The Audiophiliac

Renowned piano manufacturer Steinway & Sons has partnered with Danish high-end audio manufacturer Lyngdorf to create a new company, Steinway Lyngdorf.

The Model D stereo system

(Credit: Steinway Lyngdorf)

I've met with Peter Lyngdorf many times and enthusiastically reviewed some of his products (back when his company was called TacT Audio). Lyngdorf founded, co-founded, or bought a number of high-end audio companies, including Dali Loudspeakers, NAD Electronics, Gryphon Audio, and Snell Acoustics.

Lyngdorf is also the founder and owner of Hi-Fi Klubben, Europe's largest chain of hi-fi shops specializing in high-end audio. Founded in 1980, Hi-Fi Klubben has 70 shops and is still expanding.

The Steinway connection dates back to 2005, and Steinway Lyngdorf is the first time the piano maker put its name on something other than a music instrument. Steinway Lyngdorf offers music and home theater systems.

(Credit: Marantz)

Marantz currently offers a full line of stereo and home theater components, but in the 1950s, the company was one of America's most prestigious hi-fi brands. Early Marantz products were designed and built by Saul B. Marantz in his home in Kew Gardens, New York. Those hand-built components now fetch huge dollars on the used market.

So naturally, I was interested in what Home Entertainment magazine's Richard Ames had to say about the Marantz UD9004 "universal" player. The $6,000 machine spins Blu-ray, SACD, DVD-Audio, and CDs.

The UD9004's rear panel.

(Credit: Marantz)

It certainly looks the part: the Marantz UD9004's copper-plated chassis, thick aluminum/resin front panel, and aluminum-and-zinc die-cast parts are many steps above the build quality of mainstream Blu-ray players. The UD9004 tips the scales at a hefty 42.3 pounds, more than many receivers.

The rear panel hosts two HDMI outputs, so you can send the audio to the receiver without having to route them to the TV. On the analog side, you get XLR balanced outputs for the main left/right, and eight channels of RCA outputs for surround.

Inside, there are 32-bit Analog Devices SHARC processors for the HD audio decoding and up to 192 kHz/32-bit digital-to-audio conversion on all channels.

The luxury feel of the disc drawer, and the way it silently slides in and out, doesn't happen with most Blu-ray players.

Ames found the sound to be "incredibly lifelike; you can hear the notes reverberate though the recording space, not just the initial notes."

Some may quibble about the "need" for a $6,000 Blu-ray player, but the same guilt trip could be laid on any number of luxury products. No one needs a $122,000 Porsche Panamera 4S to drive to work, or a $7,000 Canon EOS-1Ds Mark III digital SLR camera to take a picture. But some people who can afford the best buy it, and the Marantz UD9004 is for them.

I'm not a big fan of small speakers or subwoofers.

They tend to sound, well, small, and most of them squash the life out of films and music.

Thing is, people like tiny speakers and subs, so lots of speaker companies make, and sell tons of iffy-sounding 5.1 systems.

The Definitive Technology ProCinema 600 system.

(Credit: Definitive Technology)

But they're not all bad, I've cherry-picked three truly exceptional alternatives from Definitive Technology, Energy Speakers, and Mirage. My complete reviews are all on CNET, but I'll run down the highlights here.

The Definitive Technology ProCinema 600 System is a six-piece package with four 7-inch tall satellite speakers, one 10.5-inch wide center speaker, and a minisubwoofer. The injection-molded mineral-filled polymer cabinets have more of a high-end feel than your typical plastic or fiberboard cabinets. Can you say "rock solid?"

The subwoofer is a conventional, matte-finished medium-density-fiberboard box. It measures 13 by 10.3 by 13 inches. Its side-mounted volume control is a convenient design touch.

The satellites are two-way designs with a 1-inch aluminum-ceramic dome tweeter and a 3.25-inch midrange driver. Ah, but the midrange driver is acoustically coupled to a 3.25-inch pressure-driven planar low-frequency radiator on the top panel (so when the midrange driver moves in, the passive radiator moves out, and vice-versa).

The passive radiator effectively doubles the bass radiating area of the tiny midrange driver. The same technique is employed on the center channel speaker; it has a pair of 3.25-inch midrange drivers flanking a 1-inch tweeter--and there's a 3.25-inch radiator on each side of the speaker.

The subwoofer's 8-inch polymer cone woofer is acoustically coupled to a bottom-mounted 8-inch passive radiator. The combined radiating area of the driver and radiator is almost equivalent to a single 12-inch woofer. This little sub kicks butt!

