First impressions of a 'Star Trek' virgin
(Credit:
Paramount)
Please note: Friendly seas ahead! This is a spoiler-free review.
NEW YORK--When I walked into a theater at Viacom's midtown headquarters for an advance screening of the new J.J. Abrams-directed "Star Trek" prequel on Wednesday night, I felt like that kid who hadn't done her homework--for an entire semester.
And yet that was crucial to my assignment: to see if it was possible for someone completely new to the "Star Trek" universe to understand, process, and more importantly enjoy this new film.
Here's my background. I had never seen any of the prior "Star Trek" films or television series. I knew little more than the fact that it's all about a bunch of people flying a spaceship called the Enterprise, that Leonard Nimoy played an extraterrestrial named Spock who had funny ears and liked to say "Live long and prosper," and that the Klingon language has such a rabid following that the Bible has been translated into it.
Technically, the closest I'd come to seeing anything related to "Star Trek" was the 1998 parody "Galaxy Quest," in which the actors from a washed-up Trek-like TV show are enlisted by benevolent aliens who think they're the real thing (Little-known fact: That was the first movie role for Justin "I'm a Mac" Long). But I'm also a huge fan of Abrams' hit series "Lost," so I suppose I had a leg up there.
So here is my verdict: This movie is awesome.
The new "Star Trek" film is less an homage to a legendary science fiction franchise than to storytelling in general, back through decades of cinema and television and beyond. A deep respect for literature, pop culture, and epic storytelling is something that Abrams has proven time and again to fans, from the litany of film-rooted "Sawyer nicknames" on "Lost" to the tradition of Japanese monster movies that powered last year's "Cloverfield." This is a movie that will probably be well-regarded by anyone with an appreciation for epic adventure and drama, not to mention fast-paced and often witty dialogue.
And that's what the "Star Trek" prequel needed, considering the hand-wringing that surrounded it from even before it was officially greenlit.
Viacom CEO Philippe Dauman was on hand before the screening to greet the audience and explain a bit about the film's origins: that Paramount, the Viacom-owned studio that is releasing the new film, was well aware of the complications and potential pratfalls of adapting "Star Trek, especially in a prequel form, and especially with the goal of reaching out to both "Trekkies" (or "Trekkers," as I hear there is a difference?) and potential new fans. He said that cinema luminaries, including Steven Spielberg, had warned Abrams that undertaking a project with such a history and legacy of loyal fans could be risky.
But the director went ahead, a second Abrams-helmed "Star Trek" picture was greenlit almost immediately, and his contract with Paramount was extended another five years. Obviously, this is a franchise in which the studio has some real faith.
Pretty early on, you can tell that this isn't the "Star Trek" of the '60s, even though I admittedly don't really know what that is. The first 20 minutes contain not only ear-splitting action sequences, but brand-drops of both Nokia and Budweiser (as well as 'Slusho,' a fictional brand from "Cloverfield"), one very Abrams-esque "gotcha" character reveal that will take most newbies like me by surprise, and the oddly effective use of the Beastie Boys' 1994 song "Sabotage."
There is a pivotal bar fight, which I first took as a nod to "Star Wars," but on second thought, the cinematic barroom confrontation really goes back much further than the Mos Eisley Cantina. (I need to brush up on my knowledge of Westerns.) Again, this is a movie deeply rooted in generations of storytelling both onscreen and off.
I can see why some hardcore "Star Trek" fans may have been nervous about the casting decisions: the Internet Movie Database informs me that Chris Pine, the young actor cast as Captain Kirk, was starring opposite Lindsay Lohan in some tepid romantic comedy a few years ago, and Sulu is played by John Cho, best known for playing Harold in the spliffed-up "Harold and Kumar" movies. I must say that Cho wields a retractable sword just as well as he does a joint, and Pine's Kirk keeps the frat-boy attitude to a relative minimum.
But more importantly, "Star Trek" is just plain fun. And I came to appreciate the fact that I was sitting in that theater without prejudice. I was concerned less about whether the cast would live up to the actors who originated their roles, and more about holy whoa, that spaceship just blew up!. There is, however, a flip side to the universality of the new "Star Trek" that Paramount might not love: The fact that it stands so well on its own might mean that it doesn't mint a new generation of Trekkies.
Like me, for one. As much as I enjoyed the prequel, I can't see myself Netflixing all the DVDs of the past "Star Trek" TV series and movies. I've already got "Lost" to deal with, and one fictional universe and canon is enough for me, thank you very much. Seriously--what does lie in the shadow of the statue? Losties, can you help me out here?
Caroline McCarthy, a CNET News staff writer, is a downtown Manhattanite happily addicted to social-media tools and restaurant blogs. Her pre-CNET resume includes interning at an IT security firm and brewing cappuccinos. E-mail Caroline. 





The thing about Star Trek is, it has always had a great deal of potential but many times the writers and directors kill it. Just watch Wrath of Khan, Voyage home and First Contact. You can skip the rest.
Star Trek: The Next Generation is a bit ahead of its time with regard to the kind of technology that was available during its TV series run. They elaborated on many of the concepts & ideas from the original TV series and took them to levels that made your mind spin with the possibilities of the future.
