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shure

Shure's groovy phono cartridges

Shure is one of the leading professional microphone manufacturers, and it makes terrific headphones, but my first brush with a Shure product was with one of its phono cartridges in the early 1970s. Shure cartridges were known for their superior tracking ability, and had lower distortion than most competitors. Shure now offers a full line of consumer and DJ phono cartridges.

I recently chatted with Shure's Michael Pettersen to learn more about how to get the best sound from any phono cartridge, and his first order of business was keeping the "needle" in the groove.

Pettersen says … Read more

Audiophiliac readers' favorite headphones, speakers, and receivers

Audiophiliac readers have strong opinions about the gear I cover in this blog, so last month I asked for Readers' Choice nominations in a variety of categories, including headphones, speakers, receivers, etc.. I've sorted through all the comments, and here's what I found: there's a wide range of gear you love, but it was in the headphone category where the clearest winners stood out.

The Klipsch Image S4 in-ear headphones were the single most popular product in the survey, you people really love 'em! Grado SR60, SR80, and SR225 full-size headphones also drew raves, and Koss' PortaPro … Read more

An extraordinary headphone amplifier from Red Wine Audio

Red Wine Audio makes some of my all-time favorite headphone amplifiers, but they're pretty expensive. The Isabellina HPA LFP-V Edition, for example, runs $2,500; it was designed and built in Vinnie Rossi's small factory in Durham, Conn. The Isabellina is more than just a headphone amp, it features a spectacularly good digital-to-analog converter and a hybrid transistor/vacuum tube audio amplifier. While the amp can be run off an AC power outlet, it sounds best powered by its built-in 25.6 volt Lithium Iron Phosphate battery pack. The battery can play for up to 10 hours, and … Read more

Shure SRH550DJ headphones review: Great for DJs and desk jockeys

The Shure SRH550DJ headphone's folding earcups, extra-long wire, and deep bass push are a boon for DJs who prefer tough cans that emphasize the lower end of the sound spectrum.

These are Shure's $100 budget DJ headphones, but you wouldn't know it by their robust sound and build quality. Their price point puts them in tough competition with the classic Sony MDR-V700DJ, a favorite among traveling DJs and musicians for the past decade.… Read more

The 404 910: Where we are baked fresh every day (podcast)

When Steve "The Audiophiliac" Guttenberg tells us he has ideas for the 404 Podcast, we listen. We invited him to sit down with us today to talk about Netflix splitting in half, which "high-end" audio manufacturers are making impossible claims about their products, and the headphones that just earned Steve's award for "Worst-Sounding Audio Ever."

Be sure to keep checking The Audiophiliac blog on CNET for the latest hardware reviews and news, and follow up with Steve on Twitter @Audiophiliacman.

The 404 Digest for Episode 910

A $25,000 'bookshelf' speaker from Magico. The award for 'Worst-sounding audio product' goes to... Steve endorses these $74 5.1-channel home theater satellite speakers. And these $1 HDMI cables from Monoprice, too.

Episode 910 Subscribe in iTunes (audio) | Subscribe in iTunes (video) | Subscribe in RSS Audio | Subscribe in RSS VideoRead more

A sure bet: Shure's new flagship SRH940 headphones

Closed-back, over-the-ear (circumaural) headphones were the original noise-isolating headphones. Closed-back headphones seal your ears off from external sound, but the isolation is purely acoustic; noise-canceling headphones use electronics and do a slightly better job of blocking noise.

But there are a few downsides to that approach; noise-canceling headphones always use batteries, and on some models when the batteries run out of juice, the party's over. No more music. The noise-canceling signal puts a small amount of pressure on your eardrums, which some people find uncomfortable.

The other, bigger downside to noise-canceling headphones are their electronics, which can degrade the music's sound quality. Dollar for dollar, closed-back models block almost as much noise, and always sound better.

The closed-back Shure SRH940 is fairly light (11 ounces), and the thickly padded headband and plush velvet earpads make for headphones that are extremely comfortable to wear over long periods of time. The earcups' decorative covers appear to be metal, but there's lots of gray plastic in the design, which is why it feels so light and comfy.

Despite all the plastic, the SRH940's durability seems first-rate. It's a collapsible design with 90-degree swivel earcups for convenient storage and portability in the supplied semihard storage case.