If you listen to music over your iPod or computer, it's safe to say you're listening in stereo.

Cars are a different story; they can have speakers in all sorts of places, so I'll grant that music in the car may not be in stereo.

But the music itself at least started out as stereo; MP3s and CDs are strictly stereo, so unless you listen to a lot of 5.1 channel SACDs or DVD-Audio discs, stereo is where it's at.

For around the same money, which sounds better?

Most, but not all post-1980 films are available in 5.1. So if you have a 5.1-channel home theater, surround is where it's at. But there's a catch; most people, I'm guessing at least 75 percent, listen to movies with the speakers built into their TVs. Which are, after all, stereo speakers.

So again, stereo wins the popularity contest. And if you're watching movies on a portable device or computer, yup, you're listening to stereo.

The movie companies are certainly aware that once their film leaves theaters most folks will be listening to the stereo mix. They make sure it sounds great.

My personal home theater is a 2.0 (no subwoofer) system. I'm no fan of special-effects-driven films; I go for dramas and concert films. What can I say? Stereo fits my lifestyle/aesthetic perfectly.

I'm not claiming 5.1-, 6.1-, or 7.1-multichannel sound is "bad"; not at all. In fact, I think the quality of movie surround mixes has steadily improved over the years. I listen to them when I'm reviewing gear all the time, but I don't need to hear surround at home. For me film is about the quality of the story, acting, and cinematography. The sound? Sure, it's extremely important, but it's there to support the picture.

How about you? Do you listen to movies in stereo?

The best of today's home theater in a box systems are excellent, but how do you find the one that's right for you?

First, read my CNET reviews; they're loaded with information about how easy the HTIB is to use and how well it performs. It may be a dubious honor, but I probably hold the record for testing more HTIBs for magazines and Web sites than any other reviewer.

Most HTIBs come with Blu-ray or DVD players, receivers, and five or more speakers and a subwoofer. Right, HTIBs also come with lots of wires and setup chores, so they're almost as complex to install as separate receiver, player, and speaker-based home theater systems.

Onkyo's HT-S9100THX is the best-sounding HTIB on the planet.

(Credit: Onkyo)

If that's more than you bargained for, maybe you should be looking for something simpler: a single-speaker surround system? That would eliminate most of the wiring and setup hassles. Check my CNET reviews to see if one is right for you.

For small bedrooms or dorm rooms, a budget HTIB or single-speaker surround system may be ideal. Family-size home theaters may require larger systems with larger speakers and powered subwoofers.

Connectivity varies a lot in this category, so don't assume all HTIBs have what you need. If you don't want to switch inputs on your TV every time you select a different video source, say from a game system to a Blu-ray player, make sure the HTIB has enough HDMI and other video inputs. Some HTIBs don't switch video at all. Some have USB inputs and iPod-docking capabilities.

HTIBs tend to sound best with movies; music comes in a distant second place. I always refer to HTIBs' performance with movies and music, so if you plan on listening to a lot of music over your new system, definitely look for that in the reviews. Don't assume the sound will be equally good for music and movies; it rarely is.

The Force tower speaker.

(Credit: Perfect8 Technologies)

Getting crystal clear sound never comes cheap, but Perfect8 Technologies' ultimate Perfect8 5.1 system shatters the price ceiling for glass-speaker systems.

The $566,000 ensemble consists of two Force tower speakers for the front left and right, a Force Center channel speaker, and a pair of Point speakers as surround speakers. If stereo is all that you need, a pair of Points go for a more modest $149,000. The advanced-technology designs represent the latest thinking in "see through," highly transparent sound quality.

Perdect8 Technologies is a Swedish manufacturer of high-end ribbon tweeters. dynamic loudspeakers, and subwoofers. The company was founded in 2005 with a mission: produce the world's most exclusive and best sounding loudspeaker systems.

Since I haven't actually heard any Perdect8 speakers, I'm in no position to judge their sound; however, the company is developing a buzz among adventurous and wealthy audiophiles.

I discovered Perfect8 Technologies' glass speakers on the Ultimate AV Web site.

You'll find more images of Perfect8 Technologies' glass speakers after the jump.

The Z-Base575 is a speaker and a TV base.

(Credit: Zvox)

Sound bar speakers vastly simplify home theater setup and installation, but their sound quality always falls short of bona fide 5.1-channel speaker-subwoofer-based systems. The single-box Zvox Z-Base575 get closer to that ideal than most.

