"It Might Get Loud" is definitely one of the best rock documentaries I've seen in a while. Thankfully, it doesn't have a narrator spouting somber lines about the importance of it all. You don't have to suffer through inserted clips of celebrities and other musicians babbling about how great Jimmy Page, The Edge, and Jack White are.
The filmmakers cover the three guitar greats individually doing their things, but the film is at its best when the musicians get together on a film sound stage to talk shop and jam.
There's a great little scene in the beginning where White hammers together a one-string electric guitar on a 2 by 4 hunk of wood. He plugs the contraption in to an amp and wails, and it's very, very cool. Filmed interviews with Page are pretty rare, so it's especially nice to hear his side of the Led Zeppelin story.
Oh, and there's a cool clip of a very young, maybe 12- or 13-year-old Edge playing with his band. White teaches a 9-year-old actor (who is playing the 9-year-old White) how to bash away on guitar. Sounds goofy, but it totally works. My favorite scene: White and the Edge sit there, dumbstruck, watching Page rip through "Whole Lotta Love." If you love their music, that clip alone is worth the price of the Blu-ray.
Two discs serve up five-plus hours of prime Zeppelin.
The film's pacing isn't so hot, and there's not enough of the three masters actually playing together. Still, there's lots to like. By the way, all of the deleted scenes are actually better than a lot of stuff in the movie proper.
The Blu-ray looks and sounds great.
After "It Might Get Loud" I watched some of the "Led Zeppelin" two-DVD set, which is jam-packed with more than five hours of music. Page and the boys at their prime in the '70s are still flat-out amazing.
Tell us about your favorite music documentaries in the Comments section below.
Every year product life cycles in the consumer marketplace grow ever shorter and we see ever faster turnover in cameras, phones computers, and so on. On the audio side, the latest and greatest receivers become yesterday's news faster than you can say "HDMI 1.4." It seems like no receiver can stay current for more than a year or so.
Speaker companies show a little more restraint and "refresh" their lines every few years, but even then new models rarely demonstrate actual performance improvements over the previous generations' models. Speaker manufacturer Magnepan doesn't play by those rules; it invests years of development in each of its models before introducing a new speaker. It has to sound better--a lot better--than the outgoing model before it's released to the world.
The new Magneplanar 1.7
(Credit: Magnepan)And not just in the opinion of the designers. New-model Magnepans undergo extensive "blind" listening tests with a wide range of audiophile and non-audiophile listeners (the listeners don't know whether they're hearing the old or new model). The new speaker must consistently score better than the old model before it goes into production.
When I first heard the Magneplanar 1.6 back in 2008 I said it was the best under-$2,000 speaker on the market. Incredibly enough it was 10 years old at the time! The Magneplanar 1.6 has stayed in production for 12 years, but now it's about to be replaced with the new Magneplanar 1.7.
Magnepan, based in White Bear Lake, Minn., builds nothing but panel (boxless) speakers. Not only that, Magnepan designs forgo conventional dome tweeters and cone-type woofers. As I pointed out in my August 14, 2008, blog that's why the company's Magneplanar 1.6 speaker mostly avoids sounding like a speaker. The speaker earned the top position in my Top 10 greatest audiophile speakers blog earlier this year.
The new Magneplanar 1.7 is also a flat-panel design, 64.5 inches tall and a mere 2 inches thick! The new speaker looks a little more contemporary, thanks to its aluminum, wrap-around edge molding. The old model was a two-way design, with a 48-inch-tall aluminum ribbon tweeter and a 442-square-inch mid/bass panel. The Magneplanar 1.7 is a three-way design, with a woofer, tweeter, and super-tweeter. The super-tweeter comes in around 10,000 hertz and is said to produce wider dispersion and better-resolved treble than the Magneplanar 1.6 did.
The other big difference is the Magneplanar 1.7 is a "full-range" ribbon design. ... Read more
For those of you with older receivers lacking HDMI connectivity, or perhaps for audiophiles with stereo home theater systems, the Oppo BD-83 Special Edition player is for you.
You see, the new Oppo player handles the digital-to-analog conversion at a higher standard than the original--and still available--BD-83 player. So rather than use its HDMI connectivity you hookup the Special Edition's eight analog (7.1) outputs to the multichannel inputs on older receivers or sound processors. Don't worry if your receiver is limited to 5.1, the Special Edition will work perfectly well with those systems. The Special Edition would be the go-to player for HT 2.0 (stereo) systems.
(Credit:
Oppo)
The BD-83 is known for its exceptional audio and video performance, the BDP-83 Special Edition is upgraded with an all new analog audio stage and improved power supply.
The Special Edition uses the Sabre32 family of Digital-to-Analog Converters (DACs) from ESS Technology. Stereo lovers take note: the player's dedicated stereo output uses another 8-channel Sabre32 DAC chip by stacking multiple DACs for the left and right channels "to achieve even greater audio performance" in stereo. The Special Edition's HDMI output bypasses all that good stuff, so it would be a waste of money to use it that way.
