ie8 fix

Mono

iTunes 10.1: Music in mono

Some users are finding that after updating to iTunes 10.1, their music is playing entirely in mono sound. Though iTunes itself does not have the ability to change your machine's output to mono, the Audio MIDI Setup utility does.

As Apple Support Discussions user Roger Wilmut1 suggests:

Check this: go to Applications / Utilities / Audio-MIDI Setup. Click on "Configure speakers." In the pane which opens (right) check that the speakers are indeed set to left front and right front. Click each speaker to check the sound. Are you using external speakers? If it's still in mono … Read more

New bacteria redefines 'life as we know it'

NASA scientists have discovered a new type of bacteria that is able to substitute arsenic--a poison to most living creatures--as a biological building block, something no other known life form on Earth can do, the agency said today.

In a press conference held at NASA's Washington D.C. headquarters, scientists announced that they had discovered a new form of bacteria, known as GFAJ-1, in California's Mono Lake that has DNA completely foreign to anything ever before found on Earth. It has the ability to substitute arsenic at the DNA level for phosphorus.

That would distinguish it from every … Read more

Audiophile cables, worth every penny?

High-end cables are a controversial subject, even among audiophiles. I know an extremely wealthy audiophile who uses cheap hardware store wire in his $200,000 hi-fi system. He thinks audiophile cables don't make a difference, so he doesn't use them. That's fine with me.

When I was a high-end audio salesman I sold a lot of very expensive wires to my customers, including customers that didn't initially believe cables would make any real difference in the sound of their hi-fis. "It's just wire" was the classic rebuke, I've heard it thousands of … Read more

Yet another side of Bob Dylan: The Witmark Demos

"The Witmark Demos" two-CD (or four-LP) set features 47 Bob Dylan songs recorded for his music publishers, Leeds Music and M. Witmark & Sons between 1962 and 1964. Fifteen songs have never been officially released until now. All of the songs on "The Witmark Demos" were written and recorded before Dylan was 24 years old.

Some of the earliest songs on "The Witmark Demos" weren't first heard on Dylan's own albums; they were covered by others, including Peter, Paul, and Mary, Stevie Wonder, Judy Collins, and the Byrds. In 1962-3 Dylan was primarily known as a songwriter, and the demos were made in hopes of getting more artists to cover his songs.

The demos weren't recorded at official Columbia Records sessions, so there's no fancy production or sweetening, just Dylan singing and playing his guitar in a tiny 6-by-8-foot studio at Witmark Publishing on 51st Street and Madison Ave. in NYC. "The Witmark Demos" contains Dylan's very first recordings of songs like "Blowin' In the Wind" and "The Times They Are A-Changin'," so it's almost as if you're hearing them at their moment of creation.

Reissue producer Steve Berkowitz worked from the surviving original analog tapes and promo records. The amount of research that went into finding the best possible tapes and other materials from nearly 50 years ago was extensive. Even so, some tunes are distorted and downright fuzzy, and sound quality varies from track to track, but most are good, and some are the best, most natural sounding versions I've heard. The demo recordings are free of dynamic range compression so you really hear Dylan singing his guts out. "Boots Of Spanish Leather" gave me a new appreciation for Dylan's singing. He's really thinking about the words. … Read more

Bob Dylan's mono recordings, 1962-1967

"The Original Mono Recordings" box set features Bob Dylan's first eight albums, available on CD and in their original release format, mono LPs (and on MP3, sans box). The set runs from his first album, "Bob Dylan," released in March 1962, to "John Wesley Harding" from late December 1967. At that time most people listened to Dylan's music over mono AM radios in the car, mono portable radios, or mono home hi-fi systems. Sure, stereo Dylan LPs were simultaneously released with the monos, but it's my best guess that Dylan and his production team listened to the mono mixes in the studio. Besides, mono LPs retailed for $2.98 in the early 1960s, and stereo LPs were a buck more, so most kids bought the mono, even if they had a stereo (that would include me). "John Wesley Harding" was the last mono LP from Dylan; after that all subsequent American releases were stereo only. So unless you have original 1960s-era LPs, chances are you've never heard the mono mixes.

I spoke with reissue producer Steve Berkowitz to get more details about how the transfers were done. He assured me the 96/kHz-24-bit resolution digital masters were made from the original analog master tapes, played on vintage mono tape machines, and that the LPs were cut directly from the analog masters. I was relieved to hear that; most, no, nearly all newly recorded or remastered old analog music that comes out on LP is sourced from digital masters. "The Original Mono Recordings" on LP are pure analog discs, with no digital conversions whatsoever in the mastering process. The LPs were cut here in NYC at Sterling Sound by George Marino, a true master of the record-cutting lathe.

