rate 2F.
Analog media is far from lossless. It introduces non-linear distortion and noise, which adds up with every copy, and changes and increases with every playback due to wear. You can make an exact copy of a CD; you CANNOT do that with a tape or LP.
Just dumb. This format has no advantages over CDs except it's "new." No wonder Sony is losing money.
And that new format is called FLAC
http://flac.sourceforge.net/documentation_tasks.html
I'm just floored that Sony doesn't try to push the BluRay/FLAC format into the high-end audiophile realm. It could easily be better than SACD and DVD Audio. If people buy CDs at all, they don't want to buy another piece of gear to play them on.
BluRay could do everything people want, Play music, play mp3 play movies, etc. but Sony looks like it's going to fritter away it's advantages being distracted by this kind of crap.
this is the whole reason why blu-ray sales suck... most people will opt for the DVD version of a movie because it's twice as cheap as the blu-ray counterpart. There are cases where you can bu 3 DVDs for the price of one blu-ray.
This only screams failure. It didn't work for mini-disc, it didn't work for SA-CD and DVDA... and it's not going to work now.
Another failure.
Next!
And Steve, you know why Blu-spec CD and SHM-CD are introduced in Japan only? Because the audiophiles there tends to care MORE about sound quality. Same with SACD....why is Sony Music still releasing titles in Japan and not in the US?
Btw, MiniDisc was quite successful outside of the US. Same with SACD, as it celebrates its 10th anniversary this coming September.
We are making progress in the standards towards "consumer friendly" devices however because of the greed we all have living in a capitalistic society it will take a bit longer to reach neutral terms and will cost us more.
yeah, right.
- by serialcomputerrepair February 24, 2009 7:01 AM PST
- People, doesn't this article just say they added the protective layer that the bluray discs have? You know, that special coating they had to create because they made the discs themselves so thick and needed a superthin and strong coating. I think this has nothing to do with the laser color or storage capacity.
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- by soundman45 February 24, 2009 10:32 AM PST
- Mybad on my previous post. It appears after some reading up on the subject Sony has only sought to improve the writing and reading of discs with it's blu laser. Apparently it improves with more accurate pit geometry in the creation of discs resulting in better error correction and in theory better sounding 16 bit audio reproduction. The problem is that it''s still a 16 bit CD. Enough said.
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