Real's Glaser: Some studio chiefs 'scared' of tech
"Hollywood should be embracing us," said Real CEO Rob Glaser.
(Credit: Greg Sandoval/CNET Networks)SAN FRANCISCO--Hollywood is missing out on a marvelous opportunity, says RealNetworks' CEO Rob Glaser.
Real has presented the film industry with a means to inject renewed interest in DVDs, which is waning, Glaser said minutes after testifying at a hearing in federal court on Wednesday. Real has developed two different kinds of software, RealDVD and Facet, that it says streamlines the movie-viewing experience by enabling owners to duplicate DVDs and store the copies on hard drives.
But the studios, much like they've done since the Sony Betamax case, are resisting technological advancement and have rejected the opportunity Real offers, Glaser said. He thinks he knows why.
"Some of the studios are very progressive," said Glaser, who founded the public company in 1994. "Some of them are scared. It's been my experience that often the scared voices overwhelm the progressive voices."
Glaser's assessment of film industry CEOs couldn't be further from the truth, said Elizabeth Kaltman, a spokeswoman from the Motion Picture Association of America, the lobbying group of the six largest movie studios.
"These (film) companies have embraced innovation and collaborate with the technology community to deliver content in a myriad of ways," Kaltman said. "The studios are working daily to license movies and TV shows for online distribution to give consumers the flexibility they desire."
Fear of technology is only one of the reasons that Real says it has come under fire from the MPAA. The film industry filed a lawsuit last September that accused Real of violating copyright and breach of contract. The studios claim that RealDVD violates the Digital Millennium Copyright Act by circumventing the copy protections on DVDs. Real's software also doesn't comply with the license granted by the DVD Copy Control Association, the group formed to protect DVDs, according to lawyers representing the studios.
In an interview with CNET, Glaser denied the charges.
At Glaser's side, Bill Way, RealNetworks' deputy general counsel, called the allegations that Real breached its contract flat wrong.
"The notion that we are guilty of circumvention when we have a license is crazy," Way said. "There is no cases that show that if you have a license you can be found guilty of circumventing encryption."
On Tuesday, Glaser demonstrated for the court a prototype of Real's new DVD player called Facet. The software within not only copies and stores DVDs but allows users to hop around instantly between movies or TV episodes. The device has been called a Tivo for DVDs. Glaser said the machine offers the kind of convenience that consumers demand but Hollywood refuses to listen.
"They should be embracing us," Glaser said. "If all you do is fight your customer, you drive the mainstream market underground. This is a huge strategy mistake...The big picture view is that they can make a lot more money with us than fighting against us."
Greg Sandoval covers media and digital entertainment for CNET News. He is a former reporter for The Washington Post and the Los Angeles Times. E-mail Greg, or follow him on Twitter at http://twitter.com/sandoCNET. 





People who Rent/Rip deserve what they get. Thats not what we are fighting for.
They have been clogging the progress of mankind for more than a decade now, with DRM (digital rights management), myriads of encryption schemes and un-enforceable copyright protection.
Without those belligerent imbeciles, yes, Mr Murdoch, you too, we would have had radio and tv, practically the whole hogwash of entertainment and information on the same network a long time ago.
Of course, its all coming anyway, because in the long run you cant really hold up progress, truly thank you to the legions of backyard shops in China, India, and increasingly the rest of the world.
Consolation for the young generation: you will have in the end what you always wanted and nobody will remember the tottering, dithering idiots from the RIAA, MAFIAA, and whatever else they call themselves, while their remains will quietly rot in their graves.
Arthur
They keep saying they don't want people to rent and rip. However isn't that what people do when they purchase an on demand movie and record it with a DVR?
The Piriting laws should be more on proving the intent to distribute on multiple qualities coppywrited marerial. This way you can copy your DVD'S with software and no issues unless you try and distribute more copies of it.
RealDVD should win so that other companies can also produce the same software. You don't think that Microsoft and Apple arn't watching this and if RealDVD wins ave plans to include DVD ripping in their software.
In sum, its a waste of taxpayers money to even hear this lawsuit. RealDVD should be allowed on the market to rejuvenate DVD sales and movie content owners should not be so greedy to charge high price for their stale movies. Their greediness breeds pirates.
