A cutaway drawing of an Ohm CLS Driver.
(Credit: Ohm Acoustics)
Ohm offers a micro tower that will even fit in cramped rooms.
(Credit: Ohm Acoustics)I remember listening to Ohm Acoustics speakers ages ago, but I've lost track of the company. Founded in 1971, Ohm Acoustics is still around and still building all of its speakers in Brooklyn.
Ohm speakers feature radical technology, and it's not just that they're omnidirectional designs.
Ohm Micro Walsh tower speakers.
(Credit: Ohm Acoustics)Quoting from the Ohm Web site, here's how the technology works: "The Ohm CLS Driver is a vertical line source that combines inherently perfect time and phase alignment and uniform polar frequency response....At the source, the sound originates simultaneously from the face of the super tweeter and the top of the inverted cone driver..." Translation: they sound good.
The CLS Driver looks like a downward-facing cone, but its sound radiates up and out, in a near 360-degree radiation pattern. In all Ohm designs a single CLS Driver produces bass, midrange, and most treble frequencies; no wonder it sounds nothing like speakers that use separate woofer, midrange, and tweeter drivers.
During my recent factory visit I listened to a set of Ohm Micro Walsh speakers ($1,000 a pair). They're skinny towers: 36 inches high, 6 inches by 6 inches wide, and deep. Even within the huge factory space, the wee towers sounded huge. Bass wasn't super deep, but it was rich and warm. There's no need to add a subwoofer for stereo systems; and larger Ohm speakers sound much the same but can play louder and make deeper bass.
... Read more
McIntosh Labs president Charlie Randall and some of his favorite things.
(Credit: Steve Guttenberg)
Totem Acoustic's Vince Bruzzese with one of his latest creations.
(Credit: Steve Guttenberg)Recession? What recession? New York City's venerable fixture of high-end audio and video, Stereo Exchange, celebrates its 25th anniversary this weekend. It's running a sale through Sunday, November 8 with substantial discounts on select products from several manufacturers. The opening night party on Thursday was jam-packed and there were no shortage of customers!
For the opening night party, many of the participating companies were demonstrating their wares. Featured products on display include: Panasonic's new 85-inch plasma HDTV; NAD's new M2 Direct Digital Amplifier; McIntosh Labs' MEN220 Room Correction System; and Grado's PS 1000 headphones, which I just reviewed for CNET.
Stereo Exchange also sells Anthony Gallo Acoustics, Arcam, Audio Research, Ayre, B&W, Crestron, Furman, Integra, JA Michel, Kaleidescape, Marantz, Meridian, Peachtree Audio, REL, Rotel, Sonus Faber, Totem Acoustic, Transparent Cable, and Wadia. Stereo systems at Stereo Exchange start about $1,000.
For more information on Stereo Exchange, visit its Web site.
The best sounding room at Stereo Exchange featured Vienna Acoustics speakers and Ayre electronics.
(Credit: Steve Guttenberg)The Audioengine P4 is a cheap speaker.
Correction, it's an audiophile speaker that sells for $249 a pair. But that hasn't stopped it from getting raves from audiophiles who live with speakers that sell for a whole lot more.
I use Audioengine A2 self-powered speakers ($199 a pair) with my computer, so I thought I had a handle on what to expect from the P4.
The review P4 speaker sported a real, solid bamboo cabinet, wow!
(Credit: Steve Guttenberg)I did not; it's a whole new ball game. First, the P4 is a "passive" speaker, so you need to hook it up to an amplifier or receiver. The A2 is an "active" self-powered design that can be connected to a computer or MP3 player via a headphone jack.
I started listening to the P4 with my computer, with the speakers hooked up to an old Jolida hybrid tube/solid-state amplifier. The A2 is a sweet sounding little speaker, but the P4 was dramatically clearer, cleaner, and more vibrant. The P4 blows the A2 away--it's not even close.
At 9 inches tall by 5.5 inches wide by 6.5 inches deep, the P4 looks like a larger A2 (the A2 is 6 inches high by 4 inches wide by 5.25 inches deep). The P4 comes in satin-finished black or gloss white paint for $249 a pair, or in bamboo for $325 a pair. The wood isn't merely a veneer over medium-density fiberboard; no, the P4's cabinet is made out of solid bamboo, it's gorgeous!
Audioengine offers a nifty tabletop stand, the DS1 ($29 a pair), that cants the speaker back at an angle to project sounds up. The rubbery stands also isolate the speaker and prevent it from transmitting bass into your desk. Want to wall mount it? No problem, use the threaded inserts on the speaker's rear-end.