The 7.1 analog outputs are the reasons to buy the Special Edition player.
(Credit: Oppo)Just like the BDP-83, the Special Edition is a Profile 2.0 Blu-ray player featuring bitstream and full decoding capability for Dolby TrueHD and DTS Master Audio.
I have no doubt musicians will continue to perform throughout the 2010s, but they'll make less and less money from recorded music. The passion to make and sell recorded music is already starting to wane.
Big record labels will be increasingly irrelevant so I wouldn't be surprised if Warner, Universal, Sony/BMG, and EMI eventually merge into one mega-label to sell and license back-catalog music. New music, that's another story. Already established bands, like Radiohead, have already proved the point: they don't need record companies anymore. They can sell their music directly to fans.
Will anybody be making 'albums' in 2020?
(Credit: Steve Guttenberg)But that model won't work for smaller groups. Recorded music for them may survive purely as a promotional tool, as fewer and fewer bands have any expectation of seeing recording as a potential source of income. Buying music, in physical form or by legal download, doesn't seem to have much of a future. So why would a band make an effort to make music people would want to listen to decades from now? The art of making albums--a suite of songs if you will--may become a rare pursuit.
... Read moreHere are my picks for the best-sounding audio products of 2009, in no particular order.
Pioneer VSX-1019AH Receiver
The VSX-1019AH has just about every gotta-have feature and its stellar performance makes it the go-to choice for sound-quality-conscious midprice receiver buyers.
Onkyo HT-RC180 Receiver
Sure, the HT-RC180 goes for around double the Pioneer's price, but its power and dynamic slam put it over the top.
Onkyo HT-S9100THX Home Theater in a Box
The HT-S9100THX is not only the best sounding HTIB on the planet, you can easily upgrade its performance by adding better speakers or subwoofer. Few HTIBs offer owners that capability.
Onkyo's HT-RC180, our favorite receiver of the year.
(Credit: Onkyo)Monster Turbine Pro (Gold) in-ear headphones
I'm a big fan of the original and still-available Monster Turbine in-ear headphones, but now that I've gotten to spend time with the Pro I can tell you this: it's simply the best $300 in-ear I've heard.
Anthony Gallo Acoustics Reference Strada Speaker
The double-balled Reference Strada ($995 each) measures a lifestyle-friendly 6.5 inches tall by 12.5 inches wide by 5.5 inches long, but the compact speaker makes a huge, room-filling sound. The Strada is jam-packed with unique technology.
Klipsch's nifty ProMedia 2.1 does bona fide stereo, and its subwoofer belts out more and better bass than single-box iPod speaker systems.
(Credit: Klipsch)I don't know why, but it seems like almost every iPod speaker I hear here at CNET is a wretched-sounding thing. Most have screechy treble, lumpy bass, and vocals never sound remotely human.
As always, you get what you pay for, and the cheapest ones tend to be the worst offenders, but hey, they're cheap.
Some, going for upward of $300 are somewhat less horrible, but for three hundred bucks, you could actually buy a nice set of hi-fi speakers.
The A2 speakers
(Credit: Audioengine)And since most iPod speakers are one-piece systems, they don't do stereo all that well. Sure, many incorporate some sort of processing to simulate stereo separation, but that usually messes up their already pitiful sound quality even more. With separate speakers, you can place them far enough apart to make stereo sound like stereo. Which stereo speakers, you ask?
I like Klipsch's little 2.1-channel iPod solution, the ProMedia 2.1 iPod/Computer Speaker system that goes for $150. It features a pair of two-way satellite speakers and a 6.5-inch powered subwoofer. Separate speakers means it does bona fide stereo, and the sub is big enough to generate real bass.
The larger A5 speakers
(Credit: Audioengine)For $199 you could buy a pair of Audioengine A2 speakers and hook them up directly to your iPod. In my opinion, the A2 sounds at least as good as any single-box $400 iPod speaker I've heard. Granted, the $600 high-end iPod speakers make a lot more bass, but it's still on the thick, boomy, and bloated side of natural. And they're $600! For that kind of dough, you could buy a small stereo receiver and actual hi-fi speakers.
You can read my complete A2 review here.
... Read more
The new preamplifier looks amazing.
(Credit: Einstein Audio Components)We're not talking about Albert Einstein, the legendary theoretical physicist; we're talking about Einstein Audio Components, a Germany-based high-end audio manufacturer.
Its advanced audio equipment designs use vacuum tubes. Its latest stereo preamplifier, The Tube MKII, uses a total of (gulp) 19 tubes. That's a lot of tubes! Most tube preamps only use four, five, or six tubes. However, here's the cool part about the new Einstein preamp: only 10 of the 19 tubes operate at any given time. Eight are used all the time, and two are selected for whichever audio source happens to be playing.
The rear panel of The Tube MKII.
(Credit: Einstein Audio Components)This feature makes The Tube MKII the only preamp in the world that lets users tailor the sound from each audio source by selecting the specific "flavor" of tube dedicated to each source. Some owners might opt for "warm" sounding tubes for the CD input, and superdetailed tubes for the phono input. Tweaky? You bet, but I guarantee a lot of wealthy tube-obsessed audiophiles will love that feature.
