The Audioengine P4 is a cheap speaker.
Correction, it's an audiophile speaker that sells for $249 a pair. But that hasn't stopped it from getting raves from audiophiles who live with speakers that sell for a whole lot more.
I use Audioengine A2 self-powered speakers ($199 a pair) with my computer, so I thought I had a handle on what to expect from the P4.
The review P4 speaker sported a real, solid bamboo cabinet, wow!
(Credit: Steve Guttenberg)I did not; it's a whole new ball game. First, the P4 is a "passive" speaker, so you need to hook it up to an amplifier or receiver. The A2 is an "active" self-powered design that can be connected to a computer or MP3 player via a headphone jack.
I started listening to the P4 with my computer, with the speakers hooked up to an old Jolida hybrid tube/solid-state amplifier. The A2 is a sweet sounding little speaker, but the P4 was dramatically clearer, cleaner, and more vibrant. The P4 blows the A2 away--it's not even close.
At 9 inches tall by 5.5 inches wide by 6.5 inches deep, the P4 looks like a larger A2 (the A2 is 6 inches high by 4 inches wide by 5.25 inches deep). The P4 comes in satin-finished black or gloss white paint for $249 a pair, or in bamboo for $325 a pair. The wood isn't merely a veneer over medium-density fiberboard; no, the P4's cabinet is made out of solid bamboo, it's gorgeous!
Audioengine offers a nifty tabletop stand, the DS1 ($29 a pair), that cants the speaker back at an angle to project sounds up. The rubbery stands also isolate the speaker and prevent it from transmitting bass into your desk. Want to wall mount it? No problem, use the threaded inserts on the speaker's rear-end.
The P4's three-quarter inch silk dome tweeter and 4-inch Kevlar woofer appear to be of very high quality. Both drivers are made by Audioengine.
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The Grado PS-1000 headphone
The Grado PS-1000, Sennheiser HD 800, and Ultrasone Edition 8 full-size headphones all sound amazing. They're all expensive to buy, but if you listen to headphones with your hi-fi or computer, they might be worth the investment. Which one is right for you?
That depends. First, they sound very different from each other. To get the full scoop, read my CNET reviews of the Grado PS-1000, Sennheiser HD 800, and Ultrasone Edition 8 headphones.
My personal favorite was the Grado, as it was the most exciting to listen to. It seemed to bring out details more, and its dynamic impact was simply more visceral than the other two headphones. It worked well enough with my iPod, sounded acceptable with my Onkyo TX-SR805 receiver, and best with my Woo Audio WA6 Special Edition headphone amplifier.
The Ultrasone Edition 8
Which reminds me, if you're going to spend big bucks on a headphone, check out dedicated headphone amplifiers. I've blogged about Woo's amps many times, and they offer models starting at $470. I will try to get around to covering other brands soon.
The Ultrasone was the bass champ of the three headphones. If you love bass and you want to feel it, check out the Edition 8. As I said in the review, it gets closer to the full sound of a large floor-standing speaker than the other headphones. It's also the most iPod/MP3 player-compatible deluxe headphone I've heard. I couldn't believe how good it made my iPod sound.
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The Wadia stack brings out the very best in iPod sound.
(Credit: Steve Guttenberg)The Rocky Mountain Audio Fest 2009, held last week in Denver, showcased the best and brightest in new high-end headphones and iPod sound enhancing gear.
I blogged about Wadia's super iPod dock, the 170i Transport last year, and Wadia now has a matching digital-to-analog converter/power amplifier, the 151. It has one USB, one Toslink, and two coax inputs. The 170i was the first "dock" to extract a digital output from an unmodified iPod, so for those who really care about sound quality, the Wadia 151 will be the way to go. The 151 PowerDAC will soon be available in black and silver.
Jack Wu standing next to the best-sounding headphone rig at the show.
(Credit: Steve Guttenberg)Jack Wu of Woo Audio brought a nice selection of his tube headphone amplifiers to the show. I'm a huge fan of Woo Audio, its amps have made my Grado and Sennheiser headphones sound better than ever. Woo was also showing prototypes of its upcoming digital-to-analog converters, the sound showed great promise.
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The Limited Edition System amplifier.
(Credit: EMP Tek)High-end audio can be expensive, but there are deals to be had.
Take a gander at EMP Tek's nifty Limited Edition System that goes for $595. It's a three-piece affair with a stereo tube integrated amplifier and a pair of sweet-looking bookshelf speakers.
Call me jaded, but I've heard a bunch of iPod speaker systems in that price range that sounded like glorified boom boxes. And since most of them are single-box systems they don't do much in the way of stereo separation. Yes, they make bass, but it's always bloated, thick, and boomy bass. Impressive to some at first, but its not what you'd call hi-fi sound. These iPod systems' power amp wattage is rarely specified or it's wildly exaggerated. For $600 you should be able to get a decent sounding system, and there's no such thing as a decent sounding iPod speaker for that kind of money.
The EMP Tek Limited Edition System is something else again. Its 40-watt-per-channel rating seems about right. Small enough to fit on a desktop, it's just 6.6 inches wide, 4.5 high, and 10.25 deep, and the amp has three inputs. Two are minijacks, so you can plug your iPod/MP3 player in, and there's a stereo RCA input you might use to pump the sound of your DVD or Blu-ray player through the system. The amp's two tubes are backlit with blue LEDs, which look extra cool. The amp weighs 8 pounds.
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Grado's GS-1000 features solid mahogany earcups.
