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April 15, 2009 2:14 PM PDT

Sony, Zeiss renew lens partnership

by Stephen Shankland
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Carl Zeiss' camera lens division renewed a partnership with Sony for another five years, the companies announced Wednesday.

The partnership began in 1996 with a Sony camcorder using a Zeiss lens, then extended to compact cameras. More recently, with Sony's entry into the SLR market, Zeiss-branded lenses are available on those high-end cameras, too.

Another electronics giant making its way into the camera market, Panasonic, has adopted a similar strategy with another German camera company renowned for its engineering, Leica.

March 2, 2009 7:58 PM PST

Sony previews supertelephoto, other SLR lenses

by Stephen Shankland
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Sony showed concept models of six new SLR lenses at the PMA show.

Sony showed concept models of six new SLR lenses at the PMA show.

(Credit: Stephen Shankland/CNET News)

LAS VEGAS--Sony showed off models of a forthcoming supertelephoto and five other lenses Monday at the Photo Marketing Association trade show, a new sign the electronics giant is holding tight to its ambition to be a major player in the digital SLR market

"Sony is passionate in proving better lens development," said Shigeki Ishizuka, president of Sony's digital imaging business group, at a news conference held here in conjunction with PMA. He said Sony now ranks third in the SLR market.

... Read more
Originally posted at PMA 2009
December 9, 2008 7:39 AM PST

A humorous rant about the Nikon D3X

by Stephen Shankland
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There's something of a cottage industry on the Internet of making parodies through artful subtitles of Der Untergang, a movie about the last throes of the Third Reich. And now there's one that takes on Nikon's D3X, the company's new $8,000, 24.5-megapixel SLR.

The subtitles depict Adolf Hitler coming to terms with the arrival of Sony's Alpha A900. One amusing moment comes when a minion listening to Hitler's rant comforts a weeping colleague, "There, there, I hear he shoots only JPEG." (In case the humor is lost on you, that's a jab at pixel-peeping camera snobs such as myself who prefer to shoot raw images.)

According to The Online Photographer, where I spotted the video Tuesday, the parody is by Nikon D3 photographer Samuel Vert.

October 23, 2008 3:15 PM PDT

Raw-image viewer gets new camera support

by Stephen Shankland
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A new update expands the range of cameras supported by a program that can ease the pains photography buffs often have when viewing images stored in hard-to-decode raw image formats.

Michael Tapes released Instant JPEG from Raw 1.1 on Wednesday, a month after the IJFR debut. The software extends file-browser software to show thumbnail views of raw images, doing so by extracting the JPEG that's typically stored within the raw image.

Photo enthusiasts and pros like raw files for their flexibility, but because each camera has its own format, handling them can be a pain. IJFR extends Mac OS X and Windows file browsers so it can show a rough-and-ready JPEG preview version of a raw file, which often is enough to sort or identify images.

The new version supports Sony raw files and a number of new cameras, Tapes said: Canon's 50D, the Panasonic LX3, the Sigma DP-1, and Leica's M8.

October 10, 2008 12:00 PM PDT

Adobe embraces latest Canon, Nikon, Sony SLRs

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Now supported by Adobe: Sony's new top-end Alpha A900 SLR.

Now supported by Adobe: Sony's new top-end Alpha A900 SLR.

(Credit: Sony)

Adobe Systems has updated Photoshop's ability to deal with raw-format images from several of the latest SLR cameras with its new version 4.6 of the Camera Raw plug-in. Adobe's John Nack has the download links.

Less than a month after beginning beta testing, the final version is out with support for Canon's newer entry-level EOS Rebel XS, its brand-new midrange EOS 50D, Nikon's freshly released midrange D90 and full-frame D700, Pentax's newest entry-level model, the K2000, and Sony's ambitious 24-megapixel full-frame Alpha A900.

Also released is a new version of the DNG Converter software, which can help out people with older, more limited, or slower-moving software handle the newer file formats by converting them into Adobe Digital Negative (DNG) format. Raw files, which are taken directly from camera image sensors with no in-camera processing such as sharpening or color balance, preserve more detail than JPEG but require manual processing. And keeping up with the numerous proprietary raw formats is a lot of work for software companies.

In more rarefied realms, the new software supports several medium-format products from Leaf, the Aptus II 6 and 7 digital backs and AFi II 6 and 7 camera bodies. Also on the list is the more unusual Fujifilm FinePix IS Pro, an SLR that can be used to take infrared and ultraviolet light photos.

The software also supports some higher-end compact cameras that can produce raw images, including the Sigma DP1, the Olympus SP-565 UZ, and the Nikon Coolpix P6000.

The new cameras are also supported in Lightroom 2.1, currently in beta. And if the fleeting lag between the Camera Raw plug-in beta and the Lightroom 2.1 beta is anything to judge by, the final version of Lightroom 2.1 should arrive soon.

September 18, 2008 8:40 AM PDT

Adobe supports latest Nikon SLRs; Canon next

by Stephen Shankland
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(Credit: Nikon USA)

New beta software for Adobe Systems' Photoshop means those with Nikon's latest SLRs, the mid-range D90 and higher-end, full-frame D700, now can handle those cameras' raw files with the company's widely used image-editing software.

In addition, the software supports Nikon's Coolpix P6000, a high-end compact camera, and the Fuji Finepix IS Pro, said Adobe's Tom Hogarty in a blog post Wednesday.