I'm glad the writer liked the movie, as she's never fully experienced Star Trek. That means I can confidently drag my wife to see it know knowing that she'll appreciate the drama & action.
I'm thinking of losing that virginity once the new movie hits theaters, though.
Oh, my God!
I'm back!
I'm home.
All the time, it was...
We finally really did it.
You maniacs!
You blew it up!
God dxxx you!
God dxxx you all to hell!
didnt we find out last week that Hurley wrote Empire strikes Back?
Do yourself a favor, put down Lost(for good), go pick up BattleStar Galactica, for if you are going to spend that hour a day or two on your butt do it with something that will allow you to walk away richer than when you sat down
Pew! Pew! Pew!
;-)
Seriously, Star Trek kicked some serious booty. TNG was my favorite, Picard rocked and nothing could compare to the NCC-1701-D! A saucer section that could separate from the drive section - how kewl was that?
Can't say anything about Lost, since I've never once been tempted to bother watching even a minute of that.
I just wish reading the spoiler alert Caroline gave us made me want to see this new movie. Actually it made me NOT want to see it - ear splitting action scenes, product placements, a "gotcha" character reveal, the Beastie Boy's "Sabotage" and a bar fight? This doesn't sound like much of a sci-fi movie to me at all, let alone worthy of the Star Trek label.
Fascinating.
The problem was, in stretching the plot out, it got pretty thin in places. Episodes--whole scads of them--would pass with NOTHING resolved or revealed; very frustrating. I came very close to giving up on the series after the third season.
With the current season's late start, I managed to forget my frustration with the meandering storyline enough to give the show one last chance. I was pleasantly surprised to find the plot being moved along much faster than it had in the previous seasons. It's still pretty impenetrable, but it actually seems to be moving toward a conclusion.
So, yes, I'm watching again. I'm even enjoying it.
All in all, Deep Space Nine is a great antidote to the campiness of the original Star Trek (which I admit I watched with reverence when it first aired, but I cannot bear to watch now). It really took off at the end of Season 3 and turned into one of the genuinely fine dramas in television history.
;-)
Quite possibly the best Star Trek movie ever, but most definitely the worst overacted scene in movie history. Don't get me wrong, *THAT* was Kirk. I'm having a difficult time even acknowledging this new movie is supposed to be Kirk's Enterprise - only Shatner could do Kirk and honestly Shatner couldn't do much else other than Captain James Tiberius Kirk. Maybe that's why I still think Picard could kick Kirk's butt any day.
Fascinating. ]:-)
But what do I know, I even liked "Insurrection".
I am the fount of Lost, proposing it in place of Robinson Caruso for my old friend, Stevie Spielberg. (See my book Hillary's Angel by Ross Nicholson on googlebooks dot com) I told the first Lost story as far as the hatch and then gave them their heads with some general pergatorial guidelines. I'm sorry if you don't like Lost, but then, actually, you're not really supposed to like it, are you? You're just supposed to watch it. I also concepted & storied both Cloverfield and Galaxy Quest (Star Wars was my idea, so was Titanic & Forrest Gump). Have a nice day.
On the other hand you have succesfully made yourself look like a fool.
I may give this movie a chance, when it comes out as a $1 rental DVD, but I watch the trailers, and think of how someone ruined my childhood love for Speed Racer with that stupid movie.
I agree. I do understand why the current "Prequel" was written, but it is not authentic to the original purpose.
Star Trek has been about understanding differences that exist between people or "peoples." I am afraid, not having seen the prequel yet, that the new movie is adopting the current fad of "action and "male toughness" rather than focusing on, at least an attempt, at meeting the "prime directive..."
While I loved the Bourne movies, those too were a wild divergent view from the books (I simply saw them as, perhaps, an younger Bourne). However, Bourne was violent and suffering from doubt and uncertainty. I would hate to see the new Star Trek be a big departure form the previous shows/films. While it may be a great film, it might have been better as a new movie franchise.
Why the directors/producers think you need to have "star trek" in the title to make a space film successful is beyond me--certainly the reviewer thinks the movie stands on its own.
And a movie that stands on its own doesn't necessarily have to be a new movie franchise. A film like this is a great way to attract newcomers to the series. Many consider Star Trek to be geeky, for example, but they could see the preview and think "Oh wow, this looks pretty awesome".
And... I'll admit... I've never seen Star Trek, so... I just may have to check this out. :P
Your review was "fascinating".
May you get **lost** in all things Star Trek. Let's see what's out there.
"Second star to the right and straight on 'till morning."
Oh i know... see episodes 1-3 lol
This is a movie that I should be excited to seee but the fact that Abrams' fangirls & boys are all a quiver about it makes me want to wretch. Cloverfield was an unwatchable monster movie and after all the Losties cleared out of the theater after the first week, the movie tanked. I can only hope the same for this movie.
Truly brilliant movie.
Also, I agree with ralfthedog - Cloverfield was a brilliant movie. The fact that you didn't get it speaks volumes.
- by dynot April 23, 2009 9:57 AM PDT
- This is incredible! I never would have expected it! Amazing....truely amazing!
- Like this Reply to this comment
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- by maxthedork April 24, 2009 5:22 AM PDT
- Funny, I feel the same way about Survivor and American Idol.
- Like this
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Showing 1 of 2 pages (58 Comments)There are actually people who are still watching Lost.