The problem with sound bars is they're too small. Even pricey bars like Yamaha's YSP-3050 ($1,199 MSRP) can't generate full-blown home theater impact. And it's a bit bigger than average (31.5 inches wide by 6.1 inches high by 6 inches deep), but films like "Mission: Impossible III" sound tepid over the YSP-3050. The film's explosive effects lack the excitement you'd get from a 5.1 system. Yamaha's technology is amazing, but it can't produce high-impact sound from skinny cabinets. I'm not singling out Yamaha here; Denon, Marantz, Polk, Samsung, and Sony sound bars all--to varying degrees--squash dynamic range of movies.

Stepping up to the YSP-4000 ($1,600 MSRP) won't make that big a difference; in my CNET review I noted that it stumbled with big special effect-driven flicks like "Mission: Impossible III." The explosions fell flat, the bass was rumbly, and the Yamaha couldn't play loud at all. Hooking up an Acoustic Research HT60 subwoofer to add extra muscle helped a little, but the YSP-4000 still lacked punch.

Part of the problem is that almost all sound bar speakers are too small. Zvox's Z-Base575 is big and very, very deep. How deep is it? Sixteen inches! So unlike other surround bar speaker systems that can either be wall-mounted or set on a shelf, the Z-Base575 was designed to be used as a base under your TV. Don't worry, the sturdy medium-density fiberboard cabinet can support heavyweight displays.

A cutaway drawing of an Ohm CLS Driver.

(Credit: Ohm Acoustics)

Ohm offers a micro tower that will even fit in cramped rooms.

(Credit: Ohm Acoustics)

I remember listening to Ohm Acoustics speakers ages ago, but I've lost track of the company. Founded in 1971, Ohm Acoustics is still around and still building all of its speakers in Brooklyn.

Ohm speakers feature radical technology, and it's not just that they're omnidirectional designs.

Ohm Micro Walsh tower speakers.

(Credit: Ohm Acoustics)

Quoting from the Ohm Web site, here's how the technology works: "The Ohm CLS Driver is a vertical line source that combines inherently perfect time and phase alignment and uniform polar frequency response....At the source, the sound originates simultaneously from the face of the super tweeter and the top of the inverted cone driver..." Translation: they sound good.

The CLS Driver looks like a downward-facing cone, but its sound radiates up and out, in a near 360-degree radiation pattern. In all Ohm designs a single CLS Driver produces bass, midrange, and most treble frequencies; no wonder it sounds nothing like speakers that use separate woofer, midrange, and tweeter drivers.

During my recent factory visit I listened to a set of Ohm Micro Walsh speakers ($1,000 a pair). They're skinny towers: 36 inches high, 6 inches by 6 inches wide, and deep. Even within the huge factory space, the wee towers sounded huge. Bass wasn't super deep, but it was rich and warm. There's no need to add a subwoofer for stereo systems; and larger Ohm speakers sound much the same but can play louder and make deeper bass.

McIntosh Labs president Charlie Randall and some of his favorite things.

(Credit: Steve Guttenberg)

Totem Acoustic's Vince Bruzzese with one of his latest creations.

(Credit: Steve Guttenberg)

Recession? What recession? New York City's venerable fixture of high-end audio and video, Stereo Exchange, celebrates its 25th anniversary this weekend. It's running a sale through Sunday, November 8 with substantial discounts on select products from several manufacturers. The opening night party on Thursday was jam-packed and there were no shortage of customers!

For the opening night party, many of the participating companies were demonstrating their wares. Featured products on display include: Panasonic's new 85-inch plasma HDTV; NAD's new M2 Direct Digital Amplifier; McIntosh Labs' MEN220 Room Correction System; and Grado's PS 1000 headphones, which I just reviewed for CNET.

Stereo Exchange also sells Anthony Gallo Acoustics, Arcam, Audio Research, Ayre, B&W, Crestron, Furman, Integra, JA Michel, Kaleidescape, Marantz, Meridian, Peachtree Audio, REL, Rotel, Sonus Faber, Totem Acoustic, Transparent Cable, and Wadia. Stereo systems at Stereo Exchange start about $1,000.

For more information on Stereo Exchange, visit its Web site.

The best sounding room at Stereo Exchange featured Vienna Acoustics speakers and Ayre electronics.

(Credit: Steve Guttenberg)