slr

Custom SLR is no stranger to Kickstarter; its C-Loop camera strap mount and M-Plate Pro tripod plate both got their start there. The usefulness of those products was easy to see, but its latest project, the ProDot, perhaps strays a bit into as-seen-on-TV territory.

The ProDot sticks right on your camera's shutter release, adding a soft, raised, textured surface to it. It is not unlike the trackpoints used on business laptops but considerably squishier.

While Custom SLR's Ivan Wong spins it as giving you more control and less fatigue, the greatest benefit is probably shock absorption. If you tend to push a little too hard on your release, the ProDot will lessen the vibration.

Plus, having used one for a bit, it's just fun to touch and makes it easier to blindly find your shutter release. … Read more

When photo enthusiasts entering the digital SLR market ask me whether they should go for Canon or Nikon, one of the points I often raise is Canon's appealing choice of high-end but not top-end lenses.

Well, Nikon just undermined that potential selling point. At the Photo Plus Expo show today, it announced its AF-S Nikkor 70-200mm f/4G ED VR, a telephoto zoom lens that provides a competitive answer to Canon's superb EF 70-200mm f/4L IS USM.

Let's be clear here. These are still professional-grade lenses, and they aren't cheap. Canon's costs about $1,… Read more

Canon plans to release a notable firmware update to its high-end EOS 5D Mark III in April that will let videographers use the SLR to record uncompressed HDMI video.

As the successor to the 5D Mark II that jump-started the video SLR revolution four years ago, the 22-megapixel 5D3 has big shoes to fill. The new update surely will help professionals who need better quality, even if ordinary folks need not care much. Here's what Canon had to say about the news:

When shooting video, HDMI Output makes possible the recording of high-definition uncompressed video data (YCbCr 4:2:… Read more

Studio photographers dissatisfied with recent events in the world of Canon SLRs might take heart at a fleeting glimpse of a possible 46-megapixel Canon EOS 3D.

That glimpse came from Nine Volt Photo, a maker of equipment to help photographers help take photos with cameras tethered to computers. It said it found a reference at retail powerhouse B&H Photo after an "inadvertent search for a Canon 3D."

The company shared a screenshot of the page list with specifications including a 46.1-megapixel CMOS image sensor, dual Digic 5+ processors, a 3.2-inch LCD, and dual CompactFlash … Read more

COLOGNE, Germany -- A decade ago, a cataclysm rocked the photography business as digital image sensors replaced fim.

It turns out that was just the beginning.

At the Photokina show here, it was clear a second wave of change is sweeping through the industry. Cameras produced during the first digital photography revolution looked and worked very similarly to their film precursors, but now designers have begun liberating them from the old constraints.

Three big developments are pushing the changes: a new class of interchangeable-lens cameras, the arrival of smartphones with wireless networking, and the sudden enthusiasm for full-frame sensors for … Read more

Headlining Canon's barrage of cameras at the show: the EOS 6D. While the company has had the cheapest full-frame camera available since the 5D Mark III shipped and it dropped the price of the 5D Mark II, the latter (while still an excellent camera) has an old autofocus system and needed some performance updating. Especially if it were going to stand up to Nikon's recently announced D600. But Canon took away some of the features of the 5DM2 for the 6D, such as the 100 percent coverage viewfinder, substituting Wi-Fi and GPS. It's got a new sensor, … Read more

With more and more cameras able to capture full-HD videos in 1080p these days, the role of a camera doesn't just stop at stills. To get professional-grade footage free from camera shake, however, you'll need specialized videography tools, which can be a hassle to transport due to their size and weight.

Los Angeles-based designer Grant Parrinello has come up with a concept design that combines multiple videography accessories into one. It acts as a steadicam to help stabilize your dSLR when you're chasing after your subject and can double as camera crane for shooting at high and low vantage points. … Read more

Nikon announced two image-stabilized lenses today, a 16.7x superzoom that reaches from 18mm to 300mm and more modest model reaching from 24-85mm.

The AF-S DX Nikkor 18-300mm f/3.5-5.6G ED VR, with a $1,000 price tag, is geared for travel shooters and others who are willing to sacrifice some optical quality for versatility. It's designed for Nikon's mainstream DX-format SLRs, whose image sensor is smaller than a 35mm film frame and therefore gives the lens an equivalent range of 27-450mm. And it's a notch more expensive than Nikon's earlier 18-200mm superzoom, which … Read more

I have to admit: the $900 Pentax K-30 dSLR sounds like a pretty promising replacement for the K-r. Rugged on the outside with the potential for the same excellent photo quality as the K-01 mirrorless ILC, claimed faster autofocus performance than the already fast K-5, and a 100 percent coverage viewfinder that you usually only see in more expensive models all add up to a possibly great start to the Pentax-Ricoh era.

Though it's not "durable" in the same sense as bodies like the Nikon D4 or Canon EOS-1D X, with parts designed to withstand heavy photographic abuse, the K-30 offers weather-and-dust resistance, with claims of usability down to 14 degrees (most cameras only guarantee down to 32 degrees); that said, Pentax makes no claims about battery life at those temperatures. The next least-expensive camera making similar claims is the Olympus E-5 at $1,699. And none of them come in Pentax's selection of colors, which include white and blue in addition to standard black. It has a rubber grip for improved security in adverse conditions. … Read more