The P4's three-quarter inch silk dome tweeter and 4-inch Kevlar woofer appear to be of very high quality. Both drivers are made by Audioengine.
... Read more
Too many jacks?
Today's receivers are so jam-packed with features they can be a hassle to set up and use. Even entry-level models boast features that flagship models from even just five years ago never had.
Is that a good thing? No manufacturer offers a receiver that's dead simple to use, sounds great, and has adequate connectivity to hook up a cable box, Blu-ray player, and one or two other sources.
Do you base your buying decision on the features lineup? Does the one with the most features win? Does your receiver really need to be THX Ultra2 Plus-certified, with four or more 1080p HDMI compatible inputs, and have Internet radio streaming, Pandora, Rhapsody, Sirius Internet Radio, Dolby TrueHD, Dolby PLIIz, Dolby Volume, DTS Master Audio, Audyssey DSX surround processing, Audyssey MultEQ, Dynamic EQ and Dynamic Volume, iPod-dock-ready--plus front and rear USB inputs?
Sure, it's tempting to go for more rather than less stuff, but at what point does the technology interfere with actually using the thing? And no matter how much stuff is in there, next year's models will have more. Have you used even half of the features your receiver has right now?
Can you slog through the hassles of "auto" setup, or even manual setup? Or do you even try? Today's receivers are incredibly sophisticated devices, so getting them to just do the basics--playing a CD or a movie--can be a trial. Or it worked yesterday, but now, even with the correct input selected, you're not getting what you wanted.
So would a receiver with fewer, but easier-to-use features be an attractive alternative? Or do I have this all wrong and you want even more stuff in your next receiver?
If you have any horror stories about receiver setup or just getting the damn thing to play, please share them in the Comments section below.
Inside the box you'll find four discs.
(Credit: Steve Guttenberg)The Rolling Stones really were the world's greatest rock and roll band in 1969. That was 40 years ago, but if you need proof to verify the ancient claim, check out the "Get Yer Ya-Ya's Out! The Rolling Stones In Concert--40th Anniversary Deluxe Box Set."
The Stones' live shows of the '70s, '80s, '90s and '00s were spectacles of frenzied energy, extravagant sets, video projections, and lots of flash, but "Ya Ya" was the real deal. The five Rolling Stones were the show, and that was more than enough. If you're going to only buy one live Stones CD, get "Ya Ya."
The original album was recorded over two nights at Madison Square Garden; I was there at one of those shows. I had a great time and bought the LP as soon as it came out. Still have it.
Keith Richards and Mick Taylor's yin vs. yang guitar styles meshed perfectly on "Midnight Rambler" and "Sympathy For The Devil." Mick Jagger and Richards paid tribute to the man who invented rock and roll, Chuck Berry, with a romping "Little Queenie." The new box set includes the original version on CD, plus a five-song EP from the same shows, with unplugged performances of "Prodigal Son" and "You Gotta Move." Sound quality is really good for a 1960s-era live recording, but I prefer the sound of the single disc "Ya Ya" SACD that came out in 2002, at least when it's played on a SACD player.
... Read more
The Grado PS-1000 headphone
The Grado PS-1000, Sennheiser HD 800, and Ultrasone Edition 8 full-size headphones all sound amazing. They're all expensive to buy, but if you listen to headphones with your hi-fi or computer, they might be worth the investment. Which one is right for you?
That depends. First, they sound very different from each other. To get the full scoop, read my CNET reviews of the Grado PS-1000, Sennheiser HD 800, and Ultrasone Edition 8 headphones.
My personal favorite was the Grado, as it was the most exciting to listen to. It seemed to bring out details more, and its dynamic impact was simply more visceral than the other two headphones. It worked well enough with my iPod, sounded acceptable with my Onkyo TX-SR805 receiver, and best with my Woo Audio WA6 Special Edition headphone amplifier.
The Ultrasone Edition 8
Which reminds me, if you're going to spend big bucks on a headphone, check out dedicated headphone amplifiers. I've blogged about Woo's amps many times, and they offer models starting at $470. I will try to get around to covering other brands soon.
The Ultrasone was the bass champ of the three headphones. If you love bass and you want to feel it, check out the Edition 8. As I said in the review, it gets closer to the full sound of a large floor-standing speaker than the other headphones. It's also the most iPod/MP3 player-compatible deluxe headphone I've heard. I couldn't believe how good it made my iPod sound.