(Credit: Steve Guttenberg)Headphone lovers of the world unite! We now have our own wiki, Wikiphonia.
Headphones are hugely popular now, but they were around long before "i" and "Pod" ever got together. The history is long and deep, and Wikiphonia is a fantastic resource for anyone who wants to know more about headphone technology and related information.
Headphone geeks are a breed apart from audiophiles as I know them, but they're an even more intense bunch. One of the great things about headphonia is you can get in pretty deep without a big investment. Hard-core types like to build their own headphone amplifiers.
Wikiphonia has an entry that covers 1970s era USSR copies of Western headphone technologies and designs, "The copying was done out in the open, probably and correctly, they figured no one would start a conflict with a superpower over a few headphone patents."
For me, it all started with Sennheiser's HD 414. Its bright yellow earpads were super cool, and the sound was awesome. Back in the early 1970s it was a really big deal, a giant leap better than anything I'd ever heard. You can read all about it on Wikiphonia.
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The Phonofone II
(Credit: Tristan Zimmermann)I'm no fan of iPod speakers; most of the ones I hear at the CNET offices tend to sound pretty awful. But Tristan Zimmermann's Phonofone II iPod speaker is just so cool I couldn't resist writing about it. The ceramic device uses what looks like a miniature horn modeled after an old-fashioned Victrola.
Conceptually the Phonofone II owes a lot to the earliest pure acoustic record players that made sound without electrical amplification. I have heard some of those sound remarkably good. Victor-Victrolas were made from 1901 to 1929.
According to Unica Home's Web site the Phonofone II "... boosts the audio output of standard earphones to up to 55 decibels (or roughly the maximum volume of laptop speakers) upon connecting active earphones to the Phonofone their trebly buzzing is instantly and profoundly transformed into a warm, rich and resonant sound." In other words the horn acoustically amplifies the sound of the earbud/headphone driver.
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Plug 'em into an iPod or your computer
(Credit: Steve Guttenberg)A couple of days ago I blogged about possibly (hopefully) the world's most expensive speaker, Transmission Audio's Ultimate ($1,000,000 each), so I guess it makes sense to write up a dirt cheap speaker, Kikkerland's Woodchuck iPod/computer speakers.
Thing is, Kikkerland's Web site doesn't list the Woodchuck, but I see it's on Amazon going for $13.99 a pair. So I guess I can't complain too much, but the sound is so weak, bassless, trebleless, and dynamically compressed the Woodchuck is without doubt the lamest sounding speaker I've ever heard. Kinda sounds like the speaker in my Panasonic answering machine.
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There are lots of very expensive parts inside this high-end CD player
(Credit: Steve Guttenberg)We've all read those blogs that "reveal" the parts cost of a fill-in-the-blank, Kindle, iPod, or Palm Pre. If you ask me, this simplistic, by-the-numbers gambit overlooks most of the costs of bringing a product to market.
First and foremost, products, all products, are priced to what the market will pay. I don't care if it's a 16-ounce bottle of Poland Spring water, Coldplay concert tickets, or a Ferrari 599 GTB Fiorano, retail prices are determined by what the market will pay. And luxury products have higher profit margins than mass market stuff. Oh really?
But the mindless rash of blogs that purport to add up the parts costs, for example $39.51 for the display, $15.96 for 8 gigabytes of flash memory, $15.41 for components, and $12.39 for the 3-megapixel camera, to calculate the cost of anything are hugely misleading. The writer merely subtracts the parts cost from the retail price and concludes the difference is the "profit."
Does the writer assume the company's factory doesn't pay rent or for electricity or heating and air conditioning? And that the factory labor force works for free?
These articles completely ignore other costs, such as research and development and engineering expenses associated with creating say, a Kindle. Manufacturers also pay significant licensing fees for technology used in their products.
Shipping costs of large products such as flat-screen TVs must be factored in before determining the final cost to the consumer.
Oh, and what about the online or brick and mortar retailer? They have their own set of expenses for rent and employees. Some of whom might need health insurance.
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(Credit:
Steve Guttenberg)
What's wrong with you?
Doesn't everybody have at least one of these things? I'm just curious, is there anyone out there who flat-out refuses to buy an iPod or Zune or whatever? Are you just bucking the trend? Oh, and please tell us how old you are. I want to know if there are any iPod-less kids reading the Audiophiliac.
The Icon comes in four colors.
(Credit: NuForce)I heard the NuForce Icon (briefly) at the Rocky Mountain Audio Fest last year, and the little bugger was astounding. The anodized aluminum chassis is available in four snazzy colors. It feels well made.
Stereophile's Wes Phillips reviewed it for real. He even had the nerve to hook up the teeny NuForce Icon to a pair of Definitive Technology Mythos STS SuperTower speakers, and Phillips was bowled over by the sound! The sheer incongruity of the match-up was disarming, but in the end Phillips heard the limitations of the NuForce Icon. Used as intended driving small speakers, it's tough to beat for its size and price.
It has USB, 3.5mm, and stereo RCA inputs; and headphone and speaker-level outputs. It's a 12-watt-per-channel desktop amp, so NuForce isn't touting the Icon as a giant killer, just that it'll sound sweet used in the context of a desktop audio system. Did I mention it's little, just 1 by 4.5 by 6 inches, and weighs one pound?
The S-1 speaker.
(Credit: NuForce)NuForce also offers a matching speaker, the S-1, for $249 a pair. There's also a subwoofer, the W-1, that goes for, you guessed it, $249.
The W-1 subwoofer
(Credit: NuForce)