The 33-pound preamp has two large controls on its front panel: one for source selection and one for volume. On its rear, it has three pairs of XLR inputs, two pairs of RCA inputs, and two tape outputs.
Its build quality is superlative and is reflected in The Tube MKII's $17,800 MSRP. The preamp will make its U.S. market debut at the 2010 CES next month.
Renowned piano manufacturer Steinway & Sons has partnered with Danish high-end audio manufacturer Lyngdorf to create a new company, Steinway Lyngdorf.
The Model D stereo system
(Credit: Steinway Lyngdorf)I've met with Peter Lyngdorf many times and enthusiastically reviewed some of his products (back when his company was called TacT Audio). Lyngdorf founded, co-founded, or bought a number of high-end audio companies, including Dali Loudspeakers, NAD Electronics, Gryphon Audio, and Snell Acoustics.
Lyngdorf is also the founder and owner of Hi-Fi Klubben, Europe's largest chain of hi-fi shops specializing in high-end audio. Founded in 1980, Hi-Fi Klubben has 70 shops and is still expanding.
The Steinway connection dates back to 2005, and Steinway Lyngdorf is the first time the piano maker put its name on something other than a music instrument. Steinway Lyngdorf offers music and home theater systems.
... Read more
(Credit:
Marantz)
Marantz currently offers a full line of stereo and home theater components, but in the 1950s, the company was one of America's most prestigious hi-fi brands. Early Marantz products were designed and built by Saul B. Marantz in his home in Kew Gardens, New York. Those hand-built components now fetch huge dollars on the used market.
So naturally, I was interested in what Home Entertainment magazine's Richard Ames had to say about the Marantz UD9004 "universal" player. The $6,000 machine spins Blu-ray, SACD, DVD-Audio, and CDs.
The UD9004's rear panel.
(Credit: Marantz)It certainly looks the part: the Marantz UD9004's copper-plated chassis, thick aluminum/resin front panel, and aluminum-and-zinc die-cast parts are many steps above the build quality of mainstream Blu-ray players. The UD9004 tips the scales at a hefty 42.3 pounds, more than many receivers.
The rear panel hosts two HDMI outputs, so you can send the audio to the receiver without having to route them to the TV. On the analog side, you get XLR balanced outputs for the main left/right, and eight channels of RCA outputs for surround.
Inside, there are 32-bit Analog Devices SHARC processors for the HD audio decoding and up to 192 kHz/32-bit digital-to-audio conversion on all channels.
The luxury feel of the disc drawer, and the way it silently slides in and out, doesn't happen with most Blu-ray players.
Ames found the sound to be "incredibly lifelike; you can hear the notes reverberate though the recording space, not just the initial notes."
Some may quibble about the "need" for a $6,000 Blu-ray player, but the same guilt trip could be laid on any number of luxury products. No one needs a $122,000 Porsche Panamera 4S to drive to work, or a $7,000 Canon EOS-1Ds Mark III digital SLR camera to take a picture. But some people who can afford the best buy it, and the Marantz UD9004 is for them.
I'm not a big fan of small speakers or subwoofers.
They tend to sound, well, small, and most of them squash the life out of films and music.
Thing is, people like tiny speakers and subs, so lots of speaker companies make, and sell tons of iffy-sounding 5.1 systems.
The Definitive Technology ProCinema 600 system.
(Credit: Definitive Technology)But they're not all bad, I've cherry-picked three truly exceptional alternatives from Definitive Technology, Energy Speakers, and Mirage. My complete reviews are all on CNET, but I'll run down the highlights here.
The Definitive Technology ProCinema 600 System is a six-piece package with four 7-inch tall satellite speakers, one 10.5-inch wide center speaker, and a minisubwoofer. The injection-molded mineral-filled polymer cabinets have more of a high-end feel than your typical plastic or fiberboard cabinets. Can you say "rock solid?"
The subwoofer is a conventional, matte-finished medium-density-fiberboard box. It measures 13 by 10.3 by 13 inches. Its side-mounted volume control is a convenient design touch.
The satellites are two-way designs with a 1-inch aluminum-ceramic dome tweeter and a 3.25-inch midrange driver. Ah, but the midrange driver is acoustically coupled to a 3.25-inch pressure-driven planar low-frequency radiator on the top panel (so when the midrange driver moves in, the passive radiator moves out, and vice-versa).
The passive radiator effectively doubles the bass radiating area of the tiny midrange driver. The same technique is employed on the center channel speaker; it has a pair of 3.25-inch midrange drivers flanking a 1-inch tweeter--and there's a 3.25-inch radiator on each side of the speaker.
The subwoofer's 8-inch polymer cone woofer is acoustically coupled to a bottom-mounted 8-inch passive radiator. The combined radiating area of the driver and radiator is almost equivalent to a single 12-inch woofer. This little sub kicks butt!
... Read more
