audiophile

A perfect speaker wouldn't sound like a speaker. That's the goal after all, the speaker should disappear and we should just hear the sound. With perfect speakers the instruments and voices on the recording would sound life-size and completely believable.

Most speakers, including a lot of very high-end, stupid expensive ones still sound like speakers. You know there's a tweeter and woofer, and the sound is coming out of a box.

Magnepan, based in White Bear Lake, Minnesota builds panel (boxless) speakers -- without conventional dome tweeters and cone type woofers. Maybe that's why its MG … Read more

I never thought I'd say this, but I'm starting to think the iPod is a true high-end audio component. What's changed? I heard it in my high-end system, docked into Wadia's 170i Transport ($379). I can now testify to the iPod's bona fides.

Thing is, an iPod, even one loaded with uncompressed AIFF or WAV files, isn't all by itself a high-end component, but teamed with Wadia's 170i Transport, aka, dock, an iPod is elevated to high-end status. The transformation takes place when the Wadia transmits the iPod's zeros and ones to an outboard digital-to-analog (D/A) converter in your A/V receiver, or even better, a standalone high-end D/A. Wadia's claims that the 170i is the first and only "dock" to extract a digital output from an unmodified iPod.

The 170i's digital out sends a 16 bit/44.1 kHz PCM digital signal to a D/A. The 170i does that for MP3, AAC, Apple Lossless, AIFF, and WAV files, but just be aware that it converts all but AIFF and WAV to 16/44.1. It can also pass 16/48 PCM, but in most cases 16/44.1 is what you'll get.

According to Wadia's national sales manager, Martin Cooper, iPods store MP3, Apple Lossless, and AAC files in Apple's own digital language, and when an iPod is nestled into a 170i it converts those files to 16/44.1 PCM. That way, the signals can be processed by the D/A in your A/V receiver or high-end D/A. MP3, Apple Lossless, and AAC files will sound "good," just not quite the same as the original CD. In other words, only AIFF and WAV files can be heard with bit-for-bit accuracy over the 170i. … Read more

My first experience with high-end audiophile turntables was during my early hi-fi days, being mesmerized by the soothing sounds when paired with tube pre-power amplifiers and speakers. The Acutus from U.K.-based Avid comes in at the top of that hierarchy with a radical design and matching premium aesthetics. Available in polished chrome or gold-plated finish, it features an elaborate vibration-damping system as well as beefy construction.

The $24,000 kit is also bundled with a smart-looking external power supply. This has universal power compatibility, though we doubt anyone would be crazy enough to jet-set around the world lugging … Read more

I'd bet the average person under 30 hasn't purchased a serious home stereo system in the last five years.

And it's not because they don't like music. Quite the opposite, actually. The popularity of online streaming music sites, rise of music blogs, and skyrocketing digital music sales from places like iTunes, Wal-Mart.com, and Amazon.com show that young people are voracious music consumers.

But are they true audiophiles? No, at least not in the way people who came of age trying to find the perfect sound on Pink Floyd's Dark Side of the Moon … Read more

I can't claim to be any sort of expert when it comes to computer/PC speakers, but if my recent CNET reviews of Bose, Creative, and M-Audio speakers are any indication of what's out there, the Audioengine 2 is a truly awesome design. I auditioned the Audioengine 2s at home where my desktop workspace is pretty crowded, but the speaker's tiny 4 by 5.25-inch footprint was easy to accommodate. It's 6 inches high.

Judged as a speaker, and I've reviewed well over 500, the Audioengine 2 is terrific. It's so good you don'… Read more

I have a theory about indie rock hipsters: you can tell how old they are by which R.E.M. album they say was "the last good one." Specifically, it was the last R.E.M. album that came out before they turned 22, the age at which most four-year college students graduate.

That puts me squarely in the Green camp. And in fact, while their next two albums made R.E.M. a household name, with songs like "Losing My Religion" (from Out of Time) and "Man on the Moon" (from Automatic for … Read more

Audiophile gear is always really expensive.

Not true. While there's no shortage of stupid expensive audio toys, there's lots of affordable stuff too, such as Rotel's beautifully built RA 1062 integrated amplifier ($699).

Audiophiles rarely embrace new technology.

Guilty, with an explanation. Audiophiles don't jump on every new tech gizmo that comes down the pike, so we steered clear of iPods for the longest time. But now that we can get uncompressed digital directly out of the little buggers with devices like Wadia's 170iTransport, audiophiles are getting with the program. We were just waiting for … Read more

This American Express ad on YouTube runs like an ad for audiophiles. Turntables, tubes, and high-end headphones all get glamour shots. No brands are mentioned, so unless you're already in the know you'll probably never figure them out. Oh well, it's still kinda cool.

MA Recordings is a one-man show. Todd Garfinkle is MA Recordings' sole producer, recording and editing engineer. He also handles the label's art direction, which is spectacular. MA is a trans-cultural jazz and classical label, and Garfinkle has been crisscrossing the globe recording music since 1988.

Garfinkle always tries to record in large, acoustically interesting classical concert halls, churches and galleries. "MA" is a Japanese pronunciation of the Chinese character which means "space" or "interval," and Garfinkle believes these acoustic spaces are an intrinsic part of the not only the sound, but also … Read more