... Read more
The hand-built JH 13 Pro in-ear headphone.
(Credit: Steve Guttenberg)If you have ears, prepare to open them now.
I've just reviewed a bunch of contenders for the world's best full-size, over-the-ear headphone: Audio Technica ATH-W5000, Denon AH-D7000, Grado PS-1000, Sennheiser HD 800, Stax SR-007Mk2, and Ultrasone Edition 8 headphones--and all boast higher MSRPs than the JH Audio JH 13 Pro in-ear headphone.
Sure, full-size headphones can be used with iPods and MP3 players with varying degrees of success, but they're a lot more of a hassle to lug around than the JH 13 Pro. Honestly, I prefer the sound and comfort of over-the-ear models compared with in-ear headphones. Then again, the JH 13 Pro is a very different type of in-ear design, it uses six drivers--two woofers, two midranges, and two tweeters--to lower distortion compared with other in-ear designs. It's a difference I can hear.
The JH 13 Pro's resolution of fine detail is extraordinary, drums sound more realistic than I've heard from any other type of headphone. The JH 13 Pro is "fast," cymbals' shimmer and sparkle the way they do in real life, and when a drummer whacks his sticks against the drums' metal rims, the sound is more realistic. Dynamic oomph and slam are the best I've heard from an in-ear headphone.
The JH 13 Pro's bass goes deeper than any in-ear headphone to date, but it's the way these headphones decode palpable bass textures that's highly addictive. Electric, acoustic, and keyboard basses sound more different from each other with the JH 13 Pro. Switching over to Monster's excellent new Turbine Pro Gold in-ear headphone ($299) is startling, the Turbines sound mushy and muddled by comparison. The Monster has more mid-bass fullness, which some listeners may prefer. I do not.
The JH 13 Pro's midrange clarity is radically better than any in-ear 'phones I've used to date. Its bass, midrange, and treble are better balanced and accurate than what I'm used to from in-ear designs.
... Read moreKeeping up to date with home theater technology isn't easy, buyers need all the help they can get.
Mark Fleischmann covers LCD, OLED, plasma displays, LED backlighting, DLP projection, 3D TV, AV receivers, speakers, connectivity issues, and the never-ending blizzard of features in his recently revised book, "Practical Home Theater: A Guide to Audio and Video Systems" (268 pages, $19.95). It's chock full of useful information.
Do HDMI connections confound you? Fleischmann delves deep into the continuously evolving "standard," from the original 1.0 version all the way up to version 1.4. THX certification is another one of those barely understood terms used in reviews, the book gets you up to speed on what THX certification entails. All of the various Dolby and DTS surround schemes are explained. There's a wealth of information about VCRs; right, some people still watch video tapes! The chapters on home theater setup and troubleshooting are excellent.
... Read more
(Credit:
Denon)
When it comes to turntables, I prefer them in their natural, all-analog state.
That's just me. Mixing digits and grooves is a hot topic of late. My pal Chris Chiarella over at Home Entertainment magazine seemed to really like Denon's new DP-200USB turntable ($250). I reviewed another USB turntable last year and thought it was too much work to use.
I'm no expert in this area, but this Denon seems like a better way to go. First, you don't need a computer nearby to do the analog-to-digital thing. Chiarella just connected the turntable's analog cables to his receiver's phono input, after switching the turntable's internal Phono EQ to Off (so the Denon will work even if your receiver is phono-input challenged).
The DP-200USB's best feature is its front-panel USB port. The system's internal MP3 encoder converts analog signals to digital files. A blinking red light confirms that grooves are being digitized. Denon claims 30 LPs fit on a 1GB drive.
... Read moreI've had a lifelong love affair with radio. I was a huge Howard Stern fan, back when he was funny, and I'm into political talk, but music has always been the biggest draw. I find most of the new music I buy on the radio.
A great DJ can turn you onto great music. They work as filters, filtering out the crap, and playing stuff you might not hear anywhere else. That's what makes them great DJs.
Scelsa's on Sirius-XM's "The Loft" channel.
(Credit: Steve Guttenberg)I've been listening to Vin Scelsa since the early 1970s, starting with, I think, WABC-FM in New York City. His sets, now on Sirius/XM Satellite Radio can go on for 30 minutes or more, and the way he weaves together tunes from rock, jazz, classical, world, strange and wonderfully obscure music is unmatched. His deep knowledge and vast music library (he broadcasts out of his house) should be cited as some sort national treasure. There's something about the way Scelsa makes musical connections I never tire of.
... Read more