First off I hate zoning. I can't buy DVD from Amazon because the zones are wrong. Secondly, I own lots of DVDs that I purchased in my home country that my kid watches a lot, and I hate all the nag screens I have to click out of in order to actually play the movie. When I put in a DiVX CD my DVD player shows me the file and I click play. Simple. DVDs require me to stand there for a couple of minutes pushing the next button and pausing.
The conclusion is that the MPAA or movie studious penalize customers for doing the right thing because they are paranoid of those that do the wrong thing. The result is that I prefer to play DiVX than DVD.
If the MPAA wire everything around paranoia of abuse, then even their good customers will use more convenient formats that they do not control.
Only after being dragged kicking and screaming.
Personally, I have a tool to manage my 100,000 DVDs, with12,000 stored for instant viewing: Netflix. Downloading or ripping much less buying pirated copies becomes uninteresting because I can spend my time enjoying movies and TV shows instead of fooling with uncertain software, viruses or dubious people.
Interestingly, this whole case may be rendered moot, especially in regards to region coding. The reason why region coding was put in was because up until now, movie companies staggered their theatrical movie releases worldwide, so it could sometimes take as much as six months from the first release in a certain country to the last release in small countries. But with digital distribution of movies either in downloaded form on a local hard drive at the local digital movie projector, the hard drive(s) loaded with the movie sent to the theater to be installed in the projector, or eventually by holographic storage optical discs, this means we could send theatrical-quality digital copies of a movie worldwide very quickly--a lot cheaper than sending six 35-pound reels of 35 mm per print of a single two-hour movie! That could allow for a worldwide simultaneous release of a movie within 1-2 days in every location.
Last night I went to one of the first tests of this technology. I watched that movie (You know, the one with that actor). I think it might have been good, I will need to see it again to make sure.
PS. This technology could have positive uses. I would love to see the Matrix for the first time again. I would also like to forget the existence of the second and third films.
Sure, for an additional fee.
I don't know about everyone else, but I love paying as many times as possible for the same thing in a different format. VHS -> DVD -> Blu-ray & HD-DVD .. there are four times. iTunes, Amazon and/or others make it a 5th time.
Basic assumptions here: VHS = $9.99, DVD=$14.99, BLU & HD = $20.99 (2x if you had an HD-DVD release before it died), and about $9.99 from iTunes or Amazon.
$9.99+$14.99+$20.99+$20.99+$9.99 = $76.95 to see a movie over the years, and that doesn't include if you see it in theater also. Another ~$10. Now sure, not everyone has multiple formats, but i'm just pointing out the extreme.
But I strongly agree that they have no right to intentionally limit the flexibility I have with that purchase, then charge me for that flexibility. That is like a ransom demand.
Quite simply, if they are going to intentionally prevent me from making a non-infringing (in non-DMCA terms) use of my purchase in service of their interests, then they had better find a way to facilitate some equivalent of that non-infringing use free of charge.
Examples:
- Provide mechanisms for first-sale transactions of DRMed iTunes downloads.
- Transcoding services that let me specify the quality and space trade-offs for viewing on my portable devices, as opposed to some SD Digital Copy that is supposed to magically take full advantage of my HD laptop display.
- Provide me with a copy stripped of forced trailers.
- etc.
It is even more frustrating since Managed Copy on Blu-Ray was supposed to facilitate great flexibility for copying, yet tracking to make copyright law enforceable. I guess this hasn't been enabled since they would rather provide that flexibility by licensing the material for online distribution and purchasing.
Well said post AaronMK. I honestly had expected a flame war :)
As a consumer, I like iTunes because it allows me to purchase one file that I can watch on my computer, TV via Apple TV or iPhone. I know those greedy bastards hate that because they would rather I purchase a movie for each of those devices.
Instead of spending their money suing everyone, they need to spend their money trying to determine a way they can take the money with them when they die.
- by ofmyony April 30, 2009 3:06 PM PDT
- This would have been great 10 years ago. Now, I don't care! I will soon be able to stream any movie or show in HD online.
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(27 Comments)I will probably never spend another dollar on dvd or bluray. I am and early adopter and I moved on years ago. The losses the studios are feeling today are from consumers like me who drop a technology because of it's lack of openness.