The update includes unofficial, preliminary support for Canon's 50D, a mid-range SLR due to ship in October, Canon's new low-end Rebel XS, Sony's ambitious full-frame Alpha A900 SLR due in November, the Olympus SP-565 UZ ultrazoom compact, and Sigma's large-sensor DP1 compact, Hogarty said.

In addition, Adobe released an accompanying version of its DNG Converter software, which changes the proprietary raw file formats from higher-end cameras into Adobe's relatively open Digital Negative (DNG) format. That means people have a bridge to get the new cameras' raw files into Lightroom, which doesn't yet support the new cameras.

No word yet on other higher-end cameras such as Canon's G10 or EOS 5D Mark II.

The Camera Raw 4.6 update and DNG Converter is available from Adobe Labs' site.

(Via Lightroom-News.com)

January 31, 2008 2:27 PM PST

Sony's new SLR adds heft to full-frame market

by Stephen Shankland
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With a Thursday announcement about a flagship SLR due later this year, Sony has become the third manufacturer to bet on the full-frame camera market.

(Credit: Stephen Shankland/CNET Networks)

LAS VEGAS--The heyday of 35mm film SLR cameras is long past, but one foundation of the technology is staging something of a comeback with new help from Sony.

The vast majority of digital single-lens reflex cameras today use an image sensor that's smaller than a full frame of 35mm film, which means lenses behave somewhat differently than on a film camera. For years, only Canon sold SLRs with a full-frame sensor, but Nikon entered the market with its top-end D3 late in 2007. At the Photo Marketing Association trade show Thursday, Sony announced its forthcoming "flagship" Alpha-branded SLR will follow suit.

"We will commercialize this model by the end of this year," said Toru Katsumoto, senior general manager of Sony's digital imaging business group. "This model uses a full-frame size, 24.6 megapixel, CMOS censor with Exmor technology"--specifically, Sony's full-frame sensor, he said.

Sony hopes the company's flagship SLR will appeal to professional photographers, but Katsumoto said in an interview that's not the main thrust for the camera.

"It's not for the real professional," Katsumoto said of the flagship model. "We'd like to make this camera of course for professionals, but also for enthusiasts and high-end amateurs."

Sony's move helps the full-frame remain relevant and perhaps spread it a bit more widely. But don't expect the full-frame format to dominate the way it did in the 35mm film era.

Full-frame economics
It's much more expensive to manufacture larger image sensors. Other SLR makers--Olympus, Pentax, Panasonic, Leica, and Samsung--use smaller sensors only, and Nikon and Canon say their small-sensor camera lines are here to stay. Camera makers also have been selling lenses that are geared specifically for small sensors and that sometimes don't work on full-frame models.

Sony SLR

Smaller-sensor SLRs are a much larger market. Of the 2007 SLR market, fully 23 percent cost $600 or less, according to data released Thursday by NPD Group. For comparison, the cheapest full-frame model today, Canon's 5D, costs about $2,100 with no lens.

And chip-manufacturing improvements that could lower the cost of full-frame sensors help with smaller sensors.

"Any advance...would apply to both large- and small-format sensors. If CMOS suddenly got less expensive, then small-format would have an even smaller cost per sensor," said Mike DeLuca, a market segment manager for Eastman Kodak's professional and applied imaging group, which designs both small and very large image sensors.

From entry-level to flagship
That Sony is willing to tackle the difficult economics of the full-frame SLR market with its new Alpha provides further evidence that Sony is serious with its SLR push.

"This year, Alpha will proceed to its main stage," Katsumoto said. "We will address the whole spectrum of digital SLR segments this year ranging from entry-level to flagship."

Full-frame cameras can offer greater sensitivity for a given megapixel count because individual pixels are larger and gather more light. Sony's flagship Alpha, just shy of 25 megapixels, puts pixel count in the driver's seat. In contrast, Nikon's 12-megapixel D3 emphasizes bigger pixels with good low-light performance.

Another advantage of full-frame cameras is that lenses owned by 35mm film buffs work the way they were designed to. Small-frame cameras crop out the outer portions of the frame, making it harder to achieve wide-angle views. That could be relevant for customers who own lenses from Konica Minolta, whose camera assets Sony purchased to jump-start its SLR push.

"Full-frame still has advantages," said InfoTrends analyst Ed Lee. "It'll get you back all the wide-angle viewing."

January 7, 2008 5:13 PM PST

Underexposed blog: Links of the day

by Stephen Shankland
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December 26, 2007 2:08 PM PST

Underexposed blog: Links of the day

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December 21, 2007 8:52 AM PST

Underexposed blog: Links of the day

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With eye to the future, try raw photos today

Raw photos are a hassle compared to JPEG. But if you like photography, the list of their image quality advantages is long and getting longer.

Inside the Apple, er, Microsoft Store

Although Redmond's foray into retail bears a big resemblance to Apple's approach, Microsoft has added some distinctive features to draw casual PC buyers and techies alike.

About Underexposed

This blog sheds light on digital photography subjects such as cameras, photo editing, and Web sites. Shankland joined CNET News in 1998 after a five-year stint as a science writer. He's a lab rat who grew up in Los Alamos, N.M., and graduated from Harvard.

Contact Stephen at Stephen.Shankland@cnet.com

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