I'm always on the lookout for great cheap headphones, so when CNET's Matthew Moskovciak suggested I try Sony's MDR-ZX100 I jumped at the chance. We were both knocked out by Sony's MDR-V6 and MDR-7506 headphones, so I bought a pair of MDR-ZX100s on Amazon for $15. I had no expectations it would threaten those two amazing Sonys, but at less than 20 percent of those headphones' current prices I was curious to see how much of the magic trickled down to the MDR-ZX100. The MDR-V6 and MDR-7506 were both designed more than twenty years ago, when … Read more
Andrew Jones has a degree in physics, but his real passion is speaker design. He started out as a research engineer for KEF in 1983, later moved to Infinity and now he's with Pioneer, and is chiefly responsible for their ultra high-end TAD Reference line of speakers that sell for upwards of $80,000! Jones not only designs speakers that sell for as much as a luxury Mercedes Benz, he's also made some of the world's best affordable speakers.
Jones, like most of the speaker designers I've ever talked to, started thinking about building speakers before … Read more
The Velodyne vPulse is one of the best pair of $99 headphones I've ever listened to on the NYC subway, but it's not one I use at home or in any quiet space. Why's that?
The vPulse's overly generous bass turns me off at home, but it sounds perfectly balanced on trains, buses, cars, or planes. What those modes of transportation all have in common is lots of low-frequency rumble, and the vPulse's pumped up bass masks some of that noise. Headphones with more accurate bass response sound fine at home, but woefully bass shy on the go.
Worse yet, the very low frequency rumble on trains, buses, and so on can't be nullified by noise-canceling or noise-isolating headphones because those noises are felt through your entire body, not just heard through your ears. Bassy headphones may not be the perfect solution to the problem, but they can be surprisingly effective. … Read more
There's no sense denying vinyl's imperfections. First there are the noise issues -- pops, clicks, and rumble -- and they all get a little worse every time you play an LP. Then there are problems with speed stability, off-center pressings, warped records, less than accurate vinyl and phono cartridge frequency response curves, poor stereo separation, and limited dynamic range. That was all true back in 1983, and digital has only improved since then. So why are vinyl sales up year after year since the early 2000s?
Most formats wither and die soon after the replacement format takes over … Read more
Take a good look at the picture of the Equator D5 desktop speaker. Do you see anything unusual about its design? Where's the tweeter? Look closer, there it is -- right in the center of the woofer! The D5's "coaxial" driver combines the tweeter and woofer into a single driver, and that's really cool. Equator didn't invent this type of driver -- I've seen them before on various KEF and Tannoy speakers, but the D5 is, by far, the least expensive desktop speaker I've tested with a coaxial driver. So what's … Read more
It's got to be the No. 1 audiophile fantasy: someday we'll have a breakthrough that allows speakers to perfectly reproduce sound. Once the engineers find a new way of moving air -- presumably a more accurate method than a vibrating cone, dome, or flat diaphragm -- the heavens will part and we'll suddenly hear the sound of real instruments and singers through our hi-fis. Not so fast -- that would be a great start, but once the sound leaves the speakers and interacts with your living room's acoustics, all bets are off. Put aside the perfect … Read more
This isn't just for audiophiles. I don't care what kind of speakers or headphones you have -- once you start listening, you'll hear more of what's going on in the music. The only "downside" to focused listening is that you might turn into an audiophile. Once you focus on sound, the more you'll hear, and the opposite is also true, and the music matters less and less. I usually stick to acoustic music when evaluating sound quality, but this time out I went for highly processed, totally unnatural, but beautiful sounding recordings.
"… Read more
The Audiophiliac blog is almost six years old. I've written about everything from Spotify to dynamic range compression; from atrocious sounding music to the 30-year-old iPod; from the man with 230 turntables to 3D printing LPs and even a guy who makes boom boxes out of old suitcases, (not to mention the craziest high-end gear), but it's always about sound and music.
I always love to hear from Audiophiliac readers, but this time I'd like to give one of you a chance to spout a bit of audiophile wisdom. Write a great "think piece" about … Read more
I've lost count how many times I've given props to Emotiva's $299 per pair Airmotiv 4 desktop monitor speakers on this blog, but never got around to auditioning the next model up in the line, the Airmotiv 5, which are currently on sale for $409 a pair. The 5 sounds really good, very similar to the Airmotiv 4, just more so. There's also an even larger model, the $599-per-pair Airmotiv 6s, I might get around to checking those out someday.
The Airmotiv 5 has a 5.25-inch polypropylene composite woofer, and instead of a dome tweeter, … Read more
At first blush you might think the Audiophiliac would be thrilled to hear the news about the Universal Music Group's new High Fidelity Pure Audio Blu-rays -- and I would be, if I didn't know how this story plays out. In 1999 and 2000, the original high-resolution SACD and DVD-Audio formats debuted and quickly faltered. Then the record labels tried again with the DualDisc format in 2004, and that one came and went so fast most people didn't even know it existed. I heard a lot of those discs, and I didn't feel that most (but … Read more