ie8 fix

Music News

Coordinating fireworks to music

Watching this year's Fourth of July fireworks display in Seattle, I wondered (not for the first time) how they coordinate the fireworks with the musical soundtrack--the hearts exploding right at the climax of "Unchained Melody," or the long fizzy streamers during the theremin part of "Good Vibrations," for instance. Not surprisingly, software's the answer.

The Seattle display was operated by a company called Pyro Spectaculars based out of Rialto, Calif., which reportedly uses a highly customized or home-built system to coordinate the music to the displays. But other pyrotechnicians might use combined hardware-software systems … Read more

Jay-Z raps on in 10 exclusive ringtones

With sales for digital singles outpacing CD sales, it's hard to imagine an artist overlooking any avenue of digital distribution and revenue. Yet with the exception of a handful of tracks, American rap icon Jay-Z has resisted releasing his 100-song catalog as ringtones--until last week. That's when most of the remaining tracks streamed into the digital media marketplace. Most. Through August, ten of the artist's smash singles have been earmarked for only one site.

Starting Monday, those hidden hits, including 'Can I Get A', 'IZZO (H.O.V.A.)', and 'Roc Boys (And The Winner Is)', became … Read more

Jazz performers should embrace on-the-spot recording

I had the opportunity to see Wynton Marsalis perform with the 15-piece Jazz at Lincoln Center Orchestra last night in Seattle, and it was an absolutely stellar performance, with great song selection (Marsalis's own "The Holy Ghost" was a standout) and some of the most incredible technical playing I've ever heard--they did Duke Ellington's "Braggin' in Brass," which contains a trombone part in which each player plays a note or two in sequence, together creating this fast complicated line. (Listen here--that part starts around the -2:06 mark.) I've heard from … Read more

Tower Records: Gone but not forgotten

It's some kind of weird contradiction, but for some reason I really loved Tower Records. I say that because I have a long standing thing about indie record shops, and I never bought much at Virgin or HMV, but when Tower opened its two Manhattan stores I became an even bigger vinyl junkie. I lived just a few blocks away from the uptown one and would spend many nights there just looking at music and talking with music buyers. The social scene was part of the trip.

Tower's two gigantic shops were initially filled with groovy records, and later in the 1980s the CDs started to eat away, aisle by aisle, at the vinyl paradises. It must have taken three or four years before CDs occupied most of the bins. Granted, vinyl's decline was mostly market driven, but remember CDs typically sold for double the price of LPs, so Tower, like most stores figured that even if the vinyl title was still available they'd rather you bought the CD. If the LP wasn't there you'd have to pony up the extra dough for the CD. During that time I'd get my vinyl from indie shops.

One rainy spring day walking through Central Park I was listening to a classical radio station when they played Aaron Copland's "Concerto for Clarinet, Strings, Harp and Piano." It so perfectly framed the misty day and green grass I had to buy the music. I exited Central Park, walked a few blocks over to Broadway and bought the CD. That was twenty years ago and I still have the CD to trigger those memories.… Read more

Project Red lays groundwork for subscription music service

Good news, celebrity charity aficionados: Project Red is going to be providing some music for that Bono-approved iPod Nano of yours.

The high-profile nonprofit, which donates a chunk of profits to combat AIDS in Africa, will be launching a subscription music service this fall.

The as-yet-unnamed service will launch in September, according to The New York Times, and cost $5 per month.

It's structured like a newsletter: each week, members will get an e-mail with two MP3s--one an exclusive song from a well-known act and the other from an emerging artist--as well as a "Crackerjack surprise" (say, … Read more

A waste of taxpayers' money

I understand why record companies would spend money tracking down and taking legal action against people who leak albums before their official release date. But do the feds need to be involved? Apparently the FBI has been interviewing a blogger that goes by the name of Skwerl, trying to figure out where he got nine tracks from Guns 'n' Roses' long-awaited Chinese Democracy.

What a complete waste of time and taxplayer dollars. Who's the victim of this crime? A handful of musicians who haven't had a hit record in a generation, and their managers and assorted hangers-on who … Read more

More on band names

As a quick follow-up to yesterday's post on profane band names: McSweeney's has just released a book that simply lists more than 50,000 heavy metal band names. The Q's are listed here.

Still stuck for a name? There are tons of band-name generators on the Web, including this one for metal band names, with a checkbox to include non-evil words. Finally, John Roderick of The Long Winters blogged last week about selling out, and how Seattle rock bands used to purposely choose ridiculous names to appear more authentic.

Pride and profanity in band names and album titles

I'm sure it's just a lucky coincidence, but one day after the brilliantly profane George Carlin passed away, Slate published an article on profane band names.

I haven't heard any of these bands--I tend to avoid bands that appear to have put too much time into their names, thinking that they're trying to cover up bad music--but Psychedelic Horse**** intrigues me, especially since I've seen so many bands whose music fits that description perfectly. (Note: I have no idea what CNET's policy on swear words is, but I don't want to create extra … Read more

Amazon.com deals deals on MP3s

Thirty-nine. That's the number of PR-related pitches I've received in the past 24 hours. Out of those, just one fulfilled my write-up requirements of being a topic that is both interesting and related to digital music. That's a 2.5 percent pass rate...and today's a good day. So perhaps I am just caught up in the excitement of having a new item to talk about, but I think Amazon.com's new "Daily Deal" promotion is pretty sweet. Each day, the MP3 store will feature a different album offered at a deep discount. … Read more

Vacuumed vinyl sounds better--or why LP lovers need record-cleaning machines

Compared to iPods LPs are a lot of work. First you have to put the record on a turntable platter, cue the tonearm over the lead-in groove, and then gently lower the "needle" into said groove. When the record's over, you have to raise the arm and return it to the rest. If that sounds like hard labor stick with your iPod. But to audiophiles the turntable/record playing ritual is part of the analog experience, a preamble of good sounds to come.

Thing is--the stylus tracing the microscopic world of groove wiggles encounters more than just wiggles--whatever dirt and assorted crud that's adhered to the vinyl adds its own noise, clicks and pops to the music. Sure, when things are really bad you could gently wash the LPs with baby shampoo, rinse with lots of water and dry. That might help, but the deep down grime at the bottom of the groove will still be there, and still audible. The ground-in crud can dramatically increase what we perceive as "record surface noise." Record brushes can sweep some of the surface dirt off, but at the end of the day the only way to get the deep down stuff is to use special record cleaning fluid and suck it off with a vacuum. that's exactly the way record cleaning machines work--they squeeze more analog juice from used and even new records. … Read more