Berkowitz stressed the guiding principle for everyone involved, including engineer Mark Wilder and producer Jeff Rosen, was to make the new LPs sound as close to the first generation American LPs as possible. Berkowitz said, "We went back and forth comparing the new mono LPs and CDs with the original LPs. They were the 'masters' we served to replicate." … Read more

Who needs expensive audio cables?

I get this question all the time, "Do I need to spend a lot of money on wire?" The short answer is no. It's like asking if you need to drop $50 or $100 to buy a good bottle of wine. No, unless you're a wine connoisseur; most folks are perfectly happy with a nice $10 variety. True, you'll use a cable a lot longer than it takes to drink a bottle, but I wouldn't recommend spending more on a single set of wires than you'd spend on wine--unless you're an audiophile.

Audiophiles obsess about the tiniest details of sound quality. That, and we frequently listen attentively, an activity few non-audiophiles ever do. Everybody else puts music on and then reads, talks, works, exercises, or cooks. So if you're not really listening, I wholeheartedly agree, spending money on expensive cables isn't a smart move. Another thing, you'd have to own a pretty decent set of speakers to hear the benefit of better cables, and if you already have a set of great speakers you're probably an audiophile.

So all of you non-audiophiles can rejoice. Don't let anyone talk you into spending a lot of money on a speaker or interconnect cable! Head on over to your local hardware store, Blue Jean Cable, or MonoPrice and buy dirt-cheap, decent quality cables. … Read more

MonoTouch lets .Net coders build iPhone apps

Novell on Monday introduced MonoTouch 1.0, a development framework for Apple's iPhone and iPod Touch that uses Microsoft's .Net with C# and other programming languages.

The MonoTouch framework, available on paid-subscription only, requires Apple's own software development kit and runs solely on Macintosh hardware.

"The vast majority of Windows-centric developers, ISVs, and IT organizations have chosen the C# language and .Net for development," said Miguel de Icaza, Mono project founder and Developer Platform vice president at Novell, in a statement.

"As such, we have seen tremendous demand for tools to build .Net-based iPhone … Read more

The Beatles remasters: An audiophile review

Tone Audio's Bob Gendron scored advance copies of "The Beatles Stereo Box Set" and "The Beatles Mono Box Set" of the complete Beatles catalog. Four years in the making, Gendron thinks the remasters are a feast for the ears.

Tone Audio is an audiophile Web site, so when I read Gendron's claims of "Near-miraculous improvements in the key areas of information retrieval, hidden details, palpable physicality, expanded midrange, transient presence, and frequency response" to the remastered sound, I was jazzed. Bass, never a strong suit on Beatles recordings, has been improved, so we get to hear more oomph from Paul McCartney's bass and Ringo Starr's percussion. I can hardly wait.

Gendron seems to favor the mono box, mostly because the Beatles and their producer, George Martin, lavished their attention on the mono mixes of the original albums; stereo was an afterthought. Me, I'm a stereo kind of guy, so I'll start with the stereo set. And yes, I'll report back after I've had time to mull over the sound for myself. The Rolling Stones' recent remasters are nothing to write home about, that's why I've remained mum about them. Remastering, all by itself, is no guarantee of improved sound quality.… Read more

Moonlight 2.0 goes beta

The developer of the Moonlight software that enables Silverlight applications to run on Linux computers said on Monday that he is ready to start publicly beta testing an update to the software.

In a blog posting, Miguel de Icaza said the beta of Moonlight 2.0 is available from the gomono.com Web site.

Moonlight 2.0 is aimed at achieving compatibility with sites written for Silverlight 2.0, but incorporates the media pipeline and a few other features of Silverlight 3.0, de Icaza said. Microsoft released Silverlight 3.0 last month.

The beta is available both as source … Read more

When stereo's one speaker too many, think mono

Mono was the one and only way to listen to music and movies for decades.

But it's not ancient history. Mono's on something of a comeback, and the upcoming remastered Beatles catalog will be offered in an all-mono box in September. You can listen to mono over just one speaker, or with two or more speakers. But mono at its purest is a single-speaker deal.

A fringe segment of the audiophile community still buys mono phono cartridges to get the best sound out of mono LPs. Over at BuyMeGetMe they're listening to an all out single speaker … Read more