The 42-ohm SRH940 headphones come with two detachable cables--a coiled 9.84-foot cable and a straight 8.2-foot one--and thanks to the bayonet clip mount, you never accidentally yank the cable out. The cables are terminated with 3.5mm plugs at each end, and there's a screw-on 6.3mm adapter for home use. … Read more

Shure announces new single-driver earphone

At the beginning of the year, we saw the first stirrings of an update to Shure's sound-isolating earphone line with new high-end models, the SE425 and SE535. Although those made an appearance at CES back in January, they didn't make it to retail until recently. Now, the company is wasting no time adding a new midrange offering to the lineup. Today, Shure unveiled the SE315, a $199 pair that uses a single high-def MicroDriver promising to offer balanced sound with an optimized low-end response.

Like the other earphones in the line, the SE315s come in a choice of … Read more

Shure announces full-size headphones for iPhone

Anyone who has done their due diligence when researching ultraportable earphones has come across a fair amount made by Shure. The company has been churning out quality sound-isolating sets for more than 10 years. However, the team of audio enthusiasts showed little interest in catering to those who prefer not to stick 'buds into their ears until recently.

On Wednesday, Shure introduced its very first full-size headphone designed with the iPhone and iPod in mind. The SRH240m+ expands upon the professional quality SRH240 headphones with a three button remote control and mic. The closed-back, circumaural design reduces outside noise, while … Read more

The $1,350 'earbud': Is it worth it?

The Ultimate Ears 18 Pro Custom Monitors are really expensive, but the best stuff always is. Then again, $1,350 may be a lot for headphones, but it's cheap for state-of-the-art speakers. Wilson Audio's Sasha W/P floorstanding speaker is in the middle of the company's line, and it goes for $27,000 a pair; Magico's entry-level tower model, the V2, runs $18,000 a pair. The UE 18 Pro is on par with them, it's that good. It's the best headphone UE makes, but UE's custom fitted models start at $399 for the UE 4 Pro, and universal fit UE models start at $50.

The UE 18 Pro is no "earbud," those things are placed in the cupped area around the outer ear canal; in-ear headphones fit into and, most importantly, seal the ear canal. The isolation from outside noise allows listening at significantly lower volume, so it's safer to rock out with in-ears than earbuds. The UE 18 Pro's custom fit (more about that later) hushes outside noise more completely than standard in-ear designs. With external noise hushed, you hear a lot more detail and subtlety from your music.

Never heard of Ultimate Ears? That's understandable; the company originally made its mark building custom in-ear stage monitors for musicians, including Aerosmith, Arcade Fire, Mary J. Blige, John Fogerty, the Rolling Stones, Linkin Park, and hundreds of other touring bands.

I'll tell you this: the UE 18 Pro is drastically better than say, my old favorite: the Etymotic ER-4P in-ears. That's not to take anything away from the ER-4P, but it sounds constrained and contained compared with the UE 18. It's hardly a fair comparison, the ER-4P lists for around $300, the UE 18 Pro is $1,350, plus the expense of getting custom ear molds made (figure about $100). Each UE 18 Pro is a one-of-a-kind creation, hand-built for your ears. … Read more

Hifiman HM-801 vs. iPod, Zune: A sound winner?

Sure, iPods and Zunes can sound perfectly fine, but no one ever claimed they were bona fide portable high-end audio devices. Their "good enough" sound isn't entirely their fault: they're too small to house a battery potent enough to power a high-quality headphone amplifier and a high-resolution 24-bit/96kHz digital-to-analog converter.

The Hifiman High Fidelity Music Player HM-801 is the Hummer of portables; it's big enough to get the job done. It's 3 inches wide, 4.5 inches high, and 1 inch thick; that's about the size of an old Walkman cassette player from the 1980s. Hifiman doesn't say how much the HM-801 weighs, but it feels substantial.

If Apple wanted to build something as good or better, it could, but the potential market for something that sounds better than an iPod is probably insignificant, and certainly too small for Apple or Microsoft to bother with. They're too busy jamming more features into their players, and sound quality never makes the cut. Besides, the market demands ever cheaper products, and real quality is never cheap. so the HM-801 is downright pricey.

That's another way of saying it's aimed at the sort of music lover who's already invested in a set of top-of-the-line Etymotic, Grado, Klipsch, Monster, Shure, or Ultimate Ears headphones. If you have and you're using an iPod or Zune, you're not hearing all the sound quality you paid for with those headphones.

The HM-801 was conceived as an audiophile player, so non-sound-oriented features are pretty scarce. The HM-801 has a user removable headphone amplifier circuitboard/module that makes future upgrades easy as pie. Hifiman already has one such upgrade in the works, a $170 board specifically designed to maximize detail and resolution of high-end in-ear headphones. Looking inside the HM-801--it has removable panels--so you can see it features top quality components, like a Burr-Brown PCM1704U digital-to-analog converter and Burr-Brown OPA627 Op-Amp. This is a level of technology normally found in audiophile home componentry, and never before used in a portable music player. … Read more