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November 16, 2007 5:46 AM PST

Gene Simmons of KISS: "The kids aren't alright. They're music thieves."

by Matt Asay
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Gene Simmons, who raised a generation to believe that "If it's too loud, you're too old" (and to whose Creatures of the Night album I used to jam on an air guitar in fourth grade), apparently thinks that if you're responsible for destroying the music industry, you're too young. As noted by Reuters, the long-tongued bassist is now on a rampage about them pesky kids:

The record industry is in such a mess. I called for what it was when college kids first started download music for free -- that they were crooks. I told every record label I spoke with that they just lit the fuse to their own bomb that was going to explode from under them and put them on the street.

There is nothing in me that wants to go in there and do new music. How are you going to deliver it? How are you going to get paid for it if people can just get it for free?...

The record industry doesn't have a f---ing clue how to make money. It's only their fault for letting foxes get into the henhouse and then wondering why there's no eggs or chickens. Every little college kid, every freshly-scrubbed little kid's face should have been sued off the face of the earth. They should have taken their houses and cars and nipped it right there in the beginning. Those kids are putting 100,000 to a million people out of work. How can you pick on them? They've got freckles. That's a crook. He may as well be wearing a bandit's mask.

There you have it. It is the consumer that is to blame for expecting the music industry to join the 21st Century. Interestingly, earlier in the interview Simmons boldly declared that, "No one -- and that includes the Beatles and Elvis -- can touch our (KISS') merchandising and licensing." I guess that's one way to make a lot of money.

I've long argued that the music industry has a payment problem, not an intellectual property problem. It needs to find easy ways for people to pay for what they listen to. iTunes was a massive step in the right direction - it made it easy for people like me to pay for what we were already inclined to pay for, but which we didn't want to bother driving down to Music Warehouse to get.

As with open source, the models for making money from free distribution of music are in gestation, and will become increasingly clear. The digitization of music doesn't spell the end of the music industry: it is the beginning.

However, to usher in the next generation of the music business we need to think beyond 18th Century conceptions of property. The "lock it up and sell it" model is old and increasingly decrepit. It misunderstands and attempts to stultify the opportunity inherent in digital's massive distribution potential.

The kids are alright, Gene. They're just out in front of your outmoded ways of profiting from your work. Catch up.


Via Slashdot.

Matt Asay brings a decade of in-the-trenches open-source business and legal experience to The Open Road, with an emphasis on emerging open-source business strategies and opportunities. Matt is vice president of business development at Alfresco, a company that develops open-source software for content management. He is a member of the CNET Blog Network and is not an employee of CNET. Disclosure. You can follow Matt on Twitter @mjasay.
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I don't get this guys logic
by Lemon5 November 16, 2007 7:03 AM PST
I don't think that all this P2P stuff is really sending Gene Simmons, anyone from Kiss, or U2 to the streets. I really think he is just P.O'ed cause he lost $1 here and $1 there. I really found it funny that he thought, "If you rock too loud, you're too old."
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Simmons is a joke
by poppadum November 16, 2007 8:00 AM PST
And I don't say that to simply be a jerk. He's angry because people download music to the detriment of artists, when the natural tendency of people is to avoid overpriced, profit-maximised music. The industry's PROFIT margin has shrunk, they still cried all the way to the bank last year (3 billion?). Simmons literally confirmed that he's the kind of artist who's just in it for the money. I mean come on, comparing yourself to Elvis and the Beatles in terms of merchandising?!? Why should I pay $20 for a t-shirt with your logo, and along the same lines a cd that has 3 good songs? Because the artist wants me to? I have paid that and more for music I consider to be worth it, but KISS is definitely not on that list, and neither is it on the list of artists I would download for free. I prefer artists with at least a semblance of dignity.
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Theft and the Record Industry
by madrox_40 November 16, 2007 8:14 AM PST
Stealing is stealing no matter what century it is. Taking something that belongs to another without their permission and without compensation is stealing. Technology has just made shoplifting virtual and almost anonymous, but no less unethical or immoral. And the dollar amount makes no difference -- a buck or a million -- it's still theft.

And I have no sympathy for the record industry either. If they still haven't figured a way to distribute the music and make a profit, then it's time for the companies to fold. Perhaps this is now a moribund industry and artists will take it upon themselves to make their work available for a fee or free - that's up to them.
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I agree with Simmons..partially
by damasx November 16, 2007 8:20 AM PST
He's right...Kids(and adults) are stealing music. It doesn't matter the age. If you don't like his music don't buy it, but don't blame him for wanting to be paid for his work..and it is work. The flip side is that the record labels need to wake up and smell the moca...the world is different so the business models need to change else...they'll die.
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About The Open Road

Matt Asay brings a decade of in-the-trenches open-source business and legal experience to the Open Road, with an emphasis on emerging open-source business strategies and opportunities. Matt is general manager of the Americas division and vice president of business development at Alfresco, a company that develops open-source software for content management. He is a member of the CNET Blog Network and is not an employee of CNET. Disclosure.

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