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November 10, 2009 10:53 PM PST

Mad Men finale: So you like being in advertising after all?

by Tim Leberecht
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(Credit: AMC)

What a season finale it was. ‘Shut the Door. Have a Seat’ was a “tight balance of emotionally pungent drama and company coup d’etat,” the LA Times wrote. And indeed, Mad Men came through in the end. And all the mad men and women came through: Sterling, Cooper, Pryce, Pete, Peggy, Joan,  and, more than anyone else of course, Don Draper.

He took Conrad Hiltons’s advice to heart and instead of “crying and relying on other people’s moves” he became the master of his fortune and finally did something meaningful. You could see the glow in his eyes, the pride, and the deep satisfaction of someone who has found (or accepted) his calling. “So you like being in advertising after all?” Sterling asked (a rhetorical question). Facing a divorce from his wife and separation from his kids, Draper, for the first time, gained the stature of a man who has a moral compass. With faith both in himself and in others, the boss turned into a leader.

The final scene with the new agency crew gathered in the makeshift hotel room office poignantly displayed that Draper’s evolution mirrored the dramatic changes a whole society was undergoing at the time: Gender equality, democratization of ideas, flat(ter) hierarchies, and employee empowerment, and an angst, underlying all this progress, triggered by JFK’s assassination. “People used to buy things. Then something terrible happened. And people changed. They want different things now. No one really knows how everything’s changed. But you do,” Draper says in his pitch to Peggy, as he’s trying to convince her to join the new venture rising out of the ashes of the firm formerly known as Sterling Cooper. Although set against the backdrop of the early sixties, the Mad Men finale could be read as commentary on the current cultural climate. Times are as transformative as they were back then. The sentiment is equally nervous, and after 9/11 and the Great Recession people are looking for new meaning in a post-materialistic and, sorry Don, post-advertising world.

And yet, Mad Men’s finale represented both swan song and rebirth of an industry. It may be very American to consider every crisis an opportunity, and in this sense, the end of Mad Men season three was a genuinely American happy ending, or better, an ending with the happiest possible departure – the beginning of a whole new story. Peggy, the empathizer and Pete, the innovator, both had tears in their eyes when they were asked to join the new firm, because, at last, they were given the recognition they deserved, and the opportunity to “build something.” Happiness lies in its pursuit, as we all know, and the Mad Men finale reminded us of a great national pastime: If we throw all our talent and passion together, we can build something great. It can be an advertising firm, a movement, or an entire nation.

Tim Leberecht is Frog Design's of vice president of marketing and communications. He has worked in the media, entertainment, and high-tech industries. Most recently, he was the head of corporate communications at Mindjet, a provider of mind-mapping software for the enterprise. Prior to Mindjet, he served as a press chief for the Athens 2004 International Olympic Torch Relay and in marketing communications for Deutsche Telekom in Germany. Tim runs the iPlot blog, and has published and spoken about branding, organizational communication, social media, and attention economics. Tim is a member of the CNET Blog Network and is not an employee of CNET.
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by catwagner November 11, 2009 3:10 PM PST
i really love this show and am sorry to see it end for the season. one question i have, and i don't know if you will or can answer is what song was played at the end of the finale and who was the artist? the credits at the end are always so small and misplaced by some ad for something else it is very irritating.
thanks but i still love the show.
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by SJEble November 11, 2009 3:43 PM PST
Since when did TV show seasons become so short. I blame it on the writers strike, ever since then, shows don't go beyond 15 episodes or so.
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by 900megawatt November 12, 2009 7:53 AM PST
Beyond excellent! All of the Mad Men, and women, and even their children, knocked it out of the park in the season finale, especially John Hamm. I am in such awe of him! His acting chops span the entire spectrum from his general body language, and voice tone, right down to the nuance of the placement of his hands, the trajectory of his line of sight -- all brilliantly matched to the emotion of the moment. He deserves every award nomination for which he's undoubtedly being considered.

Props as well to Elisabeth Moss and Vincent Kartheiser. 'So impressive in the way in which they portrayed their new-found strengths. More awards...

The only flaw in the finale that registered for me was the absence of Bryan Batt (Sal), who Sterling, Cooper unjustly fired a couple of episodes back. This would have been the perfect opportunity to re-hire him -- I thought. In fact, after Don kicked in his office door (oh, my!), I was certain he would be in Sal's apartment in the next scene pitching for his talents.

Perhaps the writers have been told to lasso him in in an equally compelling situation in season 4. (OMG, a whole year I'll have to wait..!)
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by 900megawatt November 12, 2009 8:13 AM PST
@catwagner: The beautiful song at the end of the season finale is "Shahadaroba." Roy Orbison is the singer.
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About Matter/Anti-Matter

Tim Leberecht and Adam Richardson both work for Frog Design, a consulting firm specialized in designing innovative products and services for Fortune 500 clients. On the Matter / Anti-Matter blog, they engage in a debate around questions they face day-to-day in their work, using convergence/divergence as a lens through which to look at the pressing issues in business, culture, and technology. What makes a successful convergent product or a successful divergent innovation? Is convergence a myth that users don't really care about, or is the current state of convergence just not satisfying enough for them to embrace? How much divergence of innovation is good, and when does it just become confusing? How do you stay on top of people's ever changing needs and wants?

They are members of the CNET Blog Network and are not employees of